Sarah Cahill (pianist)

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Sarah Cahill (born 1960) is an American pianist based in the Bay Area.[1] She has also worked as a writer on music and as a radio-show host.

Early life and education[edit]

Born in Washington, D.C., Sarah Cahil moved to Berkeley, California when her father James Cahill became Professor of Chinese Art History at U. C. Berkeley.[2][3] She was drawn to music as her father owned an extensive collection of records, including rare recordings of composers and pianists such as Stravinsky, Prokofiev, Bartók, Artur Schnabel, Walter Gieseking and Clara Haskil. Cahill began her formal piano studies at the age of six, and at seven she began studying with Sharon Mann. By twelve, she had started performing concertos with several local orchestras. At sixteen she played Bach’s D major Toccata at Sommermusikwochen chamber music festival in Trogen, Switzerland .

Sarah Cahill skipped her final year of high school to join the San Francisco Conservatory, where Adams composed China Gates for her. She finished her academic studies at the University of Michigan, where she continued her musical training with Theodore Lettvin.

Music career[edit]

Sarah Cahill has commissioned, premiered and recorded numerous works for solo piano.[3] Compositions dedicated to her include John AdamsChina Gates, Frederic Rzewski’s Snippets 2, Pauline OliverosQuintuplets Play Pen, and Kyle Gann's Private Dances and On Reading Emerson. She has also premiered works by Lou Harrison, Terry Riley, Evan Ziporyn, Julia Wolfe, Ingram Marshall, Ursula Mamlok, George Lewis, Leo Ornstein and many others.

In late 2008 and 2009 Cahill developed and performed a new project known under two titles A Sweeter Music, and Notes on the War: The Piano Protests, where she asked composers for piano music on the subject of peace. The second title was printed in the New York Times, but was not Cahill's original title.[4][5] Commissioned composers include Preben Antonsen, Michael Byron, Paul Dresher, Ingram Marshall, Jerome Kitzke, Mamoru Fujieda, Kyle Gann, Peter Garland, Phil Kline, Jerome Kitzke, Meredith Monk, Pauline Oliveros, Yoko Ono, Larry Polansky, Bernice Johnson Reagon, The Residents, Terry Riley, Frederic Rzewski and Carl Stone. In later performances of A Sweeter Music Cahill's spouse John Sanborn contributed video content to accompany the music, displayed across three screens and synchronized to the performance.[5][6]

Other projects developed by Cahill include Playdate, Bay Area Pianists and Garden of Memory. Playdate is a group of commissioned pieces about childhood combined with classical works; the commission of an evening of new scores for four hands by Terry Riley, performed with pianist Joseph Kubera; and a concert of recent Italian music, featuring premieres by Luciano Chessa, Andrea Morricone, and others.[7] She founded the Bay Area Pianists in 1993. In 1996, in association with New Music Bay Area, Cahill created the annual Garden of Memory walk-through concert at the Julia Morgan-designed Chapel of the Chimes wherein audience members move through the environment with new music ensembles performing simultaneously throughout the spaces.[8] In 2003 she co-curated the Berkeley Edge Fest at Cal Performances.

Cahill investigated the impact early 20th-century American modernists had on the composers of her time and explored these influences in concert programs at the Miller Theater at Columbia University, Lincoln Center, Merkin Hall, Galapagos Art Space in New York City, Spoleto Festival USA, the Phillips Collection, the Freer Gallery (part of the Smithsonian Piano 300 gala), and at the Other Minds festival in San Francisco. She has also performed at the Nuovi Spazi Musicali festival at the American Academy in Rome, the Santa Fe New Music Series, and at the Pacific Crossings Festival in Tokyo, Japan.

Other work[edit]

As a radio personality, Cahill has hosted weekly radio shows on the classical and contemporary music scenes on both KPFA 94.1FM in Berkeley, where her program was cited as "One of the 100 Best Things in the Bay Area" by Citysearch magazine, and on KALW 91.7FM in San Francisco.

Cahill has written music reviews for Gramophone Explorations, Historical Performance, ClassicsToday.com, Grove’s Dictionary and other international publications, and liner notes for recordings by John Adams, Terry Riley, and others. In 1985 she became the music critic for the East Bay Express and has been published in the San Francisco Chronicle, the Village Voice Literary Supplement, and others.

Personal life[edit]

Cahill is married to the filmmaker John Sanborn. The couple has a daughter named Miranda.[9]

Selected discography[edit]

References[edit]

  1. ^ Kosman, Joshua. Avant-garde concert melds laptop, traditional piano fare. San Francisco Chronicle. 2008-12-01. Page E11. Accessed: 2008-12-01. (WebCite)
  2. ^ Snap, Martin. Tribute to a teacher: Show honors art historian. Oakland Tribune. 2007-04-27. Accessed: 2008-12-01. (WebCite)
  3. ^ a b Chloe Veltman (2010-06-18). "Sarah Cahill, New Music’s Tireless Advocate". New York Times. 
  4. ^ Richardson, Derk. Peace Pieces: Sarah Cahill commissions a sweeter music. San Francisco Chronicle, 2009-10-03. Accessed: 2009-10-03. (WebCite)
  5. ^ a b Smith, Steve. Sounds of Peace, Sometimes Drowned Out by the Din of War. The New York Times. 2009-03-16. Page C7, New York edition. Accessed: 2010-04-20.
  6. ^ Kozinn, Allan. When Downtown Comes Uptown. The New York Times. 2008-09-07. Page AR69, New York edition. Accessed: 2008-12-01.
  7. ^ The Petaluma Post. Three Dance Palace Evenings Feature Storytelling And Fun. The Petaluma Post. 2005-01-01. Accessed: 2008-12-01. (WebCite)
  8. ^ Kosman, Joshua. Chapel of the Chimes a natural fit for a musical game of hide-and-seek. San Francisco Chronicle. 2007-06-19. Page D1. Accessed: 2008-12-01. (WebCite)
  9. ^ Marianne Lipanovich. "An Interview With Sarah Cahill". San Francisco Classical Voice. Retrieved 2013-07-26. 

External links[edit]