Seopyeonje
| Seopyeonje | |
|---|---|
Theatrical poster |
|
| Hangul | 서편제 |
| Hanja | 西便制 |
| RR | Seopyeonje |
| MR | Sŏp'yŏnje |
| Directed by | Im Kwon-taek |
| Produced by | Lee Tae-won |
| Written by | Kim Myung-gon |
| Starring | Oh Jung-hae |
| Music by | Kim Soo-chul |
| Cinematography | Jung Il-sung |
| Editing by | Park Sun-duk Park Gok-ji |
| Distributed by | Taehung Pictures |
| Release date(s) | 10 April 1993 |
| Running time | 112 min. |
| Country | South Korea |
| Language | Korean |
Sopyonje (서편제) is a South Korean film directed by Im Kwon-taek in 1993. Its story tells of a family of traditional Korean pansori singers trying to make a living in the modern world. The film was originally expected to only draw limited interest, and was released on only one screen in Seoul. At the height of its popularity, it was shown on only three screens at once in the entire city of over 10 million.[1] Nevertheless it ended up breaking box-office records and became the first Korean film to draw over a million viewers in Seoul alone. When it was released, Sopyonje's success also increased interest in pansori among modern audiences. The film was acclaimed critically, both in South Korea and abroad, getting screened in Cannes Film Festival and winning six Grand Bell Awards and six Korean Film Critics' Awards.
Im Kwon-taek also used pansori as a narrative tool in his later films Chunhyang (2000), based on the popular Korean story Chunhyangga, and Beyond the Years (2007), an informal sequel to Sopyonje.
[edit] Plot
In a jumak (a tavern) on a small pass called Soritjae of Boseong County, South Jeolla Province[2], the early 1960s, Dong-ho in his 30s recalls his past as listening to a measure of pansori sung by the jumak's owner.[3] He and his sister were raised by the pansori singer Yu-bong, who deals with them harshly in his attempts to make serious artists of them (Yu-bong feels that a truly great pansori artist must suffer). Eventually the boy runs away but the girl stays on.[4] Some critics have stated that this movie glorifies the father's patriarchial power as he seeks to limit his daughter's sexuality.[5] But most believe that the girl symbolizes South Korea, transcending a history of suffering to achieve greatness.[6]
[edit] Notes
- ^ Kim, Kyung-hyun (2004). "9. 'Each Man Kills the Thing He Loves': Transgressive Agents, National Security, and Blockbuster Aesthetics in Shiri and Joint Security Area" (in English). The Remasculinization of Korean Cinema. Durham and London: Duke University Press. p. 270. ISBN 0-8223-3267-1.
- ^ http://www.jeonlado.com/v2/ch04.html?&number=7249
- ^ http://100.empas.com/dicsearch/pentry.html?s=K&i=291896&v=43
- ^ Lopate, Phillip. "Movies: About Sopyonje". The New York Times. http://movies.nytimes.com/movie/205661/Sopyonje/overview. Retrieved 23 May 2010.
- ^ The Remasculization of Korean Cinema, by Kyung Kim[1]
- ^ http://english.ohmynews.com/articleview/article_view.asp?at_code=318917
[edit] Bibliography
- Cho, Hae Joang (2002). "Sopyonje: Its Cultural and Historical Meaning". In James, David E. & Kim Kyung-hyun. Im Kwon-Taek: The Making of a Korean National Cinema. Detroit: Wayne State University Press. pp. 134–156. ISBN 0-8143-2869-5.
- Kim, Kyung-hyun (2004). "2. Nowhere to Run: Disenfranchised Men on the Road in The Man with Three Coffins, Sopyonje, and Out to the World" (in English). The Remasculinization of Korean Cinema. Durham and London: Duke University Press. pp. 60–66. ISBN 0-8223-3267-1.
- Stringer, Julian (2002). "Sopyonje and the Inner Domain of National Culture". In James, David E. & Kim Kyung-hyun. Im Kwon-Taek: The Making of a Korean National Cinema. Detroit: Wayne State University Press. pp. 157–181. ISBN 0-8143-2869-5.
- Adam Hartzell's review at koreanfilm.org
- "Im Kwon-taek's Retrospective" (in English). 5th Festival of Korean Cinema in Italy. 2007. http://www.koreafilmfest.com/index.php?p=retrospettiva&l=eng. Retrieved 2007-10-31.
- Sopyonje at the Internet Movie Database
| Preceded by Our Twisted Hero |
Blue Dragon Film Award for Best Film 1993 |
Succeeded by The Taebaek Mountains |
| Preceded by Our Twisted Hero |
Chunsa Film Art Awards for Best Film 1993 |
Succeeded by The Taebaek Mountains |
| Preceded by Fly High Run Far |
Grand Bell Award for Best Film 1993 |
Succeeded by The Story of Two Women |
|
|||||
| This article about a musical film is a stub. You can help Wikipedia by expanding it. |
| This Korean film-related article is a stub. You can help Wikipedia by expanding it. |
- 1993 films
- 1990s drama films
- South Korean drama films
- Films about music and musicians
- Films about blind people
- Films set in the 1960s
- Films directed by Im Kwon-taek
- Best Picture Blue Dragon Film Award winners
- Best Picture Grand Bell Award winners
- Korean-language films
- South Korean films
- Musical film stubs
- Korean film stubs