Santa Maria dei Servi (Siena)

From Wikipedia, the free encyclopedia
  (Redirected from Santa Maria dei Servi, Siena)
Jump to: navigation, search
Santa Maria dei Servi — Romanesque façade.
A Church of Santa Maria dei Servi in Siena, Italy.
Church setting in Siena, Italy.

The Church of Santa Maria dei Servi, formally known as the Church of San Clemente, is a Roman Catholic church in the city of Siena, Tuscany, Italy.

The church is built on the site of the former Church of San Clement, which was acquired by the Servite order in the Medieval era. [1] The original Basilica was built in the 13th century, but later underwent reconstruction and transformation which continued until the 15th-16th century.[2]

Exterior[edit]

The façade is simple and unadorned, with a single doorway and a rose window (indications of another can be discerned on the wall). It is in the Romanesque period style

The adjoining Campanile is likewise of the 13th century, richly embellished by four orders of windows. It was entirely restored in the 20th century. The church building stands atop broad entrance stairs, with views over the Duomo and the Palazzo Publico of Siena.[2]

Interior[edit]

Interior.
Interior.

The interior is in great contrast with the rough and bare aspect of the exterior. A renaissance style has been adopted, the design of which is attributed to Baldassare Peruzzi. The church was enlarged in the fourteenth or fifteenth century, as seen in the interior of a Latin cross, where the Gothic style of the transept and apse joins the Renaissance style of the three aisles. The Renaissance style does not continue into the transept and apse, which are in the Gothic style. Near the entrance is a Crucifix of the 14th century and a Holy Water Stoup of the 13th century.[2]

"Coronation of the Virgin" altarpiece panel by Bernardino Fungai.

Works of art[edit]

The most important works housed in the Santa Maria dei Servi have included :

Coronation of the Virgin altarpiece
  • Coronation of the Virgin by Bernardino Fungai. This altarpiece is generally acclaimed as the masterpiece of Bermardino Fungai and belongs to the period between 1498 and 1501. The four predella panels from the life of Saint Clement were reunited for the first time since their dismantling and sale at the Metropolitan Museum of Art in New York City on 20 December 1988. The narrative scenes of the four panels are all painted with tempera on wood.
    • The Conversion of Saint Clement, housed in the Musee des Beaux-Arts, Strasbourg. The first panel represents the young philosopher, Clement, who having thought that his parents and two brothers were lost at sea turned more seriously to inquire into the question of the immortality of the soul.
    • The Reunion of Saint Clement with his family, housed in the Musee des Beaux-Arts, Strasbourg. the second panel shows Clement reunited with his parents and brothers through the instrumentality of Saint Peter the Apostle
    • Saint Clement Striking the Rock, housed in the City Art Gallery, York, England. The third panel continues the narrative of the life of Saint Clement, after he succeeded Saint Peter as Bishop of Rome.
    • The Martyrdom of Saint Clement, housed in the City Art Gallery, York, England. The final scene depicting highlights in the life of Clement done in tempera and gold on wood, and is noted as the most magically evocative in Fungai’s career.

There is speculation of a fifth panel belonging to the predella, but its whereabouts are unable to be tracked down since there is no record of it in reference works on known collections. Mystery still surrounds the exact date when the Fungai predella panels were dismantled from the altarpiece of the church of Santa Maria dei Servi and then separated. The lack of information regarding the dates when these panels found their way into the museums where they are housed at the present.[3]

"Madonna del Bordone" by Coppo di Marcovaldo (1261 CE).

Paintings[edit]

  • Madonna del Marcovaldo (called Madonna del Bordone) by Coppo di Marcovaldo, signed and dated 1261, in Byzantine style and partially repainted by a pupil of Duccio. Its height of 7 feet 3 inches and its width of 4 feet foreshadow the late-thirteenth-century tendency for panel paintings to approach the scale of frescoes.[4]
  • The Massacre of the Innocents by Matteo di Giovanni (1491)
  • Adoration of the Shepherds (1404) by Taddeo di Bartolo
  • Madonna and Saints by Matteo di Giovanni
  • Madonna with child by Duccio di Bonaventura
  • The Slaughter of the Innocents by Pietro Lorenzetti
  • Madonna del Popolo by Lippo Memmi
  • Herod’s Feast by Pietro Lorenzetti
  • The Death of St. John the Evangelist by Pietro Lorenzetti
  • Annunciation by Francesco Vanni
  • The Madonna of Belvedere of Jacopo di Mino del Pellicciaio and Taddeo di Bartolo (1363)

References[edit]

  1. ^ name=travelitalia>http://guide.travelitalia.com/it/guide/siena/chiesa-di-santa-maria-dei-servi-siena/ “church of Santa Maria Dei Servi
  2. ^ a b c Siena: guide with town plan, Santini, Loretta. 1997
  3. ^ The Fungai altarpiece in Santa Maria dei Servi in Siena, 1989
  4. ^ Art and Architecture in Italy 1250 to 1400, 1966

Sources[edit]

  • "Church of Santa Maria Dei Servi" (in Italian). Retrieved 7 June 2012. 
  • Santini, Loretta (1997). Siena: guide with town plan. Narni, Italy: Casa Editrice Plurigraf. 
  • Montagna, Davide M. (1989). The Fungai altarpiece in Santa Maria dei Servi in Siena (1498-1501): rare exhibit reunites lost predella pieces. Roma.  — Journal title=Istituto storico O.S.M.,155:164
  • White, John (1966). Art and Architectre in Italy 1250 to 1400. Penguin Books.