||This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. (March 2011)|
March 12, 1956 |
New Haven, Connecticut
|Nationality||American and Canadian|
Ruth Ozeki (born March 12, 1956) is a Canadian-American novelist, filmmaker and Zen Buddhist priest. She worked in commercial television and media production for over a decade and made several independent films before turning to writing fiction.
Ozeki was born and raised in New Haven, Connecticut by American father, Floyd Lounsbury and Japanese mother, Masako Yokoyama. She studied English and Asian Studies at Smith College in Northampton, Massachusetts and traveled extensively in Asia. She received a Japanese Ministry of Education Fellowship to do graduate work in classical Japanese literature at Nara University in Nara, Nara. During her years in Japan, she worked in Kyoto’s entertainment district as a bar hostess, studied flower arranging as well as Noh drama and mask carving, founded a language school, and taught in the English Department at Kyoto Sangyo University.
Ozeki moved to New York in 1985 and began a film career as an art director, designing sets and props for low budget horror movies. She switched to television production, and after several years directing documentary-style programs for a Japanese company, she started making her own films. Body of Correspondence (1994) won the New Visions Award at the San Francisco Film Festival and was aired on PBS. Halving the Bones (1995), an award-winning autobiographical film, tells the story of Ozeki’s journey as she brings her grandmother’s remains home from Japan. It has been screened at the Sundance Film Festival, the Museum of Modern Art, the Montreal World Film Festival, and the Margaret Mead Film Festival, among others. Ozeki’s films, now in educational distribution, are shown at universities, museums and arts venues around the world.
Ozeki, a speaker on college and university campuses, divides her time between Brooklyn and Cortes Island British Columbia, where she writes, knits socks, and raises ducks with her husband, artist Oliver Kellhammer.
She practices Zen Buddhism with Zoketsu Norman Fischer. Ozeki is the editor of the Everyday Zen website. She was ordained as a Zen Buddhist priest in 2010. She is affiliated with the Brooklyn Zen Center.
Awards and honors
- Kiriyama Prize for My Year of Meats
- American Book Award for All Over Creation
- In 2013, Ozeki became the first practicing Zen Buddhist priest to be shortlisted for the Man Booker Prize, for her book A Tale for the Time Being.
- 2014 National Book Critics Circle Award (Fiction) shortlist for A Tale for the Time Being
- Halving the Bones. 1995.
- My Year of Meats. Penguin. 1998. ISBN 978-0-14-028046-3.
- All Over Creation. Penguin. 2003. ISBN 978-0-14-200389-3.
- A Tale for the Time Being. Viking. 2013. ISBN 978-0-67-002663-0.
- Melvin McLeod, ed. (2009). "The Art of Losing: On Writing, Dying, and Mom". The Best Buddhist Writing 2009. Shambhala Publications. ISBN 978-1-59030-734-2.
- Kirsten Reach (January 14, 2014). "NBCC finalists announced". Melville House Books. Retrieved January 14, 2014.
- Admin (January 14, 2014). "Announcing the National Book Critics Awards Finalists for Publishing Year 2013". National Book Critics Circle. Retrieved January 14, 2014.
- Media related to Ruth Ozeki at Wikimedia Commons
- Official website
- "Author Interviews: Ruth Ozeki, Bearing Witness", Powell's
- Monica Chiu (2004). "Inside the Meat Machine". Filthy fictions: Asian American literature by women. Rowman Altamira. ISBN 978-0-7591-0456-3.