Save Rock and Roll

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Save Rock and Roll
Studio album by Fall Out Boy
Released April 12, 2013
Recorded October 2012–March 2013 at Rubyred Recordings, Venice, California
Genre Pop rock,[1] alternative rock,[2] pop punk[3][4]
Length 41:37
Label Island
Producer Butch Walker, Fall Out Boy
Fall Out Boy chronology
Folie à Deux
(2008)
Save Rock and Roll
(2013)
PAX AM Days
(2013)
Singles from Save Rock and Roll
  1. "My Songs Know What You Did in the Dark (Light Em Up)"
    Released: February 4, 2013
  2. "The Phoenix"
    Released: July 16, 2013
  3. "Alone Together"
    Released: August 6, 2013
  4. "Young Volcanoes"
    Released: Spring, 2014

Save Rock and Roll is the fifth studio album by the American rock band Fall Out Boy. It was produced by Butch Walker and released April 12, 2013, through Island Records. On October 15, the album was re-released with PAX AM Days, an extended play the band recorded shortly after Save Rock and Roll's release.

Following multiple touring stints and a mixed fan reaction to fourth record Folie à Deux (2008), the members of Fall Out Boy decided to take a break at the end of 2009. During the hiatus, each member of the group pursued individual musical interests. The band felt it necessary to decompress and refrained from referring to the hiatus as a "breakup", acknowledging a possible return in the future.

After several reformation attempts the album was recorded in secrecy at Rubyred Recordings in Venice, California, beginning in the fall of 2012. The album sessions were marked by a desire to reinvent the band's sound in a more modern form. The band brought in producer Butch Walker for a fresh approach, marking their first time without longtime producer Neal Avron. In the band's new form, each member of the quartet was involved in crafting the compositions, although sessions were initially difficult as they struggled to reconnect. Save Rock and Roll features guest vocals from Foxes, Big Sean, Courtney Love, and Elton John (who sings on the album's title track).

Save Rock and Roll debuted at number one on the U.S. Billboard 200 with 154,000 first week sales, earning the band their second career number one. Its lead single, "My Songs Know What You Did in the Dark (Light Em Up)", has achieved triple-platinum certification in the U.S. and charted worldwide. Rolling Stone described the band's comeback as a "rather stunning renaissance",[5] and the record received positive reviews upon its release, although most music critics were hesitant to refer to the album as solely a rock record. The group followed the record release with the Save Rock and Roll arena tour in promotion, with multiple European, US and Australian legs announced, as well as worldwide promotional shows, festival appearances and TV performances. The American leg of the Save Rock and Roll Tour was co-headlined with Panic! at the Disco who also made a recent return to the music scene. They teamed up with Paramore to co-headline the Momentour in the US in 2014. The band is in the process of filming and releasing music videos for every track on the album in an ongoing series titled The Young Blood Chronicles.

Background[edit]

In 2009, following two nationwide tours and the release of a greatest hits compilation Believers Never Die – Greatest Hits, the members of Fall Out Boy decided to take a break. The band's decision stemmed from disillusionment with the music industry and the constant promotion of fourth record Folie à Deux. The band's, specifically bassist/lyricist Pete Wentz, every movement had become fodder for gossip in tabloids, and lead vocalist/guitarist Patrick Stump recalled that "We found ourselves running on fumes a little bit -- creatively and probably as people, too."[6] In addition, the constant touring schedule had become difficult for the band due to conflicting fan opinion regarding Folie à Deux: concertgoers would "boo the band for performing numbers from the record in concert", leading Stump to describe touring in support of Folie as like "being the last act at the vaudeville show: We were rotten vegetable targets in Clandestine hoods."[7] "Some of us were miserable onstage," said guitarist Joe Trohman. "Others were just drunk."[8] Stump realized the band was desperate to take a break; he sat the group down and explained that a hiatus was in order if the band wanted to continue in the future.[5] All involved felt the dynamic of the group had changed as personalities developed.[5]

