Send Me No Flowers

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Send Me No Flowers

Theatrical release poster
Directed by Norman Jewison
Produced by Harry Keller
Written by (play) Norman Barasch
and Carroll Moore
(screenplay) Julius J. Epstein
Starring Rock Hudson
Doris Day
Music by Frank De Vol
Cinematography Daniel L. Fapp
Editing by J. Terry Williams
Studio Martin Melcher Productions
Distributed by Universal Studios
Release date(s) October 14, 1964 (USA)
Running time 100 minutes
Country United States
Language English

Send Me No Flowers is a 1964 American comedy film, directed by Norman Jewison and starring Rock Hudson, Doris Day, and Tony Randall. After Pillow Talk and Lover Come Back, it is the third and final film in which Hudson, Day and Randall starred together.

The screenplay by Julius J. Epstein is based on the play by Norman Barasch and Carroll Moore, which had a brief run on Broadway in 1960.[1] The title tune was written by Hal David and Burt Bacharach.

Contents

[edit] Synopsis

When he experiences chest pains, chronic hypochondriac George checks into the hospital for a checkup and overhears his doctor discussing the diagnosis of a terminally ill patient with an associate. Assuming he is the one scheduled to die, he asks his friend Arnold to help him find a new husband for his wife Judy so he'll know she won't be alone once he's gone. He locates Judy's old college beau Bert, now a Texas oil baron. Meanwhile, Judy mistakes her husband's machinations for an attempt to cover up an extramarital affair and throws him out. Can George straighten out his problems and get his wife back?

[edit] Performance

The film grossed $ 9,129,247 in the U.S. (Per Nash Information Services, LLC)

[edit] Principal cast

[edit] Principal production credits

[edit] Reception

[edit] Critical response

The film was the last comedy for Doris Day and Rock Hudson and received mixed reviews. In his review in the New York Times, Bosley Crowther called it "a beautiful farce situation" and added, "Julius Epstein has written it . . . with nimble inventiveness and style. And Norman Jewison has directed so that it stays within bounds of good taste, is never cruel or insensitive, and makes something good of every gag." [2]

Variety felt "[it] doesn't carry the same voltage, either in laughs or originality, as Doris Day and Rock Hudson's two previous entries." [3]

Time Out London calls it "probably the best of the Doris Day/Rock Hudson vehicles . . . nicely set in a pastel-coloured suburban dreamworld, but the ineradicable blandness gets you down in the end." [4]

Channel 4 says, "it would be churlish to complain that it is a little bland, fairly predictable and has an unsurprising happy ending. There's enough humour in the ensuing misunderstandings and enough skill in the playing and direction to stifle not just criticism but even the odd yawn." [5]

[edit] References

[edit] External links

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