Sanford and Son
|Sanford and Son|
From the Sanford and Son opening credits: the sign above the Sanfords' home and workplace
|Based on||Steptoe and Son
by Ray Galton
|Theme music composer||Quincy Jones|
|Opening theme||"The Streetbeater"|
|Country of origin||United States|
|No. of seasons||6|
|No. of episodes||135 (List of episodes)|
|Executive producer(s)||Bud Yorkin
Norman Lear (uncredited)
|Producer(s)||Aaron Ruben (1972–1974)
Bernie Orenstein & Saul Turteltaub (1974–1977)
|Running time||22–24 minutes|
|Production company(s)||Tandem Productions
(billed as "A Bud Yorkin/Norman Lear Tandem Production",
copyrighted as "NorBud Productions")
|Distributor||Sony Pictures Television|
|Picture format||1.33:1 (fullscreen)|
|Original run||January 14, 1972– March 25, 1977|
|Followed by||Sanford Arms
|Related shows||Steptoe and Son
Known for its edgy racial humor, running gags and catch phrases, the series was adapted by Norman Lear and considered NBC's answer to Archie Bunker. Sanford and Son has long been hailed as the precursor to many other African American sitcoms. It was a ratings hit throughout its six season run.
While the role of Fred G. Sanford was known for his bigotry and being cantankerous, the role of Lamont Sanford was usually a peacemaker and more conscientious. At times, both would involve themselves in schemes. Other colorful/unconventional characters were Aunt Esther, Grady Wilson, Bubba Bexley and Rollo Lawson.
Sanford and Son stars Redd Foxx as Fred G. Sanford, a 65-year-old widower (although Foxx was younger in real life) and junk dealer living at 9114 S. Central Ave. in the Watts neighborhood of South Central Los Angeles, California; alongside Demond Wilson as his 30-year-old son, Lamont Sanford. In his youth, Fred moved to South Central Los Angeles from his hometown of St. Louis.
On the show's premiere in 1972, newspaper ads touted Foxx as NBC's answer to Archie Bunker, the bigoted white protagonist of All in the Family. (Both shows were adapted by Norman Lear from BBC shows; Sanford And Son was adapted from Steptoe and Son and All in the Family was the American version of Till Death Us Do Part.)
Foxx portrayed Sanford as a sarcastic, irascible schemer whose frequent get-rich-quick ideas routinely backfire. His son Lamont longs for independence, but he loves his father too much to move out on his own and leave the trouble-prone Fred unsupervised. Though each owns an equal share in the business and though, technically, Fred is the boss, Lamont often finds himself doing all the work and having to order his father to complete tasks and duties. Fred often insults his son, usually calling him a "big dummy." Lamont also insults his father, referring to him as an "old fool." However, the two share a close bond and regularly come to each other's aid. One episode in the second season featured a plot in which Fred and Lamont had such a heated argument over the business that Lamont quit and went to work for one of Sanford and Son's chief rivals. Meanwhile, Fred filled Lamont's position with a lay-about who spent Fred's money on a useless item. When Lamont quits his job and Fred fires his new man, the two decide to reform their partnership despite the fact that both are too proud to admit that they couldn't make it without each other.
Fred is a widower whose wife Elizabeth, according to some information from Fred, died around 1947. He would look up (as to heaven) with his hand across his chest in times of distress, faking a heart attack by saying "This is The Big One, Elizabeth! (I'm coming to join you...)" Fred raised Lamont alone and missed Elizabeth deeply. According to Fred, his son was named for Lamont Lomax, a (presumably fictional) pitcher from the Homestead Grays. In one episode, Lamont asks why he didn't have a middle name. Fred tells him Lamont is his middle name: he and Elizabeth never came up with a first name. However, it was also known in the 3rd episode in the first season, Lamont was named "Lamont Grady Sanford".