Rumors and misquotes led to confusion as to what such a break truly meant; Wentz preferred to not refer to the break as a "hiatus," instead explaining that the band was just "decompressing."[9] Fall Out Boy played their last show at Madison Square Garden on October 4, 2009. Near the end, Blink-182's Mark Hoppus shaved Wentz's head in a move Rolling Stone would later describe as a "symbolic cleansing of the past, but also the beginning of a very dark chapter for the band."[5] By the time the break began, Stump was the heaviest he had ever been and loathed the band's image as an "emo" band.[10] Drummer Andy Hurley "went through the darkest depression [I've] ever felt. I looked at my calendar and it was just empty."[8] Wentz, who had been abusing Xanax and Klonopin, was divorced by his wife Ashlee Simpson and returned to therapy.[8][11] "I'd basically gone from being the guy in Fall Out Boy to being the guy who, like, hangs out all day," Wentz recalled.[10] Previously known as the "overexposed, despised" leader of the band, Wentz "simply grew up," sharing custody of his son and embracing maturity: "There was a jump-cut in my life. I started thinking – like, being old would be cool."[10]

During the hiatus, the band members each pursued individual musical interests, which were met with "varying degrees of failure."[8] Stump was the only member of the quartet to take on a solo project while Fall Out Boy was on hiatus, recording debut album Soul Punk entirely on his own: he wrote, produced, and played every instrument for all tracks on the record. In addition, he married his longtime girlfriend and lost over sixty pounds through portion control and exercise.[12][13] Stump blew through most of his savings putting together a large band to tour behind Soul Punk, but ticket sales were sparse and the album stalled commercially.[8] During a particularly dark moment in February 2012, Stump poured his heart out in a 1500-word blog entry called "We Liked You Better Fat: Confessions of a Pariah."[5][7] In the post, Stump lamented the harsh reception of the record and his status as a "has-been" at 27. Stump revealed that fans harassed him on his solo tour, hurling insults such as "We liked you better fat," and noted that "Whatever notoriety Fall Out Boy used to have prevents me from having the ability to start over from the bottom again."[14] Aside from Soul Punk and personal developments, Stump moonlighted as a professional songwriter/producer, co-writing tracks with Bruno Mars and All Time Low, and pursued acting.[7]

Wentz formed electronic duo Black Cards with vocalist Bebe Rexha in July 2010. The project released one single before album delays led to Rexha's departure in 2011. Black Cards added Spencer Peterson to complete the Use Your Disillusion EP in 2012.[13] Wentz also completed writing a novel, Gray, that he had been working on for six years outside the band, and began hosting the reality tattoo competition show Best Ink.[15] Hurley ventured farther into rock during the hiatus, drumming with multiple bands over the three-year period. He continued to manage his record label, Fuck City, and drummed for bands Burning Empires and Enabler.[13] He also formed heavy metal outfit The Damned Things with Trohman, Scott Ian and Rob Caggiano of Anthrax, and Keith Buckley of Every Time I Die.[13] Despite this, the members all remained cordial to one another; Wentz was Stump's best man at his wedding.[16] The hiatus was, all things considered, beneficial for the group and its members, according to Hurley. "The hiatus helped them all kind of figure themselves out," he explained in 2013. "Especially Joe and Patrick, who were so young. And Pete is a million times better."[10]

Composition[edit]

The music featured on Save Rock and Roll contains elements of general pop,[2] pop rock,[1] alternative rock,[2] and pop punk,[3][4] and has been described as having "pulsating disco grooves [and] stacked-harmony hair-metal singing."[17] "The Phoenix" was inspired by Soviet Russian composer Dmitri Shostakovich and drum loops, both of which Stump was interested in at one point in the recording process.[18] While listening to the fourth movement (Allegro non troppo) of Shostakovich's Symphony No. 7, Stump became entranced by a certain string moment and proceeded to build an entirely new song influenced by it. The same orchestral snippet was employed as a sample by German hip-hop artist Peter Fox in his 2008 single "Alles Neu".[18]

Recording[edit]

It was starting at square one again. Where it's like, 'Hey, I guess we're a new band.' And it was fearless, because we didn't have anything to lose.

