The Sand Mandala (Tibetan: དཀྱིལ་འཁོར།, Wylie: dkyil 'khor; Chinese: 沙坛城; pinyin: Shā Tánchéng) is a Tibetan Buddhist tradition involving the creation and destruction of mandalas made from colored sand. A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life. While Westerners perceive the process to be creation and destruction, the technical term is "deconstructed," as the remnants of the mandala not kept for personal good will (in glas vial) are ritually disbursed in a local waterway (i.e. river, stream, ocean, lake). The purpose behind this is to achieve the widest distribution of the good blessings that were woven into the mandala as it was constructed, layer by layer.
Part of a seriesTibetan Buddhism
|Practices and attainment|
Materials and construction 
Historically, the mandala was not created with natural, dyed sand, but granules of crushed coloured stone. In modern times, plain white marble stone is ground down and dyed with opaque inks to achieve the same effect. Before laying down the sand, the monks assigned to the project will draw the geometric measurements associated with the mandala. The sand granules are then applied using small tubes, funnels, and scrapers, until the desired pattern over-top is achieved. Sand mandalas traditionally take several weeks to build, due to the large amount of work involved in laying down the sand in such intricate detail. It is common that a team of monks will work together on the project, creating one section of the diagram at a time, working from the center outwards.
The Kalachakra Mandala for instance, contains 722 deities portrayed within the complex structure and geometry of the mandala itself. Other smaller mandalas, like the one attributed to Vajrabhairava contain significantly fewer deities and require less geometry, but still take several days to complete. Like all mandalas, these are meant as two-dimensional representations of what is supposed to be a three-dimensional environment. There is one particular case where a three-dimensional mandala can be experienced: Borobodur in Java, Indonesia.
Many sand mandala contain a specific outer locality which is clearly identified as a charnel ground.
The colors for the painting are usually made with naturally colored sand, crushed gypsum (white), yellow ochre, red sandstone, charcoal, and a mixture of charcoal and gypsum (blue). Mixing red and black can make brown, red and white make pink. Other coloring agents include corn meal, flower pollen, or powdered roots and bark.
Ritual destruction 
The destruction of a sand mandala is also highly ceremonial. Even the deity syllables are removed in a specific order along with the rest of the geometry until at last the mandala has been dismantled. The sand is collected in a jar which is then wrapped in silk and transported to a river (or any place with moving water), where it is released back into nature. This symbolizes the impermanence of life and the world.
Notable sand mandala artists 
See also 
- Bryant, Barry; Yignyen, Tenzin; Samten, Lobsang; Chogyen, Pema Lobsang; Gyaltsen, Dhondup Lobsang; Lhundup, Jamphel; Migyur, Tenzin; Legdan, Tenzin; Gyaltsen, Lobsang; Kirti Tsenshab; Moldow, Deborah; Durgin, Gregory (2003). "X et. seq." (Trade Paper Thin Gloss 8 in. × 8 in. × ¾"). In Namgyal Monastery. Wheel of Time, The: Visual Scripture of Tibetan Buddhism (in English) (2nd. ed.). Ithaca, NY: Snow Lion Publications. ISBN 1559391871. Retrieved 13 December 2012.
|Wikimedia Commons has media related to: Sand mandalas|
- Video of Sand Mandala deconstruction ritual by the Drepung Loseling Monastery monks
- Image gallery of the construction of a five-and-a-half foot Medicine Buddha sand mandala
- Time-lapse photography of sand mandala