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Theatrical release poster
|Directed by||Gilles Paquet-Brenner|
|Produced by||Stéphane Marsil|
|Written by||Serge Joncour
|Starring||Kristin Scott Thomas
|Music by||Max Richter|
|Editing by||Hervé Schneid|
France 2 Cinema
Ile de France
|Distributed by||Anchor Bay Entertainment
The Weinstein Company
|Running time||111 minutes|
Sarah's Key follows a journalist's present-day investigation into the Vel' d'Hiv Roundup of Jews in German-occupied Paris in 1942. It tells the story of a young girl's experiences during and after these events, illustrating the participation of the French bureaucracy as well as French citizens hiding and protecting Sarah from the French authorities.
The film alternates between Sarah's life in 1942 and the journalist researching the story in 2009.
In 1942, 10-year-old Sarah Starzynski (Mélusine Mayance) hides her younger brother from French police by locking him in a secret closet and telling him to stay there until she returns. She takes the key with her when she and her parents are transported to the Vélodrome d'Hiver, where they are held in inhuman conditions by the Paris Police and French Secret Service.
The deportees are transferred to the French-run Beaune-la-Rolande internment camp. The adults are deported to Auschwitz, leaving the children in the camp. When Sarah tries to escape with a friend, Rachel, a sympathetic Paris police guard spots them. When Sarah begs him to let them go so she can save her brother, he hesitates then lifts the barbed wire to let them out.
Sarah and Rachel fall asleep in a dog house at a farm where they are discovered by the farmers, Jules and Genevieve Dufaure. Despite knowing who they are and the associated danger, the Dufaures decide to help the girls. Rachel is dying, and when they call attention to themselves by calling in a doctor, a skeptical German officer asks them if they know anything about a second Jew child. The officer begins a search for the second child, only to be interrupted when the French physician carries out the dead body of Rachel. Days later, the Dufaures take Sarah back to her family's apartment building in Paris. Sarah runs up to her apartment, knocking on the door furiously. A boy, twelve years old, answers. She rushes in to her old room and unlocks the cupboard. Horrified by what she finds, she starts screaming hysterically.
After the war, Sarah continues to live as a family member with the Dufaures and their two grandsons. When she turns 18, she moves to the United States, hoping to put everything that happened behind her. She stops corresponding with the Dafaures when she gets married and has a son, William. When her son is 9, Sarah – still despondent and blaming herself for her brother's death – commits suicide by driving her car into the path of an on–coming truck. It's explained to her son that her death was an accident.
In the present, the French husband of journalist Julia (Kristin Scott Thomas) inherits the apartment of his grandparents (his elderly father was the boy who opened the door to Sarah in August 1942). Having previously done an article on the Vel' d'Hiv Roundup, Julia finds her interest piqued when she learns that the apartment came into her husband's family at about the time of the Roundup, and she begins to investigate what happened nearly 70 years earlier. Her father-in-law tells Julia what he knows so she will quit prying.
Julia begins an obsessive quest to find any trace of Sarah, eventually learning of her life in Brooklyn and finally locating William in Italy. She meets with him and asks him for information about his mother, but learns to her surprise that William does not know his mother's history or even that she was a Jew, believing only that she had been a French farm girl. Listening in amazement, William rejects the story and dismisses Julia. Later, everything is confirmed to William by his dying father, Richard, including Sarah's suicide. He gives William Sarah's journals and notes, telling him Sarah had immediately had William baptized right after his birth, fearing that 'being Jewish' was a threat to him and explaining that "... we're all a product of our history". The key to the cupboard is among the items handed to him by his father.
Julia, having given up hope of having another child after years of unsuccessful attempts to conceive, discovers she's pregnant. Her husband loves their life with their 12 year old daughter, Zoe, as it is, and does not want to have another child at this point in life. Julia ultimately decides against an abortion, has another daughter, divorces her husband, and eventually moves with Zoe to New York City.
Two years later, William, having contacted Julia, meets her for a late lunch in a restaurant favored by Sarah, and gives her additional information about his mother that the Dafaures had. Julia is amazed and happy for him, and has brought her young daughter along to the meeting. William breaks into tears when Julia tells him her daughter's name is Sarah. Julia comforts him as they both look at little Sarah.
- Kristin Scott Thomas - Julia Jarmond
- Natasha Mashkevich - Mrs Starzynski
- Arben Bajraktaraj - Mr Starzynski
- Mélusine Mayance - young Sarah Starzynski
- Charlotte Poutrel - Adult Sarah
- Niels Arestrup - Jules Dufaure
- Dominique Frot - Geneviève Dufaure
- Frédéric Pierrot - Bertrand Tezac
- Michel Duchaussoy - Édouard Tezac
- Gisèle Casadesus - Mamé Tezac
- Aidan Quinn - William Rainsferd
- George Birt - Richard Rainsferd
The film had a preview at the Toronto International Film Festival on 16 September 2010, then it had a wide release in France on 13 October 2010 and in Italy on 13 January 2012.
|This section requires expansion. (May 2012)|
Although British, Scott-Thomas delivers her English dialogue in an American accent, but for most of the film she speaks fluent French as she is Anglo-French. She has done many Anglo-French movies in French and received a César Award nomination for this performance.
The film was released in the USA on DVD and Blu-ray on 22 November 2011.
- "Box office / business for Sarah's Key". IMDb.com. IMDb.com, Inc. Retrieved 28 May 2012.
- "Sarah's Story". Dimension Films. The Weinstein Company. Retrieved 28 May 2012.
- Peter Bradshaw (4 August 2011). "Sarah's Key – review". The Guardian. Guardian News and Media Limited. Retrieved 28 May 2012.
- RACHEL SALTZ (21 July 2011). "The Horror of Yesterday and the Everyday of Today". The New York Times. The New York Times Company. Retrieved 28 May 2012.
- Kenneth Turan (22 July 2011). "Movie review: 'Sarah's Key'". Los Angeles Times. Los Angeles Times. Retrieved 28 May 2012.
- "Sarah's Key (2011)". Rotten Tomatoes. Flixster, Inc. Retrieved 28 May 2012.
- "Elle s'appelait Sarah". LUMIERE – European Audiovisual Observatory. Retrieved 13 November 2013.