Patrick Stump on the band's pop-based reinvention[10]

The album's earliest origins lie in unsuccessful writing sessions between Patrick Stump and Pete Wentz. The two met up in early 2012 to write for the first time in nearly four years. Wentz reached out to Stump after he penned his letter, as he too felt he was in a dark place and needed a creative outlet.[5] He was at first reluctant to approach Stump, likening the phone call to reconnecting with a lover after years of acrimony.[10] "I know what you need - you need your band," Wentz told Stump.[10] "I think it's kind of weird that we haven't really seen each other this year. We paid for each others houses and you don't know my kid," Wentz remarked.[16] The duo recorded demos on GarageBand at Stump's personal home studio in Hollywood Hills.[10] The result, "three or four" new songs, were shelved with near immediacy, with the two concluding that "it just wasn't right and didn't feel right."[19]

Several months later, the two reconvened and wrote tracks that they felt truly represented the band in a modern form. After writing "Where Did the Party Go," both musicians became excited as momentum continued to grow.[5] The band decided that if a comeback was in order, it must represent the band in its current form: "We didn't want to come back just to bask in the glory days and, like, and collect a few checks and pretend ... and do our best 2003 impersonation," said Stump.[20] Afterwards, the quartet held an all-day secret meeting at their manager's home in New York City where they discussed ideas and the mechanics of getting together to record.[5][19] Trohman was the last to be contacted, through a three-hour phone call from Stump. As Trohman was arguably the most excited to begin other projects, he had a list of stipulations for rejoining the band. "If I'm not coming back to this band writing music […] then I don't want to," he remarked, and Stump disarmed him: "He said I needed to be writing more."[16]

Save Rock and Roll was recorded primarily at Rubyred Recordings in Venice, California from October 2012 to March 2013.[21] The band's main goal was to reinvent their sound from scratch, creating what Trohman called a "reimagining of the band," which focuses more on pop.[10] Sessions were not without their difficulties, as the band struggled initially to produce new material. Walker had doubts about the band's volatility, feeling the record would not get made following "meltdown after meltdown."[10] When the band learned Elton John was a fan of their music, they jokingly suggested he might want to record with them. The singer complied and Stump flew to Atlanta late in production, halting the mixing process, to record with John. He was very positive regarding the album's direction: "He actually spoke up for the album's title. He came in and was like, 'Love the album title. Love where this is going. This is great,'" said Stump.[22]

The entire album was recorded in secrecy from the music industry, critics, and their own fans. "There was a couple times there was paparazzi that got us outside and didn't put two and two together," recalled Stump.[20] The decision to keep recording a secret was partially so that they could shelve it if the sessions didn't work out.[8] Keeping the secret was difficult, especially for a group so visible on social media; Hurley stayed away from Twitter and all members got as far away from one another in public as possible.[5] Rumors began to swirl in late 2012 after a friend of the band tweeted that the band was in the process of recording new material; though each member of the band was quick to deny any chance of a reunion.[13] The band remained tight-lipped until the very end; when the Chicago Tribune asked Wentz a week prior to the announcement whether a Fall Out Boy reunion was happening, he replied, "It's not."[23] Plans nearly went sideways when Wentz went to dinner with rapper 2 Chainz to discuss plans for the "My Songs" video.[19] Following the conversation, 2 Chainz posted to Instagram a photo of Wentz and himself with the caption "Fall Out Boyz feat. 2 Chainz?" To the band's surprise and relief, their own fans denied the possibility, finding the idea too absurd.[19]

Packaging[edit]

The title was created as a tongue in cheek remark after Wentz envisioned album reviews that would sarcastically state the band "came back to save rock and roll." It was also partially inspired by the return of rock-based acts on contemporary hit radio, such as the success of recent Fun and Gotye singles.[15]

The cover of Save Rock and Roll features a photograph of two young boys — one wearing traditional monk robes, the other in jeans and a T-shirt, smoking a cigarette — taken by Roger Stonehouse in Burma.[24] The image was found early on in the production process as the band scoured the Internet for inspirational images. They felt the photo solidified the message of the record, "one definitely indebted to the past, but defiantly points towards the future."[24] Summarized, the image represents old and new clashing, and tradition and change coming together.[25]

Promotion[edit]

While specifically denying that their announcement was a reunion because "[we] never broke up", the band announced a reunion tour and details of Save Rock and Roll on February 4, 2013. The quartet's announcement included a photo of them, taken earlier that morning, huddled around a bonfire, tossing copies of their back catalog into the flames at the original location of 1979's Disco Demolition Night.[26] The band performed an "intimate" show the same night at Chicago's Subterranean, followed by two more club slots in New York City and Los Angeles the same week. Stump playfully chided the hometown crowd at the Subterranean: "I told you we were gonna come back! Why didn't you believe me?"[23]

Save Rock and Roll was originally slated for release on May 7 in order to coincide with the 10th anniversary of the band's Take This to Your Grave album but the date was pulled forward to April after the lead single and the band's comeback were met with commercial and critical success.[24] The album was posted in its entirety on the band's official website eight days prior to its release, as to avoid a leak.[19]

Singles[edit]

The record's lead single, "My Songs Know What You Did in the Dark (Light Em Up)", shot up to number two on iTunes within hours of its release.[8] The single peaked at number 13 on the Billboard Hot 100, marking the band's first top twenty single since their 2008 cover of Michael Jackson's "Beat It".[27] "My Songs" would shortly sell 2 million downloads in the US, and also peak at number five on the UK Singles Chart.[28] The band promoted the song with TV performances and in acoustic version at radio interviews.

