The Scarlet Letter

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Not to be confused with The Scarlet Letters.
For other uses, see Scarlet Letter (disambiguation).
The Scarlet Letter
Title page for The Scarlet Letter.jpg
Title page, first edition, 1850
Author Nathaniel Hawthorne
Genre Romantic, Historical
Publisher Ticknor, Reed & Fields
Publication date
1850
Pages 180

The Scarlet Letter is an 1850 romantic work of fiction in a historical setting, written by Nathaniel Hawthorne, and is considered to be his magnum opus.[1] Set in 17th-century Puritan Boston, Massachusetts during the years 1642 to 1649, it tells the story of Hester Prynne, who conceives a daughter through an affair and struggles to create a new life of repentance and dignity. Throughout the book, Hawthorne explores themes of legalism, sin, and guilt.

Plot[edit]

In this painting, The Scarlet Letter by Hugues Merle, Hester Prynne and Pearl are in the foreground and Arthur Dimmesdale and Roger Chillingworth are in the background.

On June 1642, in the Puritan town of Boston, a crowd gathers to witness the punishment of Hester Prynne, a young woman found guilty of adultery. She is required to wear a scarlet "A" ("A" is the symbol of adultery and shame) on her dress. Furthermore, she must stand on the scaffold for three hours, exposed to public humiliation. As Hester approaches the scaffold, many of the women in the crowd are angered by her beauty and quiet dignity. When demanded and cajoled to name the father of her child, Hester refuses.

As Hester looks out over the crowd, she notices a small, misshapen man and recognizes him as her long-lost husband, who has been presumed lost at sea. When the husband sees Hester's shame, he asks a man in the crowd about her and is told the story of his wife's adultery. He angrily exclaims that the child's father, the partner in the adulterous act, should also be punished and vows to find the man. He chooses a new name – Roger Chillingworth – to aid him in his plan.

Reverend John Wilson and the minister of her church, Arthur Dimmesdale, question Hester, but she refuses to name her lover. After she returns to her prison cell, the jailer brings in Roger Chillingworth, a physician, to calm Hester and her child with his roots and herbs. Dismissing the jailer, Chillingworth first treats Pearl. He and Hester have an open conversation regarding their marriage and the fact that they were both in the wrong. Her lover however, is another matter and he demands to know who it is and Hester refuses to divulge such information. He accepts this and states that he will find out anyway and also forces her to never reveal that he is her husband. If she ever does so, he warns her, he will destroy the child's father. Hester agrees to Chillingworth's terms even though she suspects she will regret it.

Following her release from prison, Hester settles in a cottage at the edge of town and earns a meager living with her needlework. She lives a quiet, somber life with her daughter, Pearl. She is troubled by her daughter's unusual fascination by Hester's scarlet "A". As she grows older, Pearl becomes capricious and unruly. Her conduct starts rumors, and, not surprisingly, the church members suggest Pearl be taken away from Hester.

Hester, hearing the rumors that she may lose Pearl, goes to speak to Governor Bellingham. With him are Reverends Wilson and Dimmesdale. When Wilson questions Pearl about her catechism, she refuses to answer, despite knowing the correct response, thus jeopardizing her guardianship. Hester appeals to Reverend Dimmesdale in desperation, and the minister persuades the governor to let Pearl remain in Hester's care.

Because Reverend Dimmesdale's health has begun to fail, the townspeople are happy to have Chillingworth, a newly arrived physician, take up lodgings with their beloved minister. Being in such close contact with Dimmesdale, Chillingworth begins to suspect that the minister's illness is the result of some unconfessed guilt. He applies psychological pressure to the minister because he suspects Dimmesdale to be Pearl's father. One evening, pulling the sleeping Dimmesdale's vestment aside, Chillingworth sees a symbol that represents his shame on the sleeping minister's pale chest.

Tormented by his guilty conscience, Dimmesdale goes to the square where Hester was punished years earlier. Climbing the scaffold, he sees Hester and Pearl and calls to them to join him. He admits his guilt to them but cannot find the courage to do so publicly. Suddenly Dimmesdale sees a meteor forming what appears to be a gigantic A in the sky; simultaneously, Pearl points toward the shadowy figure of Roger Chillingworth. Hester, shocked by Dimmesdale's deterioration, decides to obtain a release from her vow of silence to her husband. In her discussion of this with Chillingworth, she tells him his obsession with revenge must be stopped in order to save his own soul.

