Samuel Ramey

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Samuel Edward Ramey (born March 28, 1942 in Colby, Kansas) is an American operatic bass with a long, distinguished career.[1] [2] At the height of his career, he was greatly admired for his range and versatility, having possessed a sufficiently accomplished bel canto technique to enable him to sing the music of Handel, Mozart, Rossini, yet power enough to handle the more overtly dramatic roles written by Verdi and Puccini.

He married his third wife, soprano Lindsey Larsen, on 29 June 2002.

Early life[edit]

Samuel Ramey is a 1960 graduate of Colby High School in Colby, Kansas. He studied music in high school and in college at Kansas State University, as well as at Wichita State with Arthur Newman. In college at Kansas State, Ramey was a member of the Kappa Sigma Fraternity. After further study in Central City (where he was in the chorus of Don Giovanni in 1963, with Norman Treigle in the title role) and as an apprentice with the Santa Fe Opera, he went to New York where he worked for an academic publisher before he had his first breakthrough at the New York City Opera, debuting on March 11, 1973 singing the role of Zuniga in the 1875 Bizet opera Carmen, after which, among other roles, he took over the Faustian devils in Gounod's Faust and Boito's Mefistofele left empty by the early death of Treigle.

As his repertoire expanded, he spent more and more time in the theatres of Europe, notably in Berlin, Hamburg, London, Paris, Milan, Vienna, and the summer festivals in Aix-en-Provence, Glyndebourne, Pesaro, and Salzburg.

Later career[edit]

In January 1984, Ramey made his debut at the Metropolitan Opera in Handel's Rinaldo. He has since become a fixture at the Teatro alla Scala, Royal Opera House at Covent Garden, Vienna State Opera, the Paris Opera, the Lyric Opera of Chicago, the New York City Opera, and the San Francisco Opera. In July, 1985 he was cast as Bertram in the historic revival in Paris of Giacomo Meyerbeer's Robert le diable.

In the bel canto repertoire, Ramey has performed in Mozart's Don Giovanni and The Marriage of Figaro, as well as in Rossini's Semiramide, The Barber of Seville, Il Turco in Italia, L'italiana in Algeri, and La Gazza Ladra; in Donizetti's Anna Bolena and Lucia di Lammermoor and Bellini's I puritani.

In the dramatic repertoire, Ramey has been acclaimed[by whom?] for his "Three Devils": Boito's Mefistofele, Gounod's Faust, and Berlioz's The Damnation of Faust

Other dramatic roles have included Verdi's Nabucco, Don Carlo, I Lombardi and Jérusalem and Offenbach's Tales of Hoffmann (portraying all four villains). A number of previously obscure operas with strong bass/bass-baritone roles have been revived solely for Ramey, such as Verdi's Attila, Rossini's Maometto II and Massenet's Don Quichotte.

Recordings[edit]

Ramey has made an exceptionally large number of recordings that feature nearly all of his main operatic roles as well as collections of miscellaneous arias, other classical pieces and crossover discs of popular American music. He has also appeared on television and video productions of the Met's productions of Carmen and Bluebeard's Castle, San Francisco's production of Mefistofele, Glyndebourne's production of The Rake's Progress and Salzburg's production of Don Giovanni.

In 1996, Ramey gave a concert at New York's Avery Fisher Hall titled "A Date with the Devil" in which he sang 14 arias representing the core of this repertoire, and he continues to tour this program throughout the world. In 2000, Ramey presented this concert at Munich's Gasteig Concert Hall. This performance was recorded live and was released on compact disc in the northern summer of 2002.

Current activities[edit]

He has participated in some 70 performances a year. He serves as a member of the faculty at Roosevelt University's Chicago College of Performing Arts. He is a National Patron of Delta Omicron, an international professional music fraternity.[3]

Mr. Ramey reprised the title role of 'Duke Bluebeard' in Opera Omaha's production of Bluebeard's Castle in April 2013 in Omaha, Nebraska.[4]

References[edit]

Notes

Sources

External links[edit]