At first, Fred's main foil on the show is his sister-in-law and Lamont's aunt, Ethel (Beah Richards). Ethel's involvement in the Sanford family squabbles lasts only until midway through the second season, whereupon she is replaced with her more tart-tongued sister, Esther (LaWanda Page). Fred and Esther's relationship as in-laws goes on to become a major part of the plot. The two frequently trade insults, usually instigated by Fred (he often contorts his face upon Esther's entrance and uses disparaging and colorful metaphors to describe her), whereas Esther generally retorts "WATCH it, sucka", attacks Fred with her purse, and refers to Fred as "you old heathen". Esther's disdain for Fred goes back to when he and Elizabeth were dating; she disapproved of Fred marrying her sister.
A running gag on the show is that whenever Lamont threatens to move out or things are not going Fred's way, he will fake a heart attack and say something like, "You hear that, Elizabeth? I'm coming to join ya, honey!" No one, however, falls for the transparent ruse. (Foxx himself died of a heart attack in 1991 during the filming of The Royal Family.) Despite his stubbornness and irascible nature, Fred sometimes redeems himself with acts of kindness, even to those (like Esther) whom he insists he does not like. In the last episode of the series, Fred earns his high school diploma, and is the valedictorian of his graduating class.
Earlier in the show's run, it adheres more closely to the format laid out by its British predecessor, Steptoe and Son with 16 episodes (12 in season one and 4 in season two) being remakes from its predecessor, with Fred and Lamont often at loggerheads over various issues. Fred and Lamont are also depicted as being equally manipulative. Fred's manipulative acts consist mainly of his constant threats of "the big one" and avoiding manual labor due to his "arthur-itis"; Lamont's include his attempts to drive a wedge between Fred and his girlfriend, Donna Harris (Lynn Hamilton), whom he sees as usurping his mother's place.
Lamont is depicted at times as the greedier of the two. In one episode, for example, he refuses to sell two coffins for less than what he thinks they were worth, despite the fact that this clearly upsets his superstitious father. Lamont sometimes receives his comeuppance for being disdainful of his father's habits and ways. (One example of this is the time Lamont is upbraided by a Nigerian woman he hopes to impress by "adopting" African culture; she considers his attitude towards Fred to be disrespectful.) There are moments when Lamont is shown to be naive and foolish, such as the episode where he invites his new "friends" over to play poker. His street-savvy father sees right away that they are out to cheat Lamont after they gain his confidence by letting him win a few smaller-stakes games. Fred then turns the tables on the scammers by pretending to be ignorant of poker himself, agreeing to play a few hands and then taking all of their money by means of a marked deck of cards and special glasses that allow him to see what he is dealing. A similar predicament befalls Lamont in the second season when he gets involved in an unethical deal by buying a possibly valuable Regency commode from a woman for a rock-bottom price, then selling it back to her husband at double the price. He then takes an offer from a third party for quadruple that price while Fred tries over and over again to warn him that he is doing something immoral. Lamont becomes so put out that he threatens to lock Fred in his bedroom. Finally, due to some investigation on Fred's part, it is revealed that Lamont has been scammed, the pot is a fake and the two men have made off with several hundred dollars of Lamont's money.
One constant with Lamont (particularly in the second season) is that he is always trying to find new ways to move up in the world, and away from the junk business, but is often thwarted by Fred's interference. In the first episode, he buys a possibly valuable piece of porcelain from an elderly woman in Beverly Hills with the intention of selling at auction. However, Fred messes things up at the auction and Lamont ends up buying the piece back from himself. In the second season, Lamont buys a revolutionary war rifle from an auction with the intent to sell it for thousands. While investigating it, Fred accidentally fires the gun through the front window and he and Lamont spend all night wondering if he's accidentally killed the neighbor across the street. In a panic, Lamont melts the gun down with a blowtorch before realizing that the neighbor went out on a rare trip out of town. In one episode, he attempts to become an actor, Lamont and Rollo answer an ad for wannabe black film actors for an independent film company only to realize that it is really a pornographic film factory. In another episode, he answers an ad to travel around the world working on a tramp steamer, which would mean putting Fred in a nursing home, but Fred tricks him into not going. During the third season, Lamont attempts to open a side business with Julio selling used automobile parts. Fred is so put out by the idea that he moves out and into a flop house. Lamont eventually gets Fred to come home, but it is never said whether or not he changed his mind about the new business venture.