Several days later, Hester meets Dimmesdale in the forest, where she removes the scarlet letter from her dress and identifies her husband and his desire for revenge. In this conversation, she convinces Dimmesdale to leave Boston in secret on a ship to Europe where they can start life anew. Renewed by this plan, the minister seems to gain new energy. Pearl, however, refuses to acknowledge either of them until Hester replaces her symbol of shame on her dress.

Returning to town, Dimmesdale loses heart in their plan: He has become a changed man and knows he is dying. Meanwhile, Hester is informed by the captain of the ship on which she arranged passage that Roger Chillingworth will also be a passenger.

On Election Day, Dimmesdale gives what is declared to be one of his most inspired sermons. But as the procession leaves the church, Dimmesdale stumbles and almost falls. Seeing Hester and Pearl in the crowd watching the parade, he climbs upon the scaffold and confesses his sin, dying in Hester's arms. Later, most witnesses swear that they saw a stigma in the form of a scarlet "A" upon his chest, although some deny this statement. Chillingworth, losing his will for revenge, dies shortly thereafter and leaves Pearl a great deal of money. It is hinted that Pearl uses this money to travel to Europe, and possibly gets married.

Several years later, Hester returns to her cottage, resumes wearing the scarlet letter, and offers solace to women in similar positions. When she dies, she is buried near the grave of Dimmesdale, and they share a simple slate tombstone with a scarlet "A".

Major themes[edit]

Sin[edit]

The experience of Hester and Dimmesdale recalls the story of Adam and Eve because, in both cases, sin results in expulsion and suffering. But it also results in knowledge – specifically, in knowledge of what it means to be immoral. For Hester, the Scarlet Letter is a physical manifestation of her sin and reminder of her painful solitude. She contemplates casting it off to obtain her freedom from an oppressive society and a checkered past as well as the absence of God. Because the society excludes her, she considers the possibility that many of the traditions held up by the Puritan culture are untrue and are not designed to bring her happiness.

As for Dimmesdale, the "cheating minister", his sin gives him "sympathies so intimate with the sinful brotherhood of mankind, so that his chest vibrate[s] in unison with theirs." His eloquent and powerful sermons derive from this sense of empathy.[2] The narrative of the Reverend Arthur Dimmesdale is quite in keeping with the oldest and most fully authorized principles in Christian thought. His "Fall" is a descent from apparent grace to his own damnation; he appears to begin in purity but he ends in corruption. The subtlety is that the minister's belief is his own cheating, convincing himself at every stage of his spiritual pilgrimage that he is saved.[3]

The rose bush, its beauty a striking contrast to all that surrounds it – as later the beautifully embroidered scarlet "A" will be held out in part as an invitation to find "some sweet moral blossom" in the ensuing, tragic tale and in part as an image that "the deep heart of nature" (perhaps God) may look more kind on the errant Hester and her child than her Puritan neighbors do. Throughout the work, the nature images contrast with the stark darkness of the Puritans and their systems.[4]

Chillingworth's misshapen body reflects (or symbolizes) the anger in his soul, which builds as the novel progresses, similar to the way Dimmesdale's illness reveals his inner turmoil. The outward man reflects the condition of the heart; an observation thought to be inspired by the deterioration of Edgar Allan Poe, whom Hawthorne "much admired".[4]

Although Pearl is a complex character, her primary function within the novel is as a symbol. Pearl herself is the embodiment of the scarlet letter, and Hester rightly clothes her in a beautiful dress of scarlet, embroidered with gold thread, just like the scarlet letter upon Hester's bosom.[2]

Puritan legalism[edit]

Another theme is the extreme legalism of the Puritans and how Hester chooses not to conform to their rules and beliefs. Hester was rejected by the villagers even though she spent her life doing what she could to help the sick and the poor. Because they rejected her, she spent her life mostly in solitude, and wouldn't go to church.

As a result, she retreats into her own mind and her own thinking. Her thoughts begin to stretch and go beyond what would be considered by the Puritans as safe or even Christian. She still sees her sin, but begins to look on it differently than the villagers ever have. She begins to believe that a person's earthly sins don't necessarily condemn them. She even goes so far as to tell Dimmesdale that their sin has been paid for by their daily penance and that their sin won't keep them from getting to heaven, however, the Puritans believed that such a sin surely condemns.

