Sex in advertising
Sex in advertising or sex sells is the use of sexual or erotic imagery (also called "sex appeal") in advertising to draw interest to and to help sell a particular product. A feature of sex in advertising is that the imagery used, such as that of a pretty woman, typically has no connection to the product being advertised. The purpose of the imagery is to attract the attention of the potential customer or user. The type of imagery that may be used is very broad, and would include nudity, cheesecake, and beefcake, even if it is often only suggestively sexual.
The use of sex in advertising can be highly overt or extremely subtle. It ranges from relatively explicit displays of sexual acts, to the use of basic cosmetics to enhance attractive features.
Sex has been utilized in advertising since its beginning. The earliest forms are wood carvings and illustrations of attractive women (often unclothed from the waist up) adorned posters, signs, and ads for saloons, tonics, and tobacco. In several notable cases, sex in advertising has been claimed as the reason for increased consumer interest and sales. The earliest known use of sex in advertising is by the Pearl Tobacco brand in 1871, which featured a naked maiden on the package cover. In 1885, W. Duke & Sons inserted trading cards into cigarette packs that featured sexually provocative starlets. Duke grew to become the leading cigarette brand by 1890 (Porter, 1971).
Woodbury's Facial Soap, a woman's beauty bar, was almost discontinued in 1910. The soap's sales decline was reversed, however, with ads containing images of romantic couples and promises of love and intimacy for those using the brand (Account Histories, 1926). Jovan Musk Oil, introduced in 1971, was promoted with sexual entendre and descriptions of the fragrance's sexual attraction properties. As a result, Jovane, Inc.'s revenue grew from $1.5 million in 1971 to $77 million by 1978 (Sloan & Millman, 1979).
The advertisements for Clairol hair dye during the 1970s, which asked the double entendre question, "Does she... or doesn't she? Only her hairdresser knows for sure", were another famous use of sex to sell products.
Calvin Klein has been at the forefront of this movement, having said, "Jeans are about sex. The abundance of bare flesh is the last gasp of advertisers trying to give redundant products a new identity." Calvin Klein's first controversial jeans advertisement showed a 15-year-old Brooke Shields, in Calvin Klein jeans, saying, "Want to know what gets between me and my Calvin's? Nothing."
Consume Culture 
In the beginning of twenty-first century, the whole society is involved in consumption instead of production, most of the people pursue some material goods to fulfill the desire of owning instead of using. Those people together construct what so called consumers. Consumer culture actually builds a certain kind of ego state, which means people always focus on their mindless self-indulgence on the daily basis. So, consumer culture instigate individual to buy things comfortably or to spend a tons of money for pressure releasing, it is an active conduct that encourage people to practice pursuing goods to prove or maintain self identity. First of all, Taylorism time-good-motion calculations along with the effective scientific management raised a major productivity for late nineteenth century, it bring more goods onto the market. secondly, as the market increase the using of advertising through new technology, which make the goods more appearing and desirable in certain ways that leads consumers to different paths to buy things. Thirdly, People begin to have more leisure time to consume because of the thrive using of technology in the work that reduced the hours people used to work, that is when consumption has taken on cultural significance and leisure time Giddens 1991. In addition, as the nature meaning of shopping has been transformed and shifted profoundly, people no longer treat shopping as a norm regular activity, but as a feature of urban standard life. Beside, goods are not just goods anymore, it also has been transformed from simple object to visual experience in varies ways to seduce customers purchasing stuffs without intention of using.
Consumer Culture and identity 
Physical capital the term used by Pierre Bourdieu, it indicate capital like material goods and personal possessions are very big part of daily life. They stands for a individual’s self identity as well as social identity. When self-identity are unstable, then the consumption of goods will help to build some sense of self realization. In Beck’s theory, social identity or work status are the processes of modernization, which is a traditional source of identity. As people are inclined to define others exclusively. Some people lose their jobs because of the changes in the institution. That caused many people foster some sense of doubt and uncertainty about themselves. Their sense of unsure and doubt encourage them to control over lives in consuming, so that they can establish a sense of self-identity. As more and more consumer goods appear indicates that our choice of buying is changing as well. However, our change of consumption is constructed with self-comparison and self-recognition. Lasch thinks people are too concern about their body appearance, it is also so called narcissism which embodies within the consumer culture. Modern life involves showing self that requires acceptance and recognition from other, which encourage people spend more energy and more time to build up or maintain body appearance. Therefore, self-identity here is already in the external appearance and the body figure just is a showcase of identity. With the physical appearance and body figure became important visual images, people begin to care about what they looks like and who are look at them. The gaze not only stimulate the gaze but also highlight the importance of body maintenance. Furthermore, the image creates the ideology of beauty, youth and slenderness. The idealized images alter people’s value, as the value is changed, it’s more likely body will be used as the propaganda in ads.
The concept 
Sex in advertising builds on the premise that people are curious about sexuality and that experience in marketing has been that sexuality sells products. From a marketing point of view, sexuality can have biological, emotional/physical or spiritual aspects. The biological aspect of sexuality refers to the reproductive mechanism as well as the basic biological drive that exists in all species, which is hormonally controlled. The emotional or physical aspect of sexuality refers to the bond that exists between individuals, and is expressed through profound feelings or physical manifestations of emotions of love, trust, and caring. There is also a spiritual aspect of sexuality of an individual or as a connection with others. Advertisers may and do use the various aspects of sexuality in advertisements.