The most significant change in Lamont's character throughout the series was his attitude toward his work, his father and his future. In the very first episode, he is portrayed as hostile and angry toward Fred and the life he is forced to live. This would last through the middle of the first season, especially in an episode when he takes Fred out for his birthday and is angry and frustrated every time Fred says or does anything. At the end of the night, he becomes so angry that he abandons Fred at the restaurant, leaving his father to walk home in the rain. His attitude towards Fred would soften by mid-season as episodes tended to focus more on the two working together to solve a problem, as when several bill collectors converged on the house threatening to repossess their belongings. He would change throughout the series and become a man dedicated to his work and to his father, but also who would try new things and new ideas to better himself, such as when he attempts to embrace his African heritage or later when he tries to run for State Assemblyman.
As the series progressed, however, it became more focused on Fred's antics and schemes, with Lamont often adopting the role of the gentler, more open-minded progressive who attempts to broaden his father's horizons, in much the same way that Mike attempts to broaden Archie's horizons on sister show All In The Family. A notable example of the softening of Lamont's character is his change in attitude towards Donna Harris (Lynn Hamilton), Fred's girlfriend. Early in the show's run Lamont derides her as "the barracuda" and is openly hostile towards her, attempting to ruin her relationship with his father at least twice. In later episode, however, Lamont invites Donna out to dinner with himself and his girlfriend, remarking that it would do his reputation good to be seen with "two lovely ladies."
Similarly, Fred is initially depicted as a man who, if not always ethically or culturally sensitive, has the wisdom of experience and significant street smarts. As the show goes on, Fred is seen getting into increasingly ludicrous situations, such as: faking an English accent to get a job as a waiter; convincing a white couple that an earthquake was really the "Watts Line" of the non-existent L.A. subway (a wordplay on the common phrase "WATS line"); taking over a play featuring George Foreman; or sneaking into a celebrity's private area, such as Lena Horne's dressing room or Frank Sinatra's hotel room. Many of these situations invariably revolve around Fred trying to make a quick buck.
One constant throughout the show is the loyalty of father and son to each other. Even in the show's earliest episodes when one or the other leaves the house, seemingly for good (Lamont moves out at least twice, and at one point he even puts Fred in an old folks' home), something always occurs that returns things back to normal. (Lamont gets homesick and worries about his father, or something does not work out and Lamont schemes his way back in; Lamont feels lonely without his father around the house thanks to a plan Fred hatched with his friend Bubba.)
Perhaps the best example of this bond between father and son occurs in the episode where a friend from Fred's past shows up and claims to be Lamont's real father. After hearing the news, Lamont tells a tearful Fred that he is "the only pop I've ever known" and as far as he is concerned, it is "always" going to be Sanford and Son. (In the humorous twist that closes the episode, it turns out the friend had accidentally slept with Aunt Esther, thinking she was her sister Elizabeth.) Lamont's birthday is mentioned in the second season episode "Libra Rising All Over Lamont" as September 27, 1940, although in a season five episode called "Ebenezer Sanford", Lamont says his birthday is in February.
- Esther Anderson (LaWanda Page), also known as Aunt Esther, is the Bible-toting sister of Fred's late wife Elizabeth. Esther is a staunchly religious Baptist who finds little use for humor. Fred has an intense dislike for Esther, which she gladly returns. His trademark response to her entrance is to make an exaggerated grimace. He then spews forth colorful insults and likens her to animals like bulldogs and horses ("Esther, I could stick your face in some dough and make some gorilla cookies.") and fictitious monsters such as King Kong, (often referring to her as "Esther Kong"), and Godzilla. Her usual reaction to his antics is to cringe her face and yell, "Watch it, sucka!". Sometimes, cracking from the constant barrage of insults, she swings her purse wildly in Fred's direction whilst angrily calling him a "fish-eyed fool", "heathen", or even, "fish-eyed fool-heathen". When leaving the Sanford home, she often hollers, "Oh glory!" Her long-suffering but loving alcoholic husband Woodrow (played by Raymond Allen) begins appearing infrequently later in the series. Woodrow eventually becomes sober so he and Esther can adopt a young orphan, played by Eric Laneuville. Fred and Esther call a temporary truce, of sorts, in the episode "My Fair Esther." Esther first appeared in early 1973, replacing her sister Ethel (Beah Richards), the first principal in-law character.
