Virgil's poem emphasizes the hero's political role as founder of Rome, marked by the famous break in his wanderings when he hopes that he can settle down with the Queen of Carthage, Dido; instead, he must continue to Italy and marry the king's daughter (a character on whom Virgil wastes no interest or sentiment) in order to found a great lineage. The French author is particularly interested in the hero's romantic relationships, both with Dido and with the princess Lavine, who becomes the central character of the later part of the romance. Lavine and Enéas fall in love at first sight, and it is important to her to know that this love transcends his merely lustful relationship with Dido (and possible feelings for other men, too). For Enéas, this true love provides the strength and motive he needs to win the war against Lavine's former fiancé, Turnus. The vivid woman characters of this romance discuss with each other and with themselves the meaning of love in a light but touching way that was new in vernacular literature, and modeled on Ovid rather than on Virgil. At about this time—or a little later—other authors, such as Chrétien de Troyes and Thomas of Britain, were also learning to pause their narratives to allow their characters to consider the nature and power of love.