But Hester had been alienated from the Puritan society, both in her physical life and spiritual life. When Dimmesdale dies, she knows she has to move on because she can no longer conform to the Puritans' strictness. Her thinking is free from religious bounds and she has established her own different moral standards and beliefs.[2]

Publication history[edit]

Hester Prynne at the stocks - an engraved illustration from an 1878 edition.

It was long thought that Hawthorne originally planned The Scarlet Letter to be a shorter novelette which was part of a collection to be named Old Time Legends and that his publisher, James Thomas Fields, convinced him to expand the work to a full-length novel.[5] This is not true: Fields persuaded Hawthorne to publish The Scarlet Letter alone (along with the earlier-completed "Custom House" essay) but he had nothing to do with the length of the story.[6] Hawthorne's wife Sophia later challenged Fields' claims a little inexactly: "he has made the absurd boast that he was the sole cause of the Scarlet Letter being published!" She noted that her husband's friend Edwin Percy Whipple, a critic, approached Fields to consider its publication.[7] The manuscript was written at the Peter Edgerley House in Salem, Massachusetts, still standing as a private residence at 14 Mall Street. It was the last Salem home where the Hawthorne family lived.[8]

The Scarlet Letter was published as a novel in the spring of 1850 by Ticknor & Fields, beginning Hawthorne's most lucrative period.[9] When he delivered the final pages to Fields in February 1850, Hawthorne said that "some portions of the book are powerfully written" but doubted it would be popular.[10] In fact, the book was an instant best-seller[11] though, over fourteen years, it brought its author only $1,500.[9] Its initial publication brought wide protest from natives of Salem, who did not approve of how Hawthorne had depicted them in his introduction "The Custom-House". A 2,500-copy second edition of The Scarlet Letter included a preface by Hawthorne dated March 30, 1850, that stated he had decided to reprint his introduction "without the change of a word... The only remarkable features of the sketch are its frank and genuine good-humor... As to enmity, or ill-feeling of any kind, personal or political, he utterly disclaims such motives".[12]

The Scarlet Letter was also one of the first mass-produced books in America. In the mid-nineteenth century, bookbinders of home-grown literature typically hand-made their books and sold them in small quantities. The first mechanized printing of The Scarlet Letter, 2,500 volumes, sold out within ten days,[9] and was widely read and discussed to an extent not much experienced in the young country up until that time. Copies of the first edition are often sought by collectors as rare books, and may fetch up to around $18,000 USD.

Critical response[edit]

On its publication, critic Evert Augustus Duyckinck, a friend of Hawthorne's, said he preferred the author's Washington Irving-like tales. Another friend, critic Edwin Percy Whipple, objected to the novel's "morbid intensity" with dense psychological details, writing that the book "is therefore apt to become, like Hawthorne, too painfully anatomical in his exhibition of them".[13] Most literary critics praised the book but religious leaders took issue with the novel's subject matter.[14] Orestes Brownson complained that Hawthorne did not understand Christianity, confession, and remorse.[15] A review in The Church Review and Ecclesiastical Register concluded the author "perpetrates bad morals."[16]

On the other hand, 20th century writer D. H. Lawrence said that there could be not be a more perfect work of the American imagination than The Scarlet Letter.[17] Henry James once said of the novel, "It is beautiful, admirable, extraordinary; it has in the highest degree that merit which I have spoken of as the mark of Hawthorne's best things—an indefinable purity and lightness of conception...One can often return to it; it supports familiarity and has the inexhaustible charm and mystery of great works of art."[17][18]

The book's immediate and lasting success are due to the way it addresses spiritual and moral issues from a uniquely American standpoint.[citation needed] In 1850, adultery was an extremely risqué subject, but because Hawthorne had the support of the New England literary establishment, it passed easily into the realm of appropriate reading. It has been said[who?] that this work represents the height of Hawthorne's literary genius, dense with terse descriptions. It remains relevant for its philosophical and psychological depth, and continues to be read as a classic tale on a universal theme.[19]

Allusions[edit]

The following are historical and Biblical references that appear in The Scarlet Letter.