- Grady Wilson (Whitman Mayo) is Fred's closest friend who appears regularly on the show. Grady's catchphrase is, "Good Goobly Goop!" He utters this when something good happens or he is in a pleasant mood. Grady is Fred's "sidekick" and often is involved in get-rich-quick schemes concocted by Fred. In the episode "Hello Cousin Emma, Goodbye Cousin Emma" it is revealed that Grady grew up on the south side of Chicago and in his youth was a lady's man with the nickname "The Sheik of Drexel Avenue." Early in the series, a running gag was that Grady could never remember Lamont's name. Lamont would often correct him with a bogus name like Lucas or Lance. Later in the series, Grady's name-confusion gag was targeted at Esther. When Foxx had a contract dispute with (and walked out on) the show, several episodes were taped without him. These episodes involve Grady as the central character who is watching over the business and Lamont whilst Fred is "away" on vacation in St. Louis. Grady was actually named after actor Demond Wilson, whose full real name is "Grady Demond Wilson."
- Bubba Bexley (Don Bexley) is another of Fred's friends who appears frequently. Bubba is known for his infectious belly-laugh and jovial persona. Bubba is primarily a straight man to set up punchlines for Fred. His loud greeting of "Hey Fred!" drives Fred and Lamont crazy. His function in several episodes is to encourage Fred into get-rich-quick schemes, as when he encourages Fred to fake having whiplash after he is hit by a white man in a Cadillac while driving the truck. In the episode "Lamont Goes African", Bubba reveals that he is originally from Memphis, Tennessee.
- Rollo Lawson (Nathaniel Taylor) is Lamont's best friend. Fred will often make disrespectful remarks towards Rollo, usually stating that he thinks Rollo is a criminal, as Rollo had spent time in jail. Rollo appears in the show every so often to come pick up Lamont so they can go out and chase women. Also, they sometimes go to pornographic films or what Rollo calls "skin flicks." His mother, Rita, is also friends with Lamont's aunt Esther.
- Donna Harris (Lynn Hamilton) is Fred's on-again, off-again girlfriend who later becomes his fiancée. She is employed as a practical nurse. Donna is an even-tempered lady who takes in stride Fred's shenanigans and occasional trysts. She also appears to be a bit more of an upper class individual in contrast to Fred's somewhat blunt, crude persona. Lamont, being the overprotecting son, detests Donna at first (branding her as "The Barracuda"), but by Season 6 has completely warmed up to her. Esther is hostile toward Donna at first, almost coming to blows with her during their first meeting on Donna's and Fred's wedding day (an event that causes the cancellation of the wedding). Eventually Esther warms up to her.
- Julio Fuentes (Gregory Sierra) is the Sanfords' Puerto Rican next-door neighbor who befriends Lamont. When Julio and his family move in next to the Sanfords, Fred takes an immediate disliking to them and remarks, "There goes the neighborhood." Despite Julio's friendliness, Fred often makes crude ethnic jokes about Julio and openly wishes he would return to Puerto Rico, despite the fact that Julio is actually from New York City. Despite the contention, Fred does stand up for Julio's nephew at his elementary school, which has threatened to drop him to a lower grade due to lack of proficiency in speaking English; Fred tutors him for some time as well. In the fifth season, Julio moves away. The Sanfords buy his former home and convert it into a boarding house named "The Sanford Arms."
- Ah Chew (Pat Morita) is a Japanese-American friend of Lamont whom Fred belittles every chance he gets. Fred insults Ah Chew on numerous occasions using clichéd Oriental jokes. Fred actually befriends Ah Chew in a later episode because he wants to use him as a cook when he opens a Japanese restaurant, "Sanford and Rising Son", in the Sanford house. Despite this arrangement, Fred still hurls verbal abuse at Ah Chew.
- In the fifth season episode "Sergeant Gork", Morita portrays Colonel Hiakowa, in a flashback where Fred tells Lamont's fiancee's son, Roger, of his supposed heroism in World War II.
