San Saba, Rome
|Church of San Saba|
According to legend, St. Silvia, mother of Pope Gregory I, had an estate at the site. After her death, so legend reads, her estate was transformed into an affiliate monastery of St. Andreas, the monastery which Gregory I founded at the site of today's San Gregorio al Celio. This legend can be traced back to have originated from the 12th century, when in context of Renovatio Romae and Church Reform, the monastery of San Saba was meant to be provided with a long and local tradition.
The historic origin of the religious site goes back to the year 645. In this year, Palestine fugitive monks from the monastery of St. Sabas (Mar Saba, Palestine) who had fled their home country after the Islamic invasion, came to Rome to attend the Lateran council. After the council, these Sabaite monks settled down in an old domus (=noble estate) on the "Piccolo Aventino", which at this time was deserted due to the big decrease in Rome's population numbers. Here, they founded an eremitic cell. The Sabaites introduced the cult of St. Sabas to Rome. In ancient sources, their monastery however goes by the name cellas novas or cellaenovae, which refers to the cellae (=cells) of their mother abbey, Mar Saba.
The Sabaite monastery prospered quickly and for a long time. In the 8th and 9th century, San Saba was one of the most prestigious of Rome and among the leading "Greek" monasteries. It received rich papal donations. Since 680, its abbots held important diplomatic roles in the relationships between Rome and Byzantium, and represented the Roman Church and Pope at several church councils in Constantinople.
The Benedictine monks of Monte Cassino received the church after it was rebuilt in the 10th century. After many years of decay, the basilica was completely renovated in the 13th century, after being ceded to Cluniac monks. In 1503 the Cistercians were entrusted with the church, which in 1573 was finally conveyed to the Jesuits (and their German seminary Collegium Germanicum et Hungaricum).
The church, preceded by a small porch from the 13th century, has a nave with two aisles. These end with three apses. The interior is characterized by numerous interventions from different ages. The columns are from ancient buildings, and the floor is an example of Cosmatesque marble art from the beginning of the 13th century. The main artpieces are the notable frescoes in a room on the left side of the church, the so-called fourth nave: they portray the miracles of St. Nicholas.
- "San Saba", Nyborg.
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