Selwyn Dewdney

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Selwyn Hanington Dewdney (October 9, 1909 – November 18, 1979) was a Canadian author, illustrator, artist, activist and pioneer in both art therapy and pictography.

Early life[edit]

He was born in Prince Albert, Saskatchewan, on October 9, 1909 and was the son of the Anglican bishop of the diocese of Keewatin. His family moved to Kenora, Ontario in 1924 and he received his secondary education there. He attended the University of Toronto where he received a general Bachelor of Arts.

In the summer of 1928, he accompanied his father on a 3,800 mile journey to visit the Ojibway and Cree missions in Northern Ontario. Much of this venture was travelled by canoe. This experience established his interest in native culture and love of the bush in the Canadian Shield. In 1932, he attended the Ontario College of Education and received a High School Assistant's Certificate and Art Specialists Certificate. He also took a course in landscape painting.

Career[edit]

In 1933, he was hired by the Geological Survey of Canada, and was assigned to survey the transition zone between the Precambrian formations of the Canadian Shield and the Hudson Bay lowlands. Among the muskeg and blackflies, he sketched the landscape and produced pencil portraits of the traverse crew at the survey camp. His inspiration as an artist came from the great northern landscapes that he loved to visit. His dramatic style is quite similar to that of the Group of Seven.[citation needed]

Family[edit]

In 1936, he married Irene Donner in a ceremony conducted by his father. Their honeymoon was a 500 mile canoe trip loop from Kenora to Red Lake. Their children were:

  • Donner Dewdney, a child psychiatrist, known for discovering the facial distortion effect among schizophrenic children
  • Alexander Dewdney, a mathematician, author, conservationist, environmental scientist and naturalist
  • Christopher Dewdney, an award-winning poet and non-fiction author; and
  • Peter Dewdney, a photographer and gold prospector[citation needed]

Teaching[edit]

He began teaching at Sir Adam Beck Secondary School, London, Ontario, but resigned in protest at the demotion of a colleague in 1945. This experience was the subject of his first novel Wind Without Rain.[citation needed]

Art therapy[edit]

With a growing family of three sons, he turned to illustrating books, writing, researching, editing and painting commissioned murals to support them. It was during this time that he became interested in art therapy when he was commissioned illustrate Lionel Penrose's psychiatric 'M' test. In 1947, while working at Westminster Veterans Hospital in London, he began giving art instruction to some to the psychiatric patients. The positive results of this eventually afforded him the position of Psychiatric Art Therapist. His pioneering work in this field, along with his wife Irene, led to the development of the first art therapy program.[citation needed]

Rock art[edit]

During the 1950s, his ongoing exploration of Northern Ontario introduced him to the ancient native pictographs painted in red ochre on the rocks. A chance meeting with Kenneth E. Kidd, curator of the ethnology department of the Royal Ontario Museum, led to an opportunity to join Kidd and help record the pictograph sites. By 1957, eleven rock-painting sites were recorded in Quetico Provincial Park. Between 1959 and 1965, with two of his sons as field assistants, he discovered and recorded rock art from the foothills of the Rockies to the Atlantic coast. By 1978, he had visited 301 sites in Canada and the U.S. In 1962, the first edition of Indian Rock Paintings of the Great Lakes was published, with Kenneth Kidd as co-author.[citation needed]

The Sacred Scrolls[edit]

Dewdney learned of a secret society within the Ojibway, the Midewiwin, which purportedly embodied traditional ceremonial rituals of healing and sorcery and included four degrees of initiation. Despite being first documented by Europeans in the early 18th century, it is believed that some essential elements of the Midewiwin were "elaborations of traditional Anishinaabe beliefs and practices".[1][2]

Elements of this belief system were recorded on scrolls made of birch bark, sewn together with cedar roots. His The Sacred Scrolls of the Southern Ojibway (1975), remains the only volume dedicated exclusively to this subject.[citation needed]

Norval Morrisseau[edit]

In 1960, Dewdney met Norval Morrisseau, a young native artist, and his encouragement and support helped promote Morrisseau as the country's best known Woodland artist. Dewdney edited Morrisseau's book Legends of My People. At one time, Morrisseau and his family actually lived with Dewdney and his family at their home on Erie Avenue in London.[citation needed]

Last years[edit]

In 1978, he published his second novel, Christopher Breton. He died on November 18, 1979, following heart surgery. In 1980, two stands of white pine were planted at Agawa Bay in Lake Superior Provincial Park by the Ministry of Natural Resources to honor his memory. A plaque erected by the family stands against the Shield rock he loved so much, a few meters away from the Ojibway pictograph Mishibizhiw, the great horned lynx. In 1997, Selwyn's son, A. K. Dewdney, published 'Daylight in the Swamp, based on his father's bush diary, field notes and letters. Selwyn had been working on the original manuscript for the book at the time of his death.[citation needed]

See also[edit]

Selected bibliography[edit]

  • 1946: Wind Without Rain. Toronto: Copp Clark
  • 1960: The Map That Grew. Toronto: Oxford University Press
  • 1967: Indian Paintings of the Great Lakes. Second edition. Published for the Quetico Foundation. Toronto: University of Toronto Press.
  • 1975: The Sacred Scrolls of the Southern Ojibway. Published for the Glenbow-Alberta Institute, Calgary, Alberta. Toronto: The University of Toronto Press.
  • 1975: They Shared to Survive: The Native Peoples of Canada. Illustrated by Franklin Arbuckle. Toronto: The MacMillan Company of Canada Ltd.
  • 1978: Christopher Breton. Toronto: McClelland and Stewart.
  • 1980: The Hungry Time. Toronto: James Lorimer & Company, Publishers.[3]

References[edit]

  1. ^ Angel, Michael, Preserving the Sacred: Historical Perspectives on the Ojibwa Midewiwin (University of Manitoba Press, 2002, ISBN 0-88755-173-4), p. 74,
  2. ^ Meghan C. L. Howey and John M. O'Shea. "Bear's Journey and the Study of Ritual in Archaeology". American Antiquity, Vol. 71, No. 2 (April 2006), Society for American Archaeology, pp. 261-282.
  3. ^ Profile, lib.uwo.ca; accessed April 4, 2014.

Links[edit]