Sahaja (Sanskrit; IAST: sahaja; Devanagari: सहज, meaning "spontaneous, natural, simple, or easy") is a term of some importance in Indian spirituality, particularly in circles influenced by the Tantric Movement. Ananda Coomaraswamy describes its significance as "the last achievement of all thought", and "a recognition of the identity of spirit and matter, subject and object", continuing "There is then no sacred or profane, spiritual or sensual, but everything that lives is pure and void."
The origins of the word are in Apabhramsha, a now defunct language, and Old Bengali, Old Oriya, Old Ahamiya All Eastern Indian Languages], where its first attested literary usage occurs in the 8th century CE. The word was used in a spiritual context by the north Indian Tantric Siddha master Saraha in the 8th century CE:
- So from spontaneity that's unique,
- Replete with the Buddha's perfections,
- Are all sentient beings born, and in it come to rest
- But it is neither concrete nor abstract.
The concept of a spontaneous spirituality entered Hinduism with Nath yogis such as Gorakhnath and was often alluded to indirectly and symbolically in the Twilight Language (sandhya bhasa) that is common to sahaja traditions, as found in Charyapada text, and works Matsyendranath and Daripada. It influenced the bhakti movement through the Sant tradition, exemplified by the Bauls of Bengal, Dnyaneshwar, Meera, Kabir and Guru Nanak, the founder of the Sikh brotherhood.
Yoga in particular had a quickening influence on the various Sahajiya traditions. The culture of the body (kāya-sādhana) through processes of Haṭha-yoga was of paramount importance in the Nāth cult and found in all sahaja schools. Whether conceived of as 'supreme bliss' (Mahā-sukha), as by the Buddhist Sahajiyās, or as 'supreme love' (as with the Vaiṣṇava Sahajiyās), strength of the body was deemed necessary to stand such a supreme realisation.
The Nath tradition
Sahaja is one of the four keywords of the Nath sampradaya along with Svecchachara, Sama, and Samarasa. Sahaja meditation and worship was prevalent in Tantric traditions common to Hinduism and Buddhism in Bengal as early as the 8th–9th centuries. The British Nath teacher Mahendranath wrote:
Man is born with an instinct for naturalness. He has never forgotten the days of his primordial perfection, except insomuch as the memory became buried under the artificial superstructure of civilization and its artificial concepts. Sahaja means natural... The tree grows according to Sahaja, natural and spontaneous in complete conformity with the Natural Law of the Universe. Nobody tells it what to do or how to grow. It has no swadharma or rules, duties and obligations incurred by birth. It has only svabhava - its own inborn self or essence - to guide it. Sahaja is that nature which, when established in oneself, brings the state of absolute freedom and peace.
The Vaishnava-Sahajiya cult became popular in 17th century Bengal. It sought religious experience through the five senses. The divine relationship between Krishna and Radha (guises of the divine masculine and divine feminine) had been celebrated by Chandidas (Bangla: চন্ডীদাস) (born 1408 CE), Jayadeva (circa 1200 CE) and Vidyapati (c 1352 - c 1448) whose works foreshadowed the rasas or "flavours" of love.The two aspects absolute reality were explained as the eternal enjoyer and the enjoyed, Kṛṣṇa and Rādhā conceived of as ontological principles of which all men and women are physical manifestations, as may be realised through a process of attribution (Aropa), in which the sexual intercourse of a human couple is transmuted into the divine love between Kṛṣṇa and Rādhā, leading to the highest spiritual realisation, the state of union or Yugala. The element of love, the innovation of the Vaiṣṇava Sahajiyā school, is essentially based on the element of yoga in the form of physical and psychological discipline.
Vaisnava-Sahajiya is a synthesis and complex of traditions that, due to its sexual tantric practices, was perceived with disdain by other religious communities and much of the time was forced to operate in secrecy. Its literature employed an encrypted and enigmatic style. Because of the necessity of privacy and secrecy, little is definitively known about their prevalence or practices.
Baul tradition of Bengal
Baul (Bengali: বাউল, Hindi: बाऊल) are a group of mystic minstrels from Bengal, both a syncretic religious sect and a musical tradition. Bauls are a heterogeneous group whose membership mainly consists of Vaishnava Hindus and Sufi Muslims. They can often be identified by their distinctive clothes and musical instruments.
The 'sahaja-siddhi' or the 'siddhi' or 'natural accomplishment' or the 'accomplishment of the unconditioned natural state' was also a textual work, the Sahaja-Siddhi revealed by Dombi Heruka (Skt. Ḍombi Heruka or Ḍombipa) one of the eighty-four Mahasiddhas. The following quotation identifies the relationship of the 'mental flux' (mindstream) to the sahaja-siddhi. Moreover, it must be remembered that though Sundararajan & Mukerji (2003: p. 502) use a masculine pronominal the term 'siddha' is not gender-specific and that there were females, many as senior sadhakas, amongst the siddha communities:
"...The practitioner is now a siddha, a realized soul. He becomes invulnerable, beyond all dangers, when all forms melt away into the Formless, "when surati merges in nirati, japa is lost in ajapā" (Sākhī, "Parcā ko Aṅga," d.23). The meeting of surati and nirati is one of the signs of sahaja-siddhi; surati is an act of will even when the practitioner struggles to disengage himself from worldly attachments. But when his worldliness is totally destroyed with the dissolution of the ego, there is nirati, cessation of the mental flux, which implies cessation of all willed efforts. Nirati (ni-rati) is also cessation of attractions, since the object of attraction and the seeker are now one. In terms of layayoga, nirati is dissolution of the mind in "Sound," nāda."
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