Serial art

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Serial art is an art movement in which uniform elements or objects were assembled in accordance with strict modular principles.[citation needed] The composition of serial art is a systematic process.

One early example of serial art is Constantin Brâncuși's sculpture Endless Column.

One type of serial art is the production of multiple objects (paintings, sculptures, etc.) in sets or series, for example Josef Albers's well-known series of “square” paintings, where a single, repeating image creates a variation series. This technique later became associated with minimalism, the “multiple”, and “ABC art”. However, there is a different type, which may be regarded as more essentially “serial” because it is “characterized by the nonhierarchical juxtaposition of equivalent representations, which only yield their complete meaning on the basis of their mutual relationship”.[1] This produces sequential structures defined similarly to those of a twelve-tone row, found for example in Max Bill's series, Fünfzehn Variationen über ein Thema (1934–38), and in Richard Paul Lohse's 30 vertikale systematische Farbreihen in gelber Rautenform (1943–70) and Konkretion III (1947).[2]

Sol LeWitt wrote that "the serial artist does not attempt to produce a beautiful or mysterious object but functions merely as a clerk cataloguing the results of his premise." [3]

See also[edit]

Notes[edit]

  1. ^ Sykora 1983, 7.
  2. ^ Guderian 1985, 436–37.
  3. ^ Hunter, Sam and John Jacobus. Modern Art, Prentice-Hall Inc, Englewod Cliffs, NJ / Harry Abrams Inc, New York, 1986, p. 326.

References[edit]

  • Hunter, Sam and John Jacobus. Modern Art , Prentice-Hall Inc, Englewod Cliffs, NJ / Harry Abrams Inc, New York. 1986. pp. 323, 326.
  • Sykora, Katharina. 1983. Das Phänomen des Seriellen in der Kunst: Aspekte einer künstlerischen Methode von Monet bis zur amerikanischen Pop Art. Würzburg: Könighausen + Neumann.

Further reading[edit]

  • Bandur, Markus. 2001. Aesthetics of Total Serialism: Contemporary Research from Music to Architecture. Basel, Boston and Berlin: Birkhäuser.
  • Bochner, Mel. 1967. "The Serial Attitude". Artforum 6, no. 4 (December): 28–33.
  • Gerstner, Karl. 1964. Designing Programmes: Four Essays and an Introduction, with an introduction to the introduction by Paul Gredinger. English version by D. Q. Stephenson. Teufen, Switzerland: Arthur Niggli. Enlarged, new edition 1968.
  • Guderian, Dietmar. 1985. “Serielle Strukturen und harmonikale Systeme.” In Vom Klang der Bilder: die Musik in der Kunst des 20. Jahrhunderts, edited by Karin von Maur, 434–37. Munich: Prestel-Verlag.
  • Pias, Claus. 2006. "Multiple". DuMonts Begriffslexikon zur zeitgenössischen Kunst, second, revised edition, edited by Hubertus Butin, 219–24. Cologne: DuMont-Buchverlag.

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