San Bernardino alle Ossa

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Church of San Bernardino alle Ossa
(Chiesa di San Bernardino alle Ossa)
IMG 5783 - Milano - San Bernardino alle ossa - Foto Giovanni Dall'Orto - 21-2-2007.jpg
Façade of the church.
Basic information
Location Milan, Italy
Geographic coordinates Coordinates: 45°27′45.19″N 9°11′44.20″E / 45.4625528°N 9.1956111°E / 45.4625528; 9.1956111
Affiliation Roman Catholic
Province Milan
Year consecrated 1776
Status Active
Architectural description
Architect(s) Carlo Giuseppe Merlo
Architectural type Church
Architectural style Mannerist architecture
Groundbreaking 1269
Completed 1776

San Bernardino alle Ossa is a church in Milan, northern Italy, best known for its ossuary, a small side chapel decorated with numerous human skulls and bones.

One wall of the ossuary

In 1210, when an adjacent cemetery ran out of space, a room was built to hold bones. A church was attached in 1269. Renovated in 1679, it was destroyed by a fire in 1712. A new bigger church was then attached to the older one and dedicated to Saint Bernardino of Siena.

History[edit]

The church's origins date to 1145, when a hospital and a cemetery were built in front of the basilica of Santo Stefano Maggiore. In 1210 a chamber was built to house bones from the cemetery, next to which a church was built in 1269. It was restored for the first time in 1679 by Giovanni Andrea Biffi, who modified the façade and decorated the walls of the ossuary with human skulls and tibiae.

The church was destroyed in 1712; it was replaced by a new edifice designed by Carlo Giuseppe Merlo, featuring a central plan and larger size reflecting the increasing popularity of the ossuary. The new church, connected to the former one by an ambulatory, was entitled to St. Bernardino of Siena.

The façade was completed in 1776.

Overview[edit]

The interior has an octagonal plan, with Baroque-style decorations. The several chapels have paintings from the 16th-18th centuries.

The ossuary's vault was frescoed in 1695 by Sebastiano Ricci with a Triumph of Souls and Flying Angels, while in the pendentives are portrayed the Holy Virgin, St. Ambrose, St. Sebastian and St. Bernardino of Siena. Niches and doors are decorated with bones, in Roccoco style.

In 1738 King John V of Portugal was so struck from the chapel, that had a very similar one built at Évora, near Lisbon.