- Officer "Smitty" Smith and Officer "Hoppy" Hopkins are a pair of police officers who occasionally show up at the Sanfords' residence. One officer is African-American, Officer "Smitty" Smith (played by Hal Williams), and one Caucasian, Officer "Hoppy" Hopkins (played by Howard Platt). Often, Hoppy incorrectly uses 'Jive' slang, which Smitty corrects—e.g., "cold" instead of "cool" or "right up" instead of "right on." Conversely, the ever-professional Hoppy delivers a speech filled with police jargon and big words, which confuses Fred and/or Lamont thus turning to Smitty, who would then translate Hoppy's speech into Jive. Later in the series's run, the officers often appear individually. Unlike Ah Chew and Julio, Hoppy remains free of Fred's usual insults. In one episode, "This Little TV Went to Market", Officer "Jonesy" Jones (Bernie Hamilton) appears with Hoppy in place of Smitty. In the sixth season episode "The Hawaii Connection", Smitty appears with his slow-witted new partner, Percy (Pat Paulsen). In "The Reverend Sanford", comic Freeman King appears as a police officer named Jim, presumably standing in for Smitty, but without Hoppy or any other partner.
- Officer "Swanny" Swanhauser (Noam Pitlik) is originally Officer Smitty's Caucasian partner who is replaced early in the second season with Officer Hopkins. Swanny is basically the same as Hoppy, but his demeanor is much more serious and humorless. Like Hoppy, Swanny is never racially insulted by Fred.
- May Hopkins (Nancy Kulp) is Officer Hoppy's prim and proper mother who appeared in the fifth season. She is a retired store detective who rents a room at the Sanford Arms next door. Landlord Fred often insults her when she pays a visit. Much like her son, Mrs. Hopkins incorrectly uses Jive slang, but the more experienced Hoppy corrects her.
- Janet Lawson (Marlene Clark) is a divorcee Lamont begins dating in the fifth season. Janet also has a young son, Roger (Edward Crawford). The Lawsons appears occasionally until Lamont and Janet break up in the sixth and final season, due to the return of Janet's ex-husband.
- Melvin White (Slappy White) is an old buddy of Fred's who appears in the first season. He appears in one second season episode as well.
- Leroy & Skillet (Leroy Daniels & Ernest 'Skillet' Mayhand) are a rambunctious pair of Fred's friends who like to play poker, billiards or joke around. They appear in the second and third seasons.
- Otis Littlejohn (Matthew "Stymie" Beard) is a friend of Grady's who appears in the third and fourth seasons.
- George "Hutch" Hutton (Arnold Johnson) is an elderly tenant of the Sanford Arms who befriends Fred. When they first meet, Hutch admits to serving a lengthy sentence in prison to avoid his ugly sister-in-law. This immediately endears him to Fred. He appears in the fifth season.
- Frank Nelson appears as various comic foils to Fred in the fifth and sixth seasons using his catchphrase, "Yeeees?"
- Fritzi Burr appeared as various comic foils to Fred from the fourth season to the sixth.
- Dr. Caldwell (Davis Roberts) is the Sanford's family doctor who shows up in several early episodes. He often enters the Sanford residence with an alarming cough and his credentials as a doctor are questionable. Asked if he is really a doctor he claims "On Monday, Wednesday and Friday I'm a doctor. The other days I work in the post office."
- Nelson B. Davis (James Wheaton) is a mortician who dropped by the Sanford residence several times in the second season, at one point to look at some caskets that Lamont picked up an auction. With a deep voice and a spooky laugh, he would often make odd quips in reference to his unusual profession: "It's been a slow week, business is dead" and "I must to return to my place, I'm a working stiff." Once he told Lamont that "Burial insurance is something that everybody digs."
