||This biographical article needs additional citations for verification. (December 2012)|
Ryoji Ikeda is a Japanese sound artist who lives and works in Paris. Ikeda's music is concerned primarily with sound in a variety of "raw" states, such as sine tones and noise, often using frequencies at the edges of the range of human hearing. The conclusion of his album +/- features just such a tone; of it, Ikeda says "a high frequency sound is used that the listener becomes aware of only upon its disappearance" (from the CD booklet). Rhythmically, Ikeda's music is highly imaginative, exploiting beat patterns and, at times, using a variety of discrete tones and noise to create the semblance of a drum machine. His work also encroaches on the world of ambient music; many tracks on his albums are concerned with slowly evolving soundscapes, with little or no sense of pulse.
In addition to working as a solo artist, he has also collaborated with, among others, Carsten Nicolai (under the name "Cyclo.") and the art collective Dumb Type. His work matrix won the Golden Nica Award in 2001.
In 2004, the dormant Saarinen-designed TWA Flight Center (now Jetblue Terminal 5) at JFK Airport briefly hosted an art exhibition called Terminal 5 curated by Rachel K. Ward and featuring the work of 18 artists including Ikeda. The show featured work, lectures and temporary installations drawing inspiration from the idea of travel — and the terminal's architecture. The show was to run from October 1, 2004 to January 31, 2005 — though it closed abruptly after the building itself was vandalized during the opening party.
- 1000 Fragments (Cci recordings, 1995)
- +/- (Touch, 1997)
- Time and Space (Staalplaat, 1998)
- 0°C (Touch, 1998)
- Mort Aux Vaches (live recording at VPRO Radio; Staalplaat, 1998)
- 99 [for 20' to 2000] (Raster-Noton, 1999)
- Matrix (Touch, 2001)
- Cyclo. (with Carsten Nicolai; Raster-Noton, 2001)
- Op. (Touch, 2002)
- Dataplex (Raster-Noton, 2005)
- Test Pattern (Raster-Noton, 2008)
- Dataphonics (Dis Voir, 2010)
- Supercodex (Raster-Noton, 2013)
- as Producer
- Silence CD (Spiral, 1993)
- Document 02 - Sine (Dorobo, 1995)
- Statics (Cci recordings, 1995)
- Mesmervariations (Ash International, 1995)
- A Fault in the Nothing (Ash International, 1996)
- Night Passage: demixed (Dorobo, 1996)
- Atomic Weight (Iridium, 1996)
- Touch Sampler 2 (Touch, 1996)
- Tulpas (Selektion, 1997)
- Chill Out (Sabotage, 1998)
- Meme (meme, 1998)
- Modulations (Caipirinha, 1998)
- Stilluppsteypa Remix (Fire Inc., 1998)
- END ID (Digital Narcis, 1999)
- Modulation & Transformation 4 (Mille Plateaux, 1999)
- Microscopic (Caipirinha, 1999)
- Touch Sampler 0 (Touch, 2000)
- Memorandum (Dumb Type; Cci recordings, 2000)
- Clicks & Cuts 2 (Mille Plateaux, 2001)
- An Anthology of Noise & Electronic Music, Vol.1 (Sub Rosa, 2002)
- Touch 25 (Touch, 2007)
- Formula (Forma, 2005)
- "TWA Terminal Named as One of the Nation’s Most Endangered Places". Municipal Art Society New York, February 9th, 2004.
- "A Review of a Show You Cannot See". Designobvserver.com, Tom Vanderbilt, January 14, 2005.
- "Now Boarding: Destination, JFK". The Architects Newspaper, September 21, 2004.
- "Art Exhibition at JFK Airport's TWA Terminal Abruptly Shut Down". Architectural Record, John E. Czarnecki,, October 11, 2004.
- Lindholm, Eric (June 2011). "Ryoji Ikeda Goes Big, Really Big". The Brooklyn Rail.
- Official website
- Biography at Forma.org.uk
- Contemporary Magazine article
- 5 against 4 retrospective
- Brainwashed link collection