Fall Out Boy announced on June 24 that the next single would be "The Phoenix" via their official Facebook page.[29] It was released to American modern rock radio on July 16.[30]

A month later, the band announced that "Alone Together" would be the album's third single, with a release to pop radio set for August 6, 2013.[31] The single peaked at number 71 on the Billboard Hot 100 and spent 8 weeks on the chart[32]

"Young Volcanoes" was later announced as the fourth single from the album.[33] It was released to radio in the United Kingdom on October 7, 2013[34] and subsequently peaked at number 52 on the UK Singles Chart.[35]

The Young Blood Chronicles[edit]

Inspired in part by Daft Punk's Interstella 5555: The 5tory of the 5ecret 5tar 5ystem, the band plans to release a music video for every song on the album in a series titled The Young Blood Chronicles.[36] The first "chapter," the video for "My Songs Know What You Did in the Dark (Light Em Up)", was released alongside the band's album announcement in February 2013. It stars rapper 2 Chainz walking around a dark, wooded campsite torching foliage and records.[37] "The Phoenix" was released as a promotional single in March 2013 and its video opens with the conclusion of the "My Songs" clip, with the band bound-and-blindfolded in the back of a black van. The story unfolds backwards, with the band discovering a mysterious briefcase that lead singer Patrick Stump cuffs to his wrist. From there, they are abducted and tortured in a remote location, with the abductors chopping off Stump's left hand.[38] The story continues in "Young Volcanoes", released in April 2013, which finds the band being tied down and snorting colored powder. The group is then forced to digest organs.[39] The video for "Alone Together" was released on July 1, 2013. In the video, the band continues to be tortured by their captors, with bassist Pete Wentz able to escape from his room. During his escape attempt, he rescues Big Sean, although he is quickly recaptured shortly after. Stump is electrocuted, although he is implied to have become "evil" after his procedure. With Big Sean watching nearby, the four band members are then brought to the van from the "My Songs Know What You Did in the Dark" video, closing the prologue sequence.[40]

On August 29, 2013, the fifth installment was released featuring the song "The Mighty Fall" (feat. Big Sean). The video starts with the band's captors burning Fall Out Boy's earlier records and merchandise, as shown in the prologue video. 2 Chainz seemingly incinerates the inside of the van where the band is being held captive. As the van is burning, Wentz is shown to free his band mates as an oncoming group of evil kid bikers approaches. The band members are then chased down by these kids. The kid chasing Stump plays a boom box and it put him into a trance and seemingly turns him evil and aggressive. Big Sean helps him escape by snapping the evil kid's neck. Patrick then proceeds to run away after awakening from the trance. The video concludes with Big Sean bleeding to death due to an axe that was thrown at his back by the captors from the previous music videos. "Just One Yesterday" was released as the 6th part of the series on October 15, 2013. This video begins the next morning with the band members waking up and remembering the previous days.[41] Stump is picked up by singer Foxes and driven around the town where he finds the other members of the band. Each has had their own struggles getting through the morning. By the end of the video, it becomes manifest that Foxes is evil. She proceeds to drop them off at Linda Vista Hospital and turns on the music that puts Stump into a trance. This video ends with the band running into the hospital being chased by an infuriated Stump.