- Reverend Trimble (Alvin Childress) is the soft-spoken minister of the Central Avenue Baptist Church who dropped by in the first two seasons, usually to officiate a wedding. The running joke was that every time he officiated a wedding for the Sanford family, the family usually ended up in a screaming match over petty disagreements which escalated into a war that left everyone fleeing the house in anger while the Reverend stood by in stunned silence.
|Season||Episodes||Originally aired||DVD release date|
|Season premiere||Season finale|
|1||14||January 14, 1972||April 14, 1972||August 6, 2002|
|2||24||September 15, 1972||March 16, 1973||February 4, 2003|
|3||24||September 14, 1973||March 29, 1974||October 7, 2003|
|4||25||September 13, 1974||April 25, 1975||March 30, 2004|
|5||24||September 12, 1975||March 19, 1976||September 14, 2004|
|6||24||September 24, 1976||March 25, 1977||June 7, 2005|
Reception and cancellation
Sanford and Son has long been hailed as the precursor to many African American sitcoms, such as The Cosby Show. Although sometimes gregarious in its humor, Sanford and Son was groundbreaking for African Americans on television. James Whittle of The Washington Post called it "a show that broke new ground and paved the way for Cosby...". And Gene Siskel, known best for his critical reviews of both television and movies, said this: "What All in the Family did for the Caucasian race in our nation with television, Sanford and Son did for African Americans. It is one of the two most noted and significant African American sitcoms since the invention of television."
Sanford and Son was enormously popular during most of its run, and was one of the top ten highest-rated series on American television from its first season (1971–1972) through the 1975–1976 season.
With its coveted 8 p.m. Eastern Friday night time slot, Sanford and Son put enough of a dent into the middling audience of ABC's The Brady Bunch to drive it off the air in 1974. Sanford and Son peaked at #2 in the Nielsen ratings during the 1972–1973 season, and stayed there for three years in a row. The series was second only to All in the Family in terms of ratings. By the 1974–1975 season, Sanford and Son's high lead-in helped the entire NBC Friday night lineup to place in the coveted bracket of Top 20 shows (Chico and the Man, following Sanford, placed in the Top 10, while the police dramas The Rockford Files and Police Woman aired later in the evening and ranked in the lower reaches of the Top 20).
In the midst of taping episodes for the 1973–1974 season, Redd Foxx walked off the show in a salary dispute. His character was written out of the series for the rest of the season. The continuity of the show explained that Fred Sanford was away in St. Louis attending his cousin's funeral and leaving his friend Grady (Whitman Mayo) in charge of the business. NBC sued Foxx and as part of the settlement, Foxx later returned. Foxx had taped eighteen of that season's twenty-four episodes before Fred "left for St. Louis." The show was still quite popular when it was canceled in 1977.
Sanford and Son was a huge hit in the ratings throughout its six season run on NBC. Despite airing in the so-called Friday night death slot, it managed to peak at #2 in the ratings (behind All in the Family).
|1975–76||#7||24.4 (Tied with Rhoda)|
The series was produced by Norman Lear and Bud Yorkin's company Tandem Productions, which was also responsible for All in the Family. The two shows had a few things in common. They were both based on popular British sitcoms and both were pioneers of edgy, racial humor that reflected the changing politics of the time. Both series also featured outspoken, working-class protagonists with overt prejudices. However, Sanford and Son differed from All in the Family and other Norman Lear shows of the era in that it lacked the element of drama. Sanford and Son helped to redefine the genre of black situation comedy.
The program was taped at the NBC Studios in Burbank, California.
Foxx did not appear in nine episodes due to his conflicts with series producers Bud Yorkin and Norman Lear . Foxx is missing from the third season's final six episodes and the first three taped episodes of the fourth (which episodes were held back from broadcast and aired later in the season). The series pressed on with Fred's best friend Grady Wilson stepping in to serve as guardian for the 32-year-old Lamont.
The truck driven in the series is a 1951 Ford, which was crashed by its owner on July 12, 1997, Donald Dimmitt of Dimmitts Auto Salvage, a real-life junk dealer in Walnut Township, Marshall County, Indiana.
The use of the Sanford surname was Foxx's idea, given that Redd Foxx is named after his brother, Fred Sanford.
