Sarah Choate Sears
||This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (December 2013)|
Sears, née Sarah Carlisle Choate, was born in Cambridge, Massachusetts on 5 May 1858, the daughter of Charles Francis and Elizabeth Carlisle Choate. Her family was one of the Boston Brahmins, a very prominent class of cultural society in New England.
In 1877 she married real estate magnate Joshua Montgomery Sears (1854–1905), one of the wealthiest men in Boston. The combination of her own family’s wealth and that of her new husband meant that she would live a life of leisure, free to pursue whatever interested her.
She continued her art studies and won prizes for her watercolors at the World’s Columbian Exposition in Chicago (1893), the Universal Exposition in Paris (1900), the Pan American Exposition in Buffalo (1901) and the Louisiana Purchase Exposition in Saint Louis (1904).
Photography and later life
About 1890 she began exploring photography, and soon she was participating in local salons. She joined the Boston Camera Club in 1892, and her beautiful portraits and still lifes attracted the attention of fellow Boston photographer F. Holland Day. Soon her work was gaining international attention.
At the same time she was pursuing her photography interest, she and her husband were hosting some of the most elegant cultural and artistic parties in Boston. They often featured private symphonic performances and included many international composers and performers, including Ignacy Paderewski, Serge Koussevitsky and Dame Nellie Melba.
In 1899 she was given a one-woman show at the Boston Camera Club, and in 1900 she had several prints in Frances Benjamin Johnson’s famous exhibition in Paris.
In early 1900 she met American Impressionist Mary Cassatt, and the two continued to be friends for the remainder of their lives. During this same period she was elected as a member of the prestigious photographic associations: the Linked Ring in London and Alfred Stieglitz’s Photo-Secession in New York.
In 1904 she stopped working to care for her ailing husband, and after his death a year later she devoted herself to managing the family’s finances for a brief period. She then traveled throughout Europe with Cassatt and Gertrude Stein, collecting more art and living a highly glamorous lifestyle among artists, musicians and writers. Added by the advice of Cassatt, she began to collect early Impressionist paintings by Edgar Degas, Edward Manet and others.
Under the guidance of Stieglitz, she also collected modernist paintings by Maurice Prendergast, Arthur B. Davies, Paul Cézanne, Georges Braque and Henri Matisse. She took a particular interest in Prendergast, arranging for his first Boston exhibition and later paying for him to study in Europe.
In 1907, two of her photographs were published in Camera Work, but by that time she had lost much of her interest in photography. She continued to paint watercolors for the rest of her life but rarely photographed again.
She died in West Gouldsboro, Maine, on 25 September 1935.
- Kathleen McCarthy (1991). Women’s Culture: American Philanthropy and Art. Chicago: University of Chicago Press. p. 106.
- Stephanie M. Buck, Sarah Choate Sears: Artist, Photographer and Art Patron, MA Thesis, Syracuse University, 1985
- Erica Hirshler, A Studio of Her Own: Women Artists in Boston 1870-1940, Boston: Museum of Fine Arts, 2001
- Media related to Sarah Choate Sears at Wikimedia Commons
- Erica Hirschler, The Fine Art of Sarah Choate Sears
- Benefactor to Maurice Brazil Prendergast