|Born||December 10, 1935|
|Died||May 4, 1983(aged 47)|
|Occupation||Poet, dramatist, writer, film director, photographer|
Shūji Terayama (寺山 修司 Terayama Shūji?, December 10, 1935 – May 4, 1983) was an avant-garde Japanese poet, dramatist, writer, film director, and photographer. According to many critics and supporters, he was one of the most productive and provocative creative artists to come out of Japan. He was born December 10, 1935, the only son of Hachiro and Hatsu Terayama in Hirosaki city in the northern Japanese prefecture of Aomori. His father died at the end of Pacific War in Indonesia in September 1945. When Terayama was nine, his mother moved to Kyūshū to work at an American military base, while he himself went to live with relatives in the city of Misawa, also in Aomori. At this same time, Terayama lived through the Aomori air raids that killed more than 30,000 people.
Terayama entered Aomori Prefectural Aomori High School in 1951, and in 1954 went to prestigious Waseda University's Faculty of Education to study Japanese language and literature. However, he soon dropped out because he fell ill with nephrotic syndrome. He received his education through working in bars in Shinjuku. His oeuvre includes a number of essays claiming that more can be learned about life through boxing and horse racing than by attending school and studying hard. Accordingly, he was one of the central figures of the "runaway" movement in Japan in the late 1960s, as depicted in his book, play, and film "Throw Away Your Books, Run into the Streets! (書を捨てよ、町へ出よう)".
In 1967, Terayama formed the Tenjō Sajiki (天井桟敷) theater troupe, whose name comes from the Japanese translation of the 1945 Marcel Carné film "Les Enfants du Paradis", so can be translated as "children of heaven", however its correct translation is "Ceiling Gallery" and has a meaning similar to the English expression "Peanut Gallery". The troupe was dedicated to the avant-garde and staged a number of controversial plays tackling social issues from an iconoclastic perspective. Some major plays include "Bluebeard" (青ひげ), "Yes" (イエス), and "The Crime of Fatso Oyama" (大山デブコの犯罪), among others. Also involved with the theater were artists Aquirax Uno (宇野亜喜良) and Tadanori Yokoo (横尾忠則), who designed many of the advertisement posters for the group. Musically, he worked closely with experimental composer J.A. Seazer and folk musician Kan Mikami.
Terayama experimented with ‘city plays’, a fantastical satire of civic life.
Also in 1967, Terayama started an experimental cinema and gallery called 'Universal Gravitation,' which is in fact