Satori

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Satori (悟り?) (Chinese: ; pinyin: ; Korean ; Vietnamese ngộ) is a Japanese Buddhist term for enlightenment, meaning "understanding". In the Zen Buddhist tradition, satori refers to the experience of kensho.[1] Kensho (Japanese) is a term used in Zen traditions meaning "seeing into one's true nature." Ken means "seeing," sho means "nature," "essence."[1] Satori and kensho are commonly translated as enlightenment, a word that is also used to translate bodhi, prajna and buddhahood.

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[edit] Satori and kensho

Japanese character for satori

Satori is often used interchangeably with kensho.[1] Kensho refers to the perception of the Buddha-Nature or emptiness. According to some authors, kensho is a brief glimpse, while satori is considered to be a deeper spiritual experience.[citation needed]

Distinct from this first insight, daigo tettei is used to refer to a "deep" or lasting realization of the nature of existence.[1]

[edit] Importance of satori

According to D. T. Suzuki,

Satori is the raison d'être of Zen, without which Zen is no Zen. Therefore every contrivance, disciplinary and doctrinal, is directed towards satori.[2]

This view is typical of Rinzai, which emphasizes satori. The Soto school rejects this emphasis, and instead emphasizes "silent illumination" through the practice of zazen.

[edit] Attaining satori

Satori is considered a "first step" or embarkation toward nirvana:

Ch'an expressions refer to enlightenment as "seeing your self-nature". But even this is not enough. After seeing your self-nature, you need to deepen your experience even further and bring it into maturation. You should have enlightenment experience again and again and support them with continuous practice. Even though Ch'an says that at the time of enlightenment, your outlook is the same as of the Buddha, you are not yet a full Buddha.[3]

The student's mind must be prepared by rigorous study, with the use of koans, and the practice of meditation to concentrate the mind, under the guidance of a teacher. Koans are short anecdotes of verbal exchanges between teachers and students, typically of the Song dynasty, dealing with Buddhist teachings. The Rinzai-school utilizes classic collections of koans such as the Gateless Gate. The Gateless Gate was assembled by the early 13th century Chinese Zen master Wumen Hui-k'ai (無門慧開).

Wumen himself struggled for six years with koan "Zhaozhou’s dog", assigned to him by Yuelin Shiguan (月林師觀; Japanese: Gatsurin Shikan) (1143–1217), before attaining kensho. After his understanding had been confirmed by Yuelin, Wumen wrote the following enlightenment poem:

A thunderclap under the clear blue sky

All beings on earth open their eyes;
Everything under heaven bows together;

Mount Sumeru leaps up and dances.

[edit] See also

[edit] References

[edit] Sources

  • Kapleau, Philip (1989), The three pillars of Zen 
  • Yen, Chan Master Sheng (2006), Boston & London: Shambhala 
  • Suzuki, Daisetz Teitaro (1948), An Introduction to Zen Buddhism, Rider & Co. 
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