Semyon Kotko

From Wikipedia, the free encyclopedia
Jump to: navigation, search

Semyon Kotko (Russian: Семён Котко), Op. 81, is an opera in five acts by Sergei Prokofiev to a libretto by Sergei Prokofiev and Valentin Katayev based on Katayev's 1937 novel I, Son of Working People (Russian: Я, сын трудового народа…). It was premiered on 23 June 1940 at the Stanislavsky Opera Theatre in Moscow.

Composition history[edit]

One of only two operas written by Prokofiev on a Soviet subject (the other being The Story of a Real Man), Semyon Kotko was composed between the summers of 1938 and 1939. From the beginning, it was intended that the opera would be produced by the brilliant director and a great friend of Prokofiev, Vsevolod Meyerhold, who was at that time the director of the Stanislavsky Opera Theatre. Both Prokofiev and Meyerhold had tried to plan productions of several of Prokofiev's operas in the past, but all of them had failed. However, on 20 June 1939, just a week before Prokofiev completed the piano score of Semyon Kotko, Meyerhold was arrested. Nothing would be heard about his fate from then on; many years later it was revealed that he had been shot in February 1940. The whole production fell into jeopardy. An actress, Serafima Birman, took Meyerhold's place, but the result was dissatisfying. The opera was further compromised by the Nazi-Soviet pact, which made it necessary to change the operatic enemies from Germans to haydamaks (Ukrainian nationalists).[1]

Performance history[edit]

The reception of Semyon Kotko at its premiere was moderately enthusiastic, but at that time ideology took precedence over all other considerations, and discussions in the press focused exclusively around Semyon Kotko's importance as a “Soviet Opera”. The inherent quality of the music was simply ignored. Yet the production made a deep impression on the pianist Sviatoslav Richter, who recalled: "The premiere of the opera was a momentous event in my life [...] That evening, when I first heard Semyon Kotko, I understood that Prokofiev was a great composer."[2]

The opera was dropped from the Soviet repertoire in 1941, and it was not staged again anywhere until 1958 at Brno in Czechoslovakia. It finally entered the repertory of the Bolshoi Theatre in Moscow in 1970, and it is now one of the main repertory staples of the Kirov Opera at the Mariinsky Theatre, St. Petersburg, where it has been repeatedly conducted by Prokofiev interpreter Valery Gergiev.

Prokofiev later extracted an orchestral suite (Op. 81a) from the opera.

Roles[edit]

Role Voice type[3] Premiere cast
23 June 1940, Moscow
(Conductor: Mikhail Zhukov)
Semyon Kotko, a demobilized soldier who loves Sofya tenor
Semyon's mother mezzo-soprano
Frosya, Semyon's sister who loves Mikola soprano
Remeniuk, chairman of the village Soviet and commander of a partisan unit bass
Tkachenko, a former sergeant-major and Sofya's father bass
Khivrya, Tkachenko's wife mezzo-soprano
Sofya, Tkachenko's daughter who loves Semyon soprano
Tsaryov, a sailor and one of the friends of Semyon who gets hanged by the Germans baritone
Lyubka, Tsaryov's fiancée soprano
Mikola, a young lad who loves Frosya tenor
Ivasenko, an old man and the other one of the friends of Semyon who gets hanged by the Germans bass
Workman, the former landowner in the name of Klembovsky tenor
Von Wierhof, lieutenant in the German army
German sergeant
German interpreter, two old men, three village women, two villagers, young man, Bandura player, two Haydamaks, peasants, partisans, Red Army soldiers, Germans, Haydamaks

Synopsis[edit]

Place: Ukraine
Time: 1918.

The newly established Bolshevik government has reached peace with the Germans, but some of their forces still occupy the territory. The advancing Red Army is hampered by Ukrainian nationalists and the remaining Germans. Semyon, a demobilized soldier and prominent young man in his village, is hoping to marry Sofya, daughter of the wealthy Tkachenko. The latter hopes to restore the old order and plots with loyalist elements and Germans to undermine the revolution and to thwart Semyon's marital intentions. In the end, Semyon, after Tkachenko's intrigues have cost the lives of two friends, is reunited with Sofya, and Tkachenko is arrested and executed leaving behind the merry chorus of the Red Army.

Recordings[edit]

Year Cast:
Sofya,
Frosya,
Lyubka,
Semyon's mother,
Khivrya,
Semyon Kotko
Conductor,
Opera House and Orchestra
Label[4]
1960 Lyudmila Gelovany,
Tamara Antipova,
Tatiana Tugarinova,
Tamara Yanko,
Antonina Klescheva,
Nicholai Gress
Mikhail Zhukov,
USSR State Radio Symphony Orchestra and Choir
Audio CD: Chandos
Cat: 10053
1999 Tatiana Pavloskaya,
Olga Savova,
Ekaterina Solovyeva,
Ludmila Filatova,
Olga Markova-Mikhailenko,
Viktor Lutsiuk
Valery Gergiev,
Kirov Orchestra and Chorus
Audio CD: Philips
Cat: 464 605-2

Suite from Semyon Kotko[edit]

The orchestral suite, Op. 81a, consists of 8 movements, lasting around 40 minutes.

Recordings of the suite[edit]

Orchestra Conductor Record Company Year of Recording Format
Symphony Orchestra of Radio Berlin Rolf Kleinert Urania 1955 LP
Scottish National Orchestra Neeme Järvi Chandos 1989 CD
WDR Sinfonieorchester Köln Michail Jurowski CPO 1997 CD
USSR Radio/TV Large Symphony Orchestra Gennadi Rozhdestvensky Russian Revelation 1985 CD

References[edit]

  1. ^ Simon Morrison The People's Artist: Prokofiev's Soviet Years, Oxford University Press: p.104
  2. ^ Sviatoslav Richter "On Prokofiev", pp. 187-8: from Sergei Prokofiev: Materials, Articles, Interviews compiled by Vladimir Blok: Progress Publishers, 1978
  3. ^ "Serge Prokofieff - Semyon Kotko - Opera". Boosey & Hawkes. Retrieved 16 September 2010. 
  4. ^ Recordings of Semyon Kotko on operadis-opera-discography.org.uk