Released in December 2013, "Where Did The Party Go" begins inside the hospital, as Stump pursues his bandmates through a series of hallways and operating rooms. While in his demonic possession, Stump hallucinates a variety of seemingly zombified patients who follow him through the building.[42] Meanwhile, the other band members have split up; Wentz attempts to phone for help, drummer Andy Hurley uses medical supplies to treat one of his wounds, and guitarist Joe Trohman accidentally locks himself in an empty operating room. Stump finds Trohman trapped and uses an electrical cable to strangle him to death. The remaining band members arrive and Stump comes out of his trance just as police cars appear to arrive. "Death Valley" opens on a shot of Trohman, dead from the happenings of the previous video. He is then seen rising up an elevator to Hell. Elsewhere, Stump is shown being processed into jail. Wentz and Hurley are shown being questioned by police, and later go to find an unknown blonde woman. As the video progresses, Tommy Lee as the devil is seen with Trohman, Stump is let out of jail into the custody of the female abductors from the previous videos, Hurley is seen making out with the blonde and Wentz and Hurley are both armed with weapons made out of musical instruments, provided by the blonde who has also given them information about the group of evil women that has been pursuing them.The video ends with a close-up of a TV displaying Courtney Love.

In "Rat a Tat", released in March 2014, Love is revealed to be the mastermind behind the kidnappings, and her ultimate plan is to stop all forms of music, ordering her followers to destroy various instruments. She has took Stump sat in a place while making him watch the "bad" parts of their Young Blood Chronicles, making him evil once again. Hurley and Wentz infiltrate the building and retrieve the mysterious suitcase, and trap Love, Hurley tells Wentz to go ahead and he'll finish Love, unfortunately, Hurley is ambushed and has his neck slit with a knife by Love's henchwomen, and it ends with Stump chasing after Wentz and the suitcase.

Release History:

  1. "My Songs Know What You Did in the Dark (Light Em Up)" (featuring 2 Chainz) (February 8, 2013)
  2. "The Phoenix" (March 24, 2013)
  3. "Young Volcanoes" (April 18, 2013)
  4. "Alone Together" (July 1, 2013)
  5. "The Mighty Fall (featuring Big Sean)" (August 29, 2013)
  6. "Just One Yesterday (featuring Foxes)" (October 14, 2013)
  7. "Where Did The Party Go" (December 2, 2013)
  8. "Death Valley" (featuring Tommy Lee) (December 24, 2013)
  9. "Rat a Tat" (featuring Courtney Love) (March 6, 2014)
  10. "Miss Missing You" (Anticipated May 2, 2014)
  11. "Save Rock and Roll" (featuring Elton John) (TBA, 2014)

Save Rock and Roll Tour & Save Rock and Roll Arena Tour[edit]

As soon as Fall Out Boy came off of their hiatus, a Save Rock and Roll tour was announced for the summer of 2013, in addition to the one-off comeback dates in selected cities. Fall Out Boy played in various small concert venues and clubs for this tour. On May 13, it was announced that Fall Out Boy would go on a Save Rock and Roll Arena Tour for the fall of 2013 with support from Panic! At The Disco and Twenty One Pilots. The band also played headlining concerts and festivals worldwide, including dates in Europe and Asia. On July 29, Fall Out Boy announced a Save Rock And Roll Australian tour with British India, beginning October 22 and spanning four dates across four cities; Fall Out Boy had played two Australian dates seven months earlier. Throughout 2013, Fall Out Boy guest performed on many TV shows and music award ceremonies. It was later announced that the band would also host the Save Rock & Roll European Tour, playing at sixteen cities between February and March 2014. Seven of the dates were in the UK. The support acts were announced on December 2, 2013; they are The Pretty Reckless and New Politics.

On September 13, 2013 Fall Out Boy headlined Riot Fest in their hometown of Chicago. Their set featured a guest appearance from Jeff Pezzati of Naked Raygun and the appearance of the Stanley Cup won earlier that summer by the hometown Blackhawks.

Reception[edit]

Professional ratings
Review scores
Source Rating
Allmusic 3.5/5 stars[2]
Alternative Press 4/5 stars[43]
The A.V. Club B+[44]
Entertainment Weekly B[4]
The Guardian 3/5 stars[45]
Melodic.net 3/5 stars[46]
musicOMH 2.5/5 stars[47]
The Oakland Press 2.5/4 stars[48]
Rolling Stone 3.5/5 stars[49]
USA Today 3/4 stars[50]

Critical reception[edit]

