|Born||Rudall Charles Victor Hayward
4 July 1900
Wolverhampton, Staffordshire, England
|Died||29 May 1974
Dunedin, New Zealand
|Education||Wanganui Collegiate School
Waihi School of Mines
|Occupation||Film director and producer|
|Notable work(s)||The Amazing Dolphin of Opononi (1956)
To Love a Maori (1972)
|Spouse(s)||Hilda Maud Moren (1923–43)
Patricia Rongomaitara Te Miha, aka Patricia Miller
Rudall Charles Victor Hayward MBE (4 July 1900 – 29 May 1974) was a pioneer New Zealand filmmaker from the 1920s to the 1970s, who directed seven feature films and numerous others.
Hayward was born in Wolverhampton, England, and died in Dunedin while promoting his last film.
He was the son of Rudall and Adelina Hayward, who came to New Zealand in 1905. With Henry John Hayward (1866–1945) Rudall senior’s brother, his parents were involved with entertainment and silent cinema in New Zealand, in West’s Pictures and The Brescians.
Rudall (junior) was educated at Wanganui Collegiate School from 1916 to 1917 and the Waihi School of Mines. He worked in Australia c1920 under Raymond Longford (who in 1915-16 was filming in New Zealand), on some of Longford's films: The Sentimental Bloke, On Our Selection, and Rudd’s New Selection.
He made his first two-reel comedy The Bloke from Freeman’s Bay in 1920 (which his uncle Henry offered him £50 to burn!). He was prosecuted by the Auckland City Council in the Police Court and fined £1 on each of two charges for putting up posters for The Bloke from Freeman’s Bay in unauthorised places contrary to city by-laws, in October 1921.
In 1928-30 he made 23 two-reel "community comedies" with local settings and actors at various towns, and titles like: Tilly of Te Aroha, Hamilton’s Hectic Husbands, A Daughter of Dunedin, Winifred of Wanganui, Natalie of Napier, and Patsy of Palmerston. Lee Hill worked with Haywood on these, then went into competition with him.
After World War II he worked in England, then made his most successful film The Amazing Dolphin of Opononi about Opo the dolphin. He made educational films in New Zealand and overseas, then his final film To Love a Maori (1972), which was shot on 16 mm.
Celluloid Dreams: a century of film in New Zealand by Geoffrey Churchman etc. (1997, IPL Books, Wellington) ISBN 0-908876-96-3
- Rudall Hayward at the Internet Movie Database
- NZOnScreen entry
- Dictionary of New Zealand Biography entry