  • Anne Hutchinson, mentioned in Chapter 1, The Prison Door, was a religious dissenter (1591–1643). In the 1630s she was excommunicated by the Puritans and exiled from Boston and moved to Rhode Island.[4]
  • Ann Hibbins, who historically was executed for witchcraft in Boston in 1656, is depicted in The Scarlet Letter as a witch who tries to tempt Prynne to the practice of witchcraft.[20][21]
  • Richard Bellingham, who historically was the governor of Massachusetts and deputy governor at the time of Hibbins's execution, was depicted in The Scarlet Letter as the brother of Ann Hibbins.
  • Martin Luther (1483–1545) was a leader of the Protestant Reformation in Germany.
  • Sir Thomas Overbury and Dr. Forman were the subjects of an adultery scandal in 1615 in England. Dr. Forman was charged with trying to poison his adulterous wife and her lover. Overbury was a friend of the lover and was perhaps poisoned.
  • John Winthrop (1588–1649), second governor of the Massachusetts Bay Colony.
  • King's Chapel Burying Ground, mentioned in the final paragraph, exists; the Elizabeth Pain gravestone is traditionally considered an inspiration for the protagonists' grave.
  • The story of King David and Bathsheba is depicted in the tapestry in Mr. Dimmesdale's room (chapter 9). (See II Samuel 11-12 for the Biblical story.)
  • John Eliot, (c. 1604–1690) was a Puritan missionary to the American Indians whom some called “the apostle to the Indians." He is referred to as "the Apostle Eliot" at the beginning of Chapter 16, A Forest Walk, whom Dimmesdale has gone to visit.

In popular culture[edit]

The Scarlet Letter has been adapted to numerous films, plays and operas and remains frequently referenced in modern popular culture. The plot of the novel The Brooklyn Follies by Paul Auster revolves around the manuscript of The Scarlet Letter.

See also[edit]

References[edit]

Notes[edit]

  1. ^ "Sinner, Victim, Object, Winner | ANCHORS: JACKI LYDEN". National Public Radio (NPR). March 2, 2008, Sunday. SHOW: Weekend All Things Considered.  Check date values in: |date= (help) (quote in article refers to it as his "masterwork", listen to the audio to hear it the original reference to it being his "magnum opus")
  2. ^ a b c "The Scarlet Letter". Sparknotes. Retrieved 2012-08-07. 
  3. ^ Davidson, E.H. 1963. Dimmesdale's Fall. The New England Quarterly 36: 358–370
  4. ^ a b c The Scarlet Letter by Nathaniel Hawthorne - CliffNotes from Yahoo!Education[dead link]
  5. ^ Charvat, William. Literary Publishing in America: 1790–1850. Amherst, MA: The University of Massachusetts Press, 1993 (first published 1959): 56. ISBN 0-87023-801-9
  6. ^ Parker, Hershel. "The Germ Theory of THE SCARLET LETTER," Hawthorne Society Newsletter 11 (Spring 1985) 11-13.
  7. ^ Wineapple, Brenda. Hawthorne: A Life. Random House: New York, 2003: 209–210. ISBN 0-8129-7291-0.
  8. ^ Wright, John Hardy. Hawthorne's Haunts in New England. Charleston, SC: The History Press, 2008: 47. ISBN 978-1-59629-425-7.
  9. ^ a b c McFarland, Philip. Hawthorne in Concord. New York: Grove Press, 2004: 136. ISBN 0-8021-1776-7
  10. ^ Miller, Edwin Haviland. Salem is my Dwelling Place: A Life of Nathaniel Hawthorne. Iowa City: University of Iowa Press, 1991: 299. ISBN 0-87745-332-2
  11. ^ Cheevers, Susan (2006). American Bloomsbury: Louisa May Alcott, Ralph Waldo Emerson, Margaret Fuller, Nathaniel Hawthorne, and Henry David Thoreau; Their Lives, Their Loves, Their Work. Detroit: Thorndike Press. Large print edition. p. 181. ISBN 0-7862-9521-X
  12. ^ Miller, Edwin Haviland. Salem is my Dwelling Place: A Life of Nathaniel Hawthorne. Iowa City: University of Iowa Press, 1991: 301. ISBN 0-87745-332-2
  13. ^ Miller, Edwin Haviland. Salem is my Dwelling Place: A Life of Nathaniel Hawthorne. Iowa City: University of Iowa Press, 1991: 301–302. ISBN 0-87745-332-2
  14. ^ Schreiner, Samuel A., Jr. The Concord Quartet: Alcott, Emerson, Hawthorne, Thoreau, and the Friendship That Freed the American Mind. Hoboken, NJ: John Wiley & Sons, Inc., 2006: 158. ISBN 978-0-471-64663-1
  15. ^ Crowley, J. Donald, and Orestes Brownson. Chapter 50: [Orestes Brownson], From A Review In Brownson's Quarterly Review." Nathaniel Hawthorne (0-415-15930-X) (1997): 175-179. Literary Reference Center Plus. Web. 11 Oct. 2013.
  16. ^ Wineapple, Brenda. Hawthorne: A Life. Random House: New York, 2003: 217. ISBN 0-8129-7291-0.
  17. ^ a b Miller, Edwin Haviland. Salem is my Dwelling Place: A Life of Nathaniel Hawthorne. Iowa City: University of Iowa Press, 1991: 284. ISBN 0-87745-332-2
  18. ^ James, Henry (1901). Hawthorne. Harper. pp. 108, 116. Retrieved 18 February 2010. 
  19. ^ "The Classic Text: Traditions and Interpretations". Uwm.edu. 2001-10-09. Retrieved 2012-08-07. 
  20. ^ Schwab, Gabriele. The mirror and the killer-queen: otherness in literary language. Indiana University Press. 1996. Pg. 120.
  21. ^ Hunter, Dianne, Seduction and theory: readings of gender, representation, and rhetoric. University of Illinois Press. 1989. Pgs. 186-187