Save Rock and Roll has received mostly positive reviews from music critics, making the band's reformation a critical success. At Metacritic, a website which assigns a rating out of 100 from reviews by mainstream critics, it currently holds a rating of 75 based on 18 reviews, citing "generally favorable reviews".[51] Stephen Thomas Erlewine of Allmusic commended the record's compositions as "ambitious, admirable, and sometimes thrilling, particularly because the group never fears to tread into treacherous waters, happy to blur the distinctions between pop and rock, mainstream and underground."[2] Kyle Ryan of The A.V. Club called the record "the band's most personal album yet, a tribute to being passionate and young when time makes the former difficult and the latter impossible. It's an arena album that longs for small punk clubs."[44] In a positive review of the album, Matthew Murray of UK website WhatCulture called the album "ambitious" and "a hell of a lot of fun". He said that Fall Out Boy "aren't the saviours rock and roll has been waiting for", but "they do make a damn fine substitute".[52] Annie Zaleski of Alternative Press also gave the album a positive review, calling it "a blast of an album", stating "It's also gutsy: No matter what direction Fall Out Boy went, people would be disappointed. So to release a collection of music that's a noticeable progression from their past albums—but one done entirely on their own terms—is brave. Save Rock and Roll might not actually, well, save rock and roll—but it certainly has brought Fall Out Boy back from the brink."[43] Johan Wippsson of Melodic.net gave a more critical review writing that "Fall Out Boy is not the band that will save the Rock And Roll". He added that "like many other bands, they have added some more electronic elements, which makes Save Rock and Roll a bit too well produced and non organic."[46]

Dave Simpson of The Guardian was positive in his description of the music on the album: "Each track fuses punk-pop, boyband production values and Heart-style power-balladry to make a big enough noise to accompany fireworks in stadiums."[45] Kyle Anderson of Entertainment Weekly described Save Rock and Roll as a stairway to a new era for the band, writing, "There's not much psychological processing on Save Rock and Roll, but it does advance FOB's vision of an über-inclusive guitar-pop utopia."[4] Rolling Stone's Simon Vozick-Levinson characterized the record as full of "over-the-top ambitions", summarizing by saying, "Does rock's future depend on this overheated nonsense? Of course not. But life is more fun with Fall Out Boy than without them."[49] At USA Today, Brian Mansfield concluded with "Fall Out Boy may not be rock and roll's saviors, but they make sure it's got a little life left."[50] Andy Baber of musicOMH called this the "softest album yet, it is also their least memorable."[47] At The Oakland Press, Gary Graff found that "11-song set has more in common with Rihanna than the Ramones, which will undoubtedly polarize those faithful".[48]

Commercial performance[edit]

Save Rock and Roll debuted at number one on the Billboard 200 chart, with first week sales of 154,000 copies in the United States, according to Nielsen SoundScan.[53] Fall Out Boy had been in a sales race with rapper Kid Cudi, whose Indicud was released the same day and debuted at number two. Initially, industry sources had forecast both albums to sell around 150,000, but Save Rock and Roll pulled ahead by the end of the tracking week.[53] The arrival of Save Rock and Roll posted the quartet's third-biggest sales week, and earned their second career number one on the chart.[53] The album also debuted at number one on Billboard's Top Rock Albums and Top Alternative Albums charts.[27] In its second week, it fell to number five on the Billboard 200 with 36,000 sales, a 76% decline.[54] As of March 22, 2014 Save Rock and Roll is sitting around the #100 spot on the charts, selling an average of 3,500 copies per week; the album has scanned over 550,000 sales.

Internationally, the album debuted on iTunes at number one in 27 countries including Canada, Mexico, New Zealand, Hong Kong, Malaysia, Philippines, Singapore, Taiwan, Thailand, Indonesia, Japan and South Africa. The album entered at number two in another 13 countries including the United Kingdom, Australia, Austria, Ireland, Brazil, and Russia. In all, the album entered inside the top ten in 60 countries including Norway, Argentina, Finland, Sweden, Germany, Denmark, Belgium, France, India, and Poland.[55] The band's chart success was best described as unexpected by music journalists. Rolling Stone called the band's comeback a "rather stunning renaissance",[5] and Entertainment Weekly called the number one a "major accomplishment for a band whom many in the industry had dismissed as kings of a genre whose time had passed."[18]

Track listing[edit]

All songs written and composed by Andy Hurley, Patrick Stump, Joe Trohman and Pete Wentz, except where noted.[21]

