Sallie Gardner at a Gallop
|Sallie Gardner at a Gallop|
|Directed by||Eadweard Muybridge|
|Produced by||Leland Stanford|
|Running time||3 seconds|
Sallie Gardner at a Gallop was one of the earliest Silent films — a production experiment by the photographer Eadward Muybridge on June 15, 1878 that led to the development of motion pictures. The motion picture consists of 24 photographs in a fast-motion series that were shown on a zoopraxiscope. Muybridge was commissioned by Leland Stanford, the industrialist and horseman, who was interested in gait analysis. The purpose of the shoot was to determine whether a galloping horse ever lifts all four feet completely off the ground during the gait; at this speed, the human eye cannot break down the action.
Leland Stanford had a large farm at which he bred, trained and raced both Standardbreds, used for trotting races in which a driver rides in a sulky while driving the horse; and Thoroughbreds, ridden by jockeys and raced at a gallop. He was interested in improving the performance of his horses of both types and in the scientific questions of their gait action.
During July 1877, the photographer Muybridge tried to settle Stanford's question with a series of progressively clearer, single photographs of Stanford's trotter, Occident, at a racing-speed gait at the Union Park Racetrack in Sacramento, California. He captured the horse in a photograph with all four feet off the ground. One of the prints was sent to the local California press, but because they found that the film negative was retouched, the press dismissed it. As negative retouching was acceptable and common practice at the time, the photograph won Muybridge an award at the Twelfth San Francisco Industrial Exhibition. Lantern slides of the trotting horse photographs survive.
The following year, Stanford financed Muybridge's next project: to use multiple cameras to photograph a Thoroughbred at a gallop at Stanford's farm in Palo Alto on June 15, 1878 in the presence of the press. Muybridge photographed the businessman's Kentucky-bred mare named Sallie Gardner running.
He had arranged the cameras along a track parallel to the horse's path. Muybridge used 24 cameras which were 27 inches apart. The shutters were controlled by trip wires triggered by the horse's legs. The photographs were taken in succession at one thousandth of a second. The jockey Domm set the mare at a speed of 1:40 gait, which meant that she was galloping at a mile per 1 minute and 40 seconds, equivalent to 36 miles per hour (58 km/h).
The stop-action photographs showed the mare lifted all four legs off the ground at certain points during the gallop. Run together, the photographs produced the effect of the horse in motion, or a film. Muybridge produced his prints onsite; when the press noticed the broken straps on Sallie's saddle in the prints, they became convinced of the prints' authenticity. Scientific American was among the publications that carried reports of Muybridge's groundbreaking 1878 work. While there have been rumors that Stanford had a large bet riding on the outcome of the study, the historian Phillip Prodger has said, "I personally believe that the story of the bet is apocryphal. There are really no primary accounts of this bet ever having taken place. Everything is hearsay and secondhand information."
In 1880, Muybridge first projected moving images on a screen when he gave a presentation at the California School of Fine Arts; this was the earliest known motion picture exhibition. He later met with Thomas Edison, who had recently invented the phonograph. Edison went on to invent the kinetoscope, the precursor of the movie camera.
The relationship between Muybridge and Stanford became turbulent in 1882. Stanford commissioned the book The Horse in Motion: as Shown by Instantaneous Photography, written by his friend and horseman J. D. B. Stillman; it was published by Osgood and Company. The book claimed to feature instantaneous photography, but showed 100 illustrations based on Muybridge's photographs taken of Stanford's mare Sallie. Muybridge was not credited in the book except noted as a Stanford employee and in a technical appendix based on an account he had written. As a result, the Britain's Royal Society of Arts, which earlier had offered to finance further photographic studies by Muybridge of animal movement, withdrew the funding. His suit against Stanford to gain credit was dismissed out of court.
Muybridge soon gained support for two years of studies under the auspices of the University of Pennsylvania. The university published his current and previous work as an extensive portfolio of 781 collotype plates, under the title Animal Locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements, 1872–1885. The collotype plates measured 19 by 24 inches, each were contained in 36 by 36-inch frames; the total number of images were approximately 20,000. The published plates included 514 of men and women in motion, 27 plates of abnormal male and female movement, 16 of children, 5 plates of adult male hand movement, and 219 with animal subjects.
This experiment was the subject of a Google doodle on April 9, 2012 (Muybridge's 182nd birthday).
 See also
- "Sallie Gardner at a Gallop". San Francisco Museum. Retrieved 2010-02-03.
- Clegg, Brian (2007). The Man Who Stopped Time. Joseph Henry Press. ISBN 978-0-309-10112-7.
- John Sanford (12 February 2003). "Cantor exhibit showcases motion-study photography". Stanford Report. Retrieved 2010-02-03.
- "SALLIE GARDNER". Film in America. Retrieved 2010-02-03.
- Sevenson, Richard (September 2007). "Muybridge Meets Occident". Prosper Magazine. Retrieved 2011-01-06.
- Matt Weiser (Aug. 2, 2011). "Sacramento neighborhood considered for historic status". The Sacramento Bee. Retrieved Dec. 2, 2011.
- Mitchell Leslie, "The Man Who Stopped Time", Stanford Magazine, May-June 2001
- "THE COMPLEAT EADWEARD MUYBRIDGE: CHRONOLOGY 1876-1880 (Also in 1878:)". Stephen Herbert. Retrieved 2010-02-04.
- "Capturing the Moment", p. 2, Freeze Frame: Eadward Muybridge's Photography of Motion, October 7, 2000-March 15, 2001, National Museum of American History, accessed 9 April 2012
- Muybridge, Eadweard; Mozley, Anita Ventura (foreword) (1887). Muybridge's Complete Human and Animal Locomotion: All 781 Plates from the 1887 Animal Locomotion. Courier Dover Publications. p. xvii. ISBN 9780486237923. Retrieved 15 June 2012.
- "Eadweard Muybridge: Jumping a hurdle; saddle; bay horse Daisy". Worcester Art Museum. Retrieved 2010-02-03.
- "Static Instructional Graphics". Inter-disciplinary.ne. Retrieved 2010-02-03.
- "The horse in motion, illus. by Muybridge. "Sallie Gardner,"". Pop Art Machine. Retrieved 2010-02-04.
- "Eadweard J. Muybridge — one of the original men in motion — celebrated with a Google Doodle". National Post. Retrieved 2012-04-08.
- "The Making of Muybridge Reanimator". 1 Reality. Retrieved 2010-02-03.
- Armitage, Edward. Lectures on Painting. University of Hawaii Press. p. 176. ISBN 978-1-4437-6991-4.
- "Thematic Divisions of Images". UNCA. Retrieved 2010-02-03.
- "Eadward Muybridge (1830-1904)". International Photography Hall of Fame. Retrieved 2010-02-03.
- "Chapter 11". Precinema History. Retrieved 2010-02-04.
- Leslie, Mitchell. "The Man Who Stopped Time". Stanford Alumni Magazine. Retrieved 2010-02-03.
- "Still J.D.B.". Biodiversity Heritage Library. Retrieved 2010-02-03.
- Gordon (2010). "Prestige, Professionalism, and the Paradox of Eadweard Muybridge's Animal Locomotion Nudes". Pennsylvania Museum of History and Biography. Retrieved 2010-02-03.
- "Eadweard J. Muybridge's 182nd Birthday". Retrieved 2012-04-17.
- Phillip Prodger, Time Stands Still: Muybridge and the Instantaneous Photography Movement, February-May 11, 2003, Cantor Center for Visual Arts (and touring), Stanford University; catalogue published by Oxford University Press, 2003