Bibliography[edit]

  • Brodhead, Richard H. Hawthorne, Melville, and the Novel. Chicago and London: The University of Chicago Press, 1973.
  • Brown, Gillian. "'Hawthorne, Inheritance, and Women's Property", Studies in the Novel 23.1 (Spring 1991): 107-18.
  • Cañadas, Ivan. "A New Source for the Title and Some Themes in The Scarlet Letter". Nathaniel Hawthorne Review 32.1 (Spring 2006): 43–51.
  • Korobkin, Laura Haft. "The Scarlet Letter of the Law: Hawthorne and Criminal Justice". Novel: a Forum on Fiction 30.2 (Winter 1997): 193–217.
  • Gartner, Matthew. "The Scarlet Letter and the Book of Esther: Scriptural Letter and Narrative Life". Studies in American Fiction 23.2 (Fall 1995): 131-51.
  • Newberry, Frederick. Tradition and Disinheritance in The Scarlet Letter". ESQ: A Journal of the American Renaissance 23 (1977), 1–26; repr. in: The Scarlet Letter. W. W. Norton, 1988: pp. 231-48.
  • Reid, Alfred S. Sir Thomas Overbury's Vision (1616) and Other English Sources of Nathaniel Hawthorne's 'The Scarlet Letter. Gainesville, FL: Scholar's Facsimiles and Reprints, 1957.
  • Reid, Bethany. "Narrative of the Captivity and Redemption of Roger Prynne: Rereading The Scarlet Letter". Studies in the Novel 33.3 (Fall 2001): 247-67.
  • Ryskamp, Charles. "The New England Sources of The Scarlet Letter". American Literature 31 (1959): 257–72; repr. in: "The Scarlet Letter", 3rd edn. Norton, 1988: 191–204.
  • Savoy, Eric. "'Filial Duty': Reading the Patriarchal Body in 'The Custom House'". Studies in the Novel 25.4 (Winter 1993): 397–427.
  • Sohn, Jeonghee. Rereading Hawthorne's Romance: The Problematics of Happy Endings. American Studies Monograph Series, 26. Seoul: American Studies Institute, Seoul National University, 2001; 2002.
  • Stewart, Randall (Ed.) The American Notebooks of Nathaniel Hawthorne: Based upon the original Manuscripts in the Piermont Morgan Library. New Haven: Yale University Press, 1932.
  • Waggoner, Hyatt H. Hawthorne: A Critical Study, 3rd edn. Cambridge, MA: Belknap Press of Harvard University Press, 1971.

External links[edit]