Seedbed (performance piece)
In the piece, there is a low wooden ramp merging with the floor. The ramp extends across the width of the room, beginning two feet up the side of one wall and slanting down to the middle of the floor.
In his original performance of the piece, Acconci lay hidden underneath the ramp installed at the Sonnabend Gallery, masturbating. The artist's spoken fantasies about the visitors walking above him were heard through loudspeakers in the gallery.
"In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed, Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state." - Jerry Saltz
A video of the piece itself shows no sexual content; it all is merely suggested
- "Vito Acconci - Kunstmuseum Luzern". Kunstmuseum Luzern. May 1978.
- Guggenheim, Past exhibitions
- Guggenheim Press Release on "Seven Easy Pieces" as interpreted by Marina Abramović - Nov.9-15, 2005
- Interview New York Times - Provocateur: Marina Abramovic
|This theatre-related article is a stub. You can help Wikipedia by expanding it.|