Roy Wagner

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For the cinematographer, see Roy H. Wagner.

Roy Wagner (born 1938, Cleveland, Ohio) is a cultural anthropologist who specializes in symbolic anthropology.

Background[edit]

Wagner received a B.A. in Medieval History from Harvard University (1961), and a Ph.D. in Anthropology from the University of Chicago (1966), where he studied under David M. Schneider. He taught at Southern Illinois University and Northwestern University before accepting the chairmanship of the Department of Anthropology at the University of Virginia, where he currently teaches. He resides in Charlottesville, Virginia.

Contributions[edit]

Wagner is one of the world's most influential anthropologists. He first conducted fieldwork among the Daribi of Karimui, in the Simbu Province of Papua New Guinea, as well as the Usen Barok of New Ireland. He was influential in creating the genre known as the New Melanesian Ethnography, which emphasizes creativity and innovation in cultures and how they understand the world.

His book The Invention of Culture (1975; 1981) is considered a classic of ethnography and theory, and has been translated into Japanese, Portuguese and Italian. His concepts of symbolic obviation, figure-ground reversal, analogic kinship, holography and fractality of personhood have been critical in the development of anthropological theory in the last few decades. Anthropologists influenced by Wagner include Marilyn Strathern, Jadran Mimica, James Weiner, and Eduardo Viveiros de Castro.

Wagner is known for his eccentric teaching style and is loved by many of his students.

Major publications[edit]

  • 2010 - Coyote Anthropology. University of Nebraska Press.
  • 2001 - An Anthropology of the Subject: Holographic Worldview in New Guinea and Its Meaning and Significance for the World of Anthropology. University of California Press.
  • 1986 - Asiwinarong: Ethos, Image, and Social Power among the Usen Barok of New Ireland. Princeton: Princeton University Press.
  • 1986 - Symbols That Stand for Themselves. Chicago: University of Chicago Press.
  • 1981 - The Invention of Culture. University of Chicago Press.
  • 1978 - Lethal Speech: Daribi Myth as Symbolic Obviation. Symbol, Myth and Ritual Series. Ithaca: Cornell University Press.
  • 1972 - Habu: The Innovation of Meaning in Daribi Religion. Chicago: University of Chicago Press.
  • 1967 - The Curse of Souw: Principles of Daribi Clan Definition and Alliance in New Guinea. Chicago: University of Chicago Press.

Articles and book chapters[edit]

  • 1977 - “Scientific and Indigenous Papuan Conceptualizations of the Innate”, in Bayliss-Smith, Timothy e Feachem, Richard (ed.), Subsistence and Survival (New York: Academic Press)

Works on Wagner[edit]

  • Seção Temática: Seminário de Raposa, pensando com Roy Wagner. Ilha Revista de Antropologia. 12(1): 1-160.
  • "Reinventing the Invention of Culture" in Social Analysis. The International Journal of Cultural and Social Practice. Vol. 46, No. 1, Spring 2002. Edited by David Murray and Joel Robbins
  • "The Double-Bind in the Obviation: The Sufficiency of Daribi Women and Bateson's 'Schizophrenic Mother'" by Elizabeth Stassinos given as an AAA paper at the George W. Stocking Jr. Symposium December 2nd, 2009 Organized by Andrew and Harriet Lyons, Discussants Herb Lewis and Kathy Fine. (Originally titled: "Obviating Roy Wagner: The Pidik of Science Fiction")
  • John M. Ingham Simplicity and complexity in anthropology. On the Horizon 2007 Volume: 15 Issue: 1 Page: 7 - 14
  • "Roy Wagner: Symbolic Anthropology and the fate of the New Melanesian Ethnography." Session organizers: Sandra Bamford, Joel Robbins, Justin Shaffner and James Weiner. Conference for the European Society for Oceanists (Verona, 2008).

External links[edit]