No. Title Writer(s) Length
1. "The Phoenix"     4:04
2. "My Songs Know What You Did in the Dark (Light Em Up)"   Hurley, Stump, Trohman, Wentz, Butch Walker, John Hill 3:08
3. "Alone Together"     3:23
4. "Where Did the Party Go"     4:03
5. "Just One Yesterday" (featuring Foxes)   4:04
6. "The Mighty Fall" (featuring Big Sean) Hurley, Stump, Trohman, Wentz, Walker, Hill, Sean Anderson 3:32
7. "Miss Missing You"     3:30
8. "Death Valley"     3:46
9. "Young Volcanoes"     3:24
10. "Rat a Tat" (featuring Courtney Love) Hurley, Stump, Trohman, Wentz, Courtney Love 4:02
11. "Save Rock and Roll" (featuring Elton John)   4:41
Total length:
41:37
  • "Save Rock and Roll" contains an interpolation of the band's own song "Chicago Is So Two Years Ago", which appeared in their album Take This to Your Grave.[57]

Personnel[edit]

Per liner notes[21]

Chart performance[edit]

Release history[edit]

Region Date Label Format
Australia/Europe April 12, 2013 Island Records Digital download, CD, vinyl
United Kingdom April 15, 2013
United States April 16, 2013

References[edit]

  1. ^ a b Garland, Emma (2009-08-20). "ATP! Album Review: Fall Out Boy - Save Rock And Roll". Alter The Press!. Retrieved 2013-04-16. 
  2. ^ a b c d e Stephen Thomas Erlewine (April 16, 2013). "Save Rock and Roll: Review". Allmusic. Retrieved April 15, 2013. 
  3. ^ a b "Album review: Save Rock and Roll by Fall Out Boy". Voxmagazine.com. 2013-04-10. Retrieved 2013-04-16. 
  4. ^ a b c d Kyle Anderson (April 10, 2013). "Save Rock and Roll: Review". Entertainment Weekly. Retrieved April 15, 2013. 
  5. ^ a b c d e f g h i j Andy Greene (April 18, 2013). "How Fall Out Boy Beat the Odds and Rose Again". Rolling Stone. Jann Wenner. Retrieved April 18, 2013. 
  6. ^ Kia Makarechi (April 15, 2013). "Fall Out Boy On Save Rock And Roll, Working With Elton John And Why Everything Is Different This Time Around". The Huffington Post. Retrieved April 15, 2013. 
  7. ^ a b c Rolling Stone staff (February 29, 2012). "Patrick Stump: I'm a 27-Year-Old Has-Been". Rolling Stone. Jann Wenner. Retrieved April 16, 2013. 
  8. ^ a b c d e f g Andy Greene (February 28, 2013). "Fall Out Boy's Surprise Return". Rolling Stone (1177). Jann Wenner. pp. 19–20. Retrieved March 1, 2013. 
  9. ^ James Montgomery (November 18, 2009). "Pete Wentz Says Fall Out Boy Not Broken Up, Just 'Decompressing'". MTV News. Retrieved April 15, 2013. 
  10. ^ a b c d e f g h i j Brian Hiatt (May 23, 2013). "Fall Out Boy: Life After Emo". Rolling Stone. Jann Wenner. Retrieved May 14, 2013. 
  11. ^ Crow, Sarah (10 February 2011). "Report: Pete Wentz Doesn't Want to Divorce Ashlee Simpson". PopEater. Retrieved 23 February 2011. 
  12. ^ Us Weekly staff (October 14, 2011). "Patrick Stump Explains 60 Pound Weight Loss". Us Weekly. Retrieved April 15, 2013. 
  13. ^ a b c d e Sarah Maloy (February 4, 2013). "Fall Out Boy's Reunion: Looking Back at the Hiatus, Side Projects & Rumors". Billboard. Retrieved April 15, 2013. 
  14. ^ Billboard staff (March 1, 2012). "Patrick Stump Lets the Bastards Get Him Down in New Blog Post". Billboard. Retrieved April 15, 2013. 
  15. ^ a b Lily Rothman (April 10, 2013). "Q&A: Pete Wentz on How Fall Out Boy Can Save Rock". Time. Retrieved April 15, 2013. 
  16. ^ a b c Ryan J. Downey (June 2013). "Cynics, You're Going Down". Alternative Press (Alternative Magazines Inc.) (299): p.70–76. ISSN 1065-1667. 
  17. ^ Mikael Wood (May 11, 2013). "Fall Out Boy and Paramore: Coming back on top". Los Angeles Times. Retrieved May 14, 2013. 
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