|Born||Ronald Elwin Neame
23 April 1911
London, UK, United Kingdom
|Died||16 June 2010
Los Angeles, California, United States
|Cause of death||Accident Fall|
|Residence||Los Angeles, California|
|Alma mater||University College School|
|Occupation||Director, cinematographer, producer, screenwriter|
|Home town||London, England|
|Spouse(s)||Beryl Heanly (1933–1992; divorced)
Donna Friedberg (1993–2010); (his death)
|Children||Christopher Neame (b. 1942)|
Neame's parents were the photographer Elwin Neame and the actress Ivy Close. He studied at University College School and Hurstpierpoint College. His father died in 1923, and Neame took a job with the Anglo-Persian Oil Company as an office boy. Later, through his mother's contacts in the British film industry, Neame started at Elstree Studios as a messenger boy.
He was fortunate enough to be hired as an assistant cameraman on Blackmail (1929), the first British talkie, directed by a young Alfred Hitchcock. Neame's own career as a cinematographer began with the musical comedy Happy (1933), and he continued to develop his skills in various "quota quickies" films for several years.
His credits as cinematographer include Major Barbara (1941), In Which We Serve (1942), This Happy Breed (1944), and Blithe Spirit (1945). His camera work on One of Our Aircraft Is Missing got him an Academy Award nomination for Best Special Effects in 1943.
As producer and screenwriter
Neame formed a production company, Cineguild, with David Lean and Anthony Havelock-Allan. During this partnership, he produced Brief Encounter (1945), Great Expectations (1946), and Oliver Twist (1948). He shared Academy Award nominations for Best Screenplay for Brief Encounter, in 1947, and Great Expectations, in 1948, with co-writers Lean and Havelock-Allan.
Neame produced The Magic Box, a screen biography directed by John Boulting about the life of British camera inventor William Friese-Greene, which was the 1951 film project for the Festival of Britain.
In 1947, Neame made his directorial debut, with Take My Life for British producer J. Arthur Rank. Neame began a transition to the American film industry at the suggestion of Rank, who asked him to study the Hollywood production system.
He worked again with Alec Guinness (whom he had worked with on Great Expectations and Oliver Twist), this time as director, in three films: The Card (1952), The Horse's Mouth (1958), and Tunes of Glory (1960). Neame has described Tunes of Glory as "the film I am proudest of". He received two BAFTA Award nominations for Tunes of Glory. Neame and Guinness worked again in the 1970 musical Scrooge with Guinness playing the ghost of Jacob Marley to Albert Finney's Ebenezer Scrooge.
Neame was recruited to direct The Poseidon Adventure (1972) after the contracted director left the production. He later characterised The Poseidon Adventure as "my favourite film" because it earned him enough to retire comfortably. He enjoyed a long friendship with Walter Matthau, whom he directed in two later films, Hopscotch (1980) and First Monday in October (1981).
In 1996, Neame was appointed a Commander of the Order of the British Empire (CBE) and awarded the BAFTA Fellowship for his contributions to the film industry. He had homes in Beverly Hills and Santa Barbara, California. In 2003, Neame published an autobiography, Straight from the Horse's Mouth. (ISBN 978-0810844902)
Neame married Beryl Heanly in 1933. They legally separated in 1971 and divorced in 1992. The couple had one son, Christopher, a writer/producer. Sadly, Christopher died exactly one year after Ronald's death. Ronald's only grandson, Gareth Neame, is a successful television producer, who represents the fourth generation of Neames in the film industry. Ronnie Neame's second marriage took place in Santa Barbara on 12 September 1993. His wife, Donna Bernice Friedberg, is also in the business – a film researcher and television producer, who worked on his 1979 movie Meteor. He referred to their meeting as a "coup de foudre".
In an interview in 2006, he jokingly stated, "When people ask me about the secret to my longevity, I say the honest answer is two large vodkas at lunchtime and three large scotches in the evening. All my doctors have said to me, 'Ronnie, if you would drink less, you'd live a lot longer.' But, they're all dead, and I'm still here at 95."
Neame is survived by his wife, Donna Neame, and his three grandchildren, Gareth, Shuna and Emma.
- Give Her a Ring (1934)
- Music Hath Charms (1935)
- Young Man's Fancy (1939)
- The Four Just Men (1939) cinematographer
- Cheer Boys Cheer (1939) cinematographer
- Return to Yesterday (1940) cinematographer
- Blithe Spirit (1945) writer & cinematographer
- Great Expectations (1946) writer & producer
- Take My Life (1947)
- Oliver Twist (1948) producer
- Golden Salamander (1950)
- The Card (1952)
- The Million Pound Note (1953)
- The Man Who Never Was (1956)
- The Seventh Sin (1957)
- Windom's Way (1957)
- The Horse's Mouth (1958)
- Tunes of Glory (1960)
- Escape from Zahrain (1962)
- I Could Go on Singing (1963)
- The Chalk Garden (1964)
- Mister Moses (1965)
- Welcome, Mr Beddoes (US title: A Man Could Get Killed, 1966)
- Gambit (1966)
- Prudence and the Pill (1968)
- The Prime of Miss Jean Brodie (1969)
- Scrooge (1970)
- The Poseidon Adventure (1972)
- The Odessa File (1974)
- Meteor (1979)
- Hopscotch (1980)
- First Monday in October (1981)
- Foreign Body (1986)
- The Magic Balloon (1990)
- BFI biodata
- Director Ronald Neame dies aged 99
- Neame, Ronald (1911–), BFI Screenonline
- Matthew Sweet (19 October 2003). "Ronald Neame (2003 interview at the National Film Theatre)". British Film Institute. Retrieved 2008-01-11.
- "The 15th Academy Awards (1943) Nominees and Winners". oscars.org. Retrieved 2013-06-22.
- Ronald Neame, Filmmaker, Dies at 99
- Ronald Neame Obituary
- The Washington Post
Autobiography: Straight from the Horse's Mouth, by Ronald Neame. ISBN 0-8108-4490-7.
- Ronald Neame at the Internet Movie Database
- Ronald Neame at the British Film Institute's Screenonline
- Ronald Neame: Director, writer, producer and cinematographer celebrated for bringing the best out of his actors, Tom Vallance, The Independent, 22 June 2010