The Big One
On October 11, 1991, during a break from rehearsals for Foxx's last sitcom The Royal Family he suffered a fatal heart attack on the set. (Adding still further to the irony is that the working title for the series was "Chest Pains.") Reportedly, co-star Della Reese and the rest of the cast and crew thought he was doing his classic: "It's the Big One... You hear that Elizabeth... I'm comin' to join ya', honey!" fake heart attack routine he made famous on Sanford and Son, even going as far as collapsing to the floor, although that was not part of the usual schtick. However, this heart attack was real, and Foxx never regained consciousness.
Fred's propensity for having his oft-claimed "Big One"-style heart attacks was occasionally addressed on the show. In the first episode, "Crossed Swords", Lamont points out that if Fred's heart attacks were real, after the second or third one, "you'd be dead"; however, in the later episode "Fred's Cheating Heart", Lamont asks a spokesman for a heart association if it was possible for someone to have numerous heart attacks, to which the spokesman replies that after a second heart attack, the person would likely be dead.
During the series' run, two other characters also displayed symptoms of having the same "Big One" Fred always claimed to have. In the episode "Lamont Does Othello", Fred and Bubba sneak back home to see the "mystery woman" Lamont claimed to be having a romantic evening at home with (in order to get Fred out of the house); in reality Lamont is working with his drama teacher, a white woman who is helping him with rehearsals for the title role in William Shakespeare's play "Othello". Fred spies Lamont (as Othello) choking the white woman (as Desdemona) through the window, and reels back, having one of his "Big Ones"; when Bubba also peeks through the window, he too reels back, clutching his chest in the same manner as Fred. Similarly, in the episode "A Visit from Lena Horne", when Lamont comes downstairs and is surprised to see Lena Horne visiting his house, he grabs his chest and begins speaking to his dead mother (in the same manner as his father):
I think I'm havin' one, pop! My very first one! And it's a big one! Ya hear that, mom? Your little boy's comin' to join ya...with a moustache!
Another related running gag was Fred complaining about having arthritis to get out of doing work by showing Lamont his cramped hand. When angry with Lamont, Fred would also say, "You big dummy!" Additionally, Fred picked fights with Aunt Esther often.
Titled "The Streetbeater", the theme music was composed by Quincy Jones through A&M Records and first released in 1973. Although the song only reached #294 and did not reach Billboard status, it has maintained mainstream popularity and is featured on Jones' greatest hits album.
Spin-offs and 1980 revival
After the series was canceled in 1977, a short-lived continuation featuring supporting characters titled Sanford Arms aired. Whitman Mayo starred in a spin-off series, Grady, during the 1975–1976 season.
In 1980–1981, Redd Foxx attempted to revive the show with the short-lived Sanford (so named because Demond Wilson declined to reprise the role of Lamont for the new series).
|DVD Name||Ep #||Release Date|
|The First Season||14||August 6, 2002|
|The Second Season||24||February 4, 2003|
|The Third Season||24||October 7, 2003|
|The Fourth Season||24||March 30, 2004|
|The Fifth Season||24||September 14, 2004|
|The Sixth Season||24||June 7, 2005|
|The Complete Series||136||October 28, 2008|
- "The 100 Best TV Shows of All-TIME". time.com. September 6, 2007. Retrieved 22 February 2010.
- Memorable, Quotes. "Sanford and Son".
- "Sanford and Son FAVORITE I'VE WATCHED THIS 276". TV.com. Retrieved 9 May 2013.
- Moor, Bill (2006-07-26). "'Sanford and Son' truck back on the road". South Bend Tribune. Retrieved 2008-09-02.
- "IMDb: Sanford and Son". Retrieved 2012-04-15.
- Ingram, Billy. TVparty!: Television's Untold Tales, Bonus Books, 2002, p. 262. ISBN 1-56625-184-2
- Sanford & Son Theme (The Streetbeater) by Quincy Jones : Reviews and Ratings – Rate Your Music
- Greatest Hits Manhattan by Quincy Jones @ ARTISTdirect.com
|Wikimedia Commons has media related to: Sanford and Son|
- Sanford and Son at the Internet Movie Database
- Sanford and Son at TV.com
- Sanford and Son at epguides.com
- Watch full episodes of Sanford and Son at TVLand.com