Santi di Tito

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Santi di Tito
Born March 6, 1536
Florence
Died July 23, 1603(1603-07-23) (aged 67)
Nationality Italian
Known for Painting
Movement Counter-Mannerist

Santi di Tito (March 6, 1536 – July 23, 1603) was one of the most influential and leading Italian painters of the proto-Baroque style – what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism.[1]

Vision of St Thomas Aquinas (1593) [2]

Biography[edit]

He was born in Borgo San Sepolcro, in Tuscany. There is little documentation to support the alleged training under Bronzino or Baccio Bandinelli. From 1558 to 1564, he worked in Rome on frescoes in Palazzo Salviati and the Sala Grande of the Belvedere (Homage of the People) alongside Giovanni de' Vecchi and Niccolò Circignani. He acquired a classical trait, described as Raphaelesque by S.J. Freedburg. This style contrasted with the reigning ornate Roman painterliness of Federico and Taddeo Zuccari or their Florentine equivalents: Vasari, Alessandro Allori, and Bronzino.

After returning to Florence in 1564, he joined the Accademia del Disegno. He contributed two conventionally Mannerist paintings for the Duke's study and laboratory, the Studiolo of Francesco I in the Palazzo Vecchio. This artistic project was partly overseen by Giorgio Vasari. These paintings – the Sisters of Fetonte (Phaeton)[3] and Hercules and Iole[4] – like many of those in the studiolo, are stylized and overcrowded.

The Studiolo paintings were followed by a visit to Venice in the early 1570s. The art historian Baldinucci recounts, that as a result of this sojourn, Santi completely rejected the maniera of Bronzino, and embraced a classical Reformist and naturalistic style.[5] Santi went on to contribute a Sacra Conversazione for the Ognissanti and painted two altarpieces for Santa Croce in Florence: a crowded but monumental Resurrection (1570–74), and a creatively inspired and decorous Supper at Emmaus (1574).

Santi also painted a Resurrection of Lazarus for Volterra Cathedral; a Madonna for San Salvatore al Vescovo; a Burial of Christ for S. Giuseppe; a Baptism of Christ by St John for the Corsini palace, Florence. Santi died in Florence on July 23, 1603.[6]

A work reflective of Santi's mature style is the Vision of Saint Thomas Aquinas, also known as Saint Thomas Dedicating His Works to Christ. It expresses a simple, pious gesture that appeared to have been lost from the courtly sensibility of Italian painting since the days of Raphael, while maintaining the brittle, demarcated color that is classic of Tuscan works. It is a style that will be mirrored in the following decades, in the Bolognese School of the Carracci, in the 1580s and 90s.

Among his pupils were Ludovico Cigoli, the leading painter of art Reform in late sixteenth and early seventeenth century Florence. Another pupil named Francesco Mochi became a prominent sculptor in the Baroque style and created, among other pieces, the colossal Saint Veronica, in the crossing of St. Peter's Basilica in Rome."[7]

Paintings and architecture[edit]

Architecture

  • Villa Doccia, near Fiesole
  • Villa dei Collazzi, in Giogoli

Gallery[edit]

Portraits
Portrait of Niccolò Machiavelli by Santi di Tito.jpg Pietro de' Medici - Santi di Tito - 1584-1586.jpg Santi di Tito, Ritratto di Cristina di Lorena.jpg Santi di Tito - Portrait of Maria de' Medici - WGA22720.jpg Santi di Tito - Portrait of the Young Maria de' Medici - WGA22719.jpg Santi di Tito - Portrait of a Girl - WGA22721.jpg
Niccolò Machiavelli
Pietro de' Medici
Cristina di Lorena
Maria de' Medici
Maria de' Medici
Portrait of Girl
Frescoes for Cloister of Santa Maria Novella and Villa il Riposo
SMN Chiostro Grande o08 Santi di Tito, Gli apostoli Pietro e Paolo appaiono a San Domenico.JPG SMN Chiostro Grande o10 Santi di Tito, Incontro tra San Domenico e San Francesco.JPG SMN Chiostro Grande n11 Santi di Tito, San Domenico a mensa nutrito dagli angeli.JPG SMN Chiostro Grande n04 Santi di Tito, Morte di San Domenico.JPG SMN Chiostro Grande o12 Santi di Tito, San Domenico salva 40 naufragi.JPG Villa il riposo, affreschi di santi di tito 01.JPG
St Dominic's vision of Sts Peter & Paul
St Dominic and St Francis
St Dominic dines with Angels
St Dominic's Death
St Dominic Saves Shipwrecked
Villa il Riposo

References[edit]

  • Freedberg, Sydney J. (1993). "Painting in Italy, 1500-1600". Pelican History of Art. Penguin Books Ltd. pp. 620–625. 
  1. ^ Gauvin Alexnader Bailey, Between Renaissance and Baroque: Jesuit Art in Rome, 1565-1610 (Toronto: University of Toronto, 2003), pp.28-30.
  2. ^ San Marco, Florence [1]
  3. ^ [2]
  4. ^ [3]
  5. ^ F. Baldinucci, Notizie dei professori del disegno da Cimabue in qua, (1681-1728) 2, pp. 540-544., ed. by F. Ranalli, Florence 1845-1847.
  6. ^ *Bryan, Michael (1889). Walter Armstrong & Robert Edmund Graves, ed. Dictionary of Painters and Engravers, Biographical and Critical (Volume II: L-Z). York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007: George Bell and Sons. p. 179. 
  7. ^ Wittkower, Rudolf (1999) Art and Architecture in Italy 1600-1750 Yale Univ. Press.