When sexuality is used in advertising, certain values and attitudes towards sex are necessarily 'sold' along with a product. In advertising terms, this is called "the concept". The message may be that "innocence is sexy" (as used by Calvin Klein when it uses young people in provocative poses), or that link pain and violence with sexiness and glamour (as used by Versace), or that women enjoy being dominated, or that women come with a product (e.g. in the advertisement for Budweiser Beer), or that the use of a certain product is naughty but legal, or that use of a certain product will make the user more attractive to the opposite sex, and many other messages.
Historically, advertising has used women in erotic roles and poses more often than men. However, in recent years young men have increasingly been used in a similar manner, though women continue to be depicted in sexualized roles disproportionately. The use of female models in such roles is believed to attract the attention of potential male customers; however, ironically, research shows that most major purchases are made by women.
When couples are used in an advertisement, the sex-roles played by each also sends out messages. The interaction of the couple may send out a message of relative dominance and power, and may stereotype the roles of one or both partners. Usually the message would be very subtle, and sometimes advertisements attract interest by changing stereotypical roles.
Gallup & Robinson, an advertising and marketing research firm, has reported that in more than 50 years of testing advertising effectiveness, it has found the use of the erotic to be a significantly above-average technique in communicating with the marketplace, "...although one of the more dangerous for the advertiser. Weighted down with taboos and volatile attitudes, sex is a Code Red advertising technique ... handle with care ... seller beware; all of which makes it even more intriguing." This research has led to the popular idea that "sex sells".
In contemporary mainstream consumer advertising (e.g., magazines, network and cable television), sex is present in promotional messages for a wide range of branded goods. Ads feature provocative images of well-defined women (and men) in revealing outfits and postures selling clothing, alcohol, beauty products, and fragrances. Advertisers such as Calvin Klein, Victoria's Secret, and Pepsi use these images to cultivate a ubiquitous sex-tinged media presence. Also, sexual information is used to promote mainstream products not traditionally associated with sex. For example, the Dallas Opera recent reversal of declining ticket sales has been attributed to the marketing of the more lascivious parts of its performances (Chism, 1999).
As many consumers and professionals think, sex is used to grab a viewer's attention but this is a short-term success. Whether using sex in advertising is effective depends on the product. About three-quarters of advertisements using sex to sell the product are communicating a product-related benefit, such as the product making its users more sexually attractive.
Nonetheless, there are some studies that contradict the theory that sex is an effective tool for improving finances and gathering attention. A study from 2009 found that there was no correlation between nudity and sexuality in movies, and box office performance and critical acclaim. A 2005 research by MediaAnalyzer has found that less than 10% of men recalled the brand of sexual ads, compared to more than 19% of non sexual ads; a similar result was found on women (10.8% vs. 22.3%). It is hypothesized by that survey, that this is a result of a general numbing caused by sexual stimuli In another experimental study conducted on 324 undergraduate college students, Bushman examined brand recall for neutral, sexual or violent commercials embedded in neutral, sexual or violent TV programs. He found that found brand recall was higher for participants who saw neutral TV programs and neutral commercials versus those who saw sexual or violent commercials embedded in sexual or violent TV programs.
Some sexually oriented advertisements provoke a backlash against the product. In 1995, Calvin Klein's advertising campaign showed teenage models in provocative poses wearing Calvin Klein underwear and jeans. The ads were withdrawn when parents and child welfare groups threatened to protest and Hudson stores did not want their stores associated with the ads. It was reported that the Justice Department was investigating the ad campaign for possible violations of federal child pornography and exploitation laws.
Using sex may attract one market demographic while repelling another. The overt use of sexuality to promote breast cancer awareness, through fundraising campaigns like "I Love Boobies" and "Save the Ta-tas", is effective at reaching young women, who are at low risk of developing breast cancer, but angers and offends breast cancer survivors and older women, who are at higher risk of developing breast cancer.
Over the past two decades, the use of increasingly explicit sexual imagery in consumer-oriented print advertising has become almost commonplace.
In recent years ads for jeans, perfumes and many other products have featured provocative images that were designed to elicit sexual responses from as large a cross section of the population as possible, to shock by their ambivalence, or to appeal to repressed sexual desires, which are thought to carry a stronger emotional load. Increased tolerance, more tempered censorship, emancipatory developments and increasing buying power of previously neglected appreciative target groups in rich markets (mainly in the West) have led to a marked increase in the share of attractive flesh 'on display'.
Unruly Media's viral video tracker lists the Top-20 most viewed car commercial viral videos. Only 1 uses sex, while the No.1 spot was held by VW's "The Force" ad. The overall top-spot (across all product segments), was held by VW's "Fun Theory" campaign, the most viewed viral video as of October 2011.
Use of sexual imagery in advertising has been criticized on various grounds. Religious Conservatives often consider it obscene or immodest. Some feminists and masculists claim it reinforces sexism by objectifying the individual. Increasingly, this argument has been complicated by growing use of androgynous and homoerotic themes in marketing.
Advertisers trying to reach low-income and less educated men frequently use hypermasculine stereotypes, such as depicting men as only being capable of a limited range of behaviors, such as being physically violent or sexually aggressive.
See also 
- Gender advertisement
- Body image
- Booth Babes
- Exploitation of women in mass media
- Family in advertising
- Sexual objectification
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|Wikimedia Commons has media related to: Sex in advertising|
- Sexuality in the Mass Media: How to View the Media Critically
- Sexuality, Contraception, and the Media
- Sexual Messages in Ads & Other Media
- Gallup & Robinson: Sex in Advertising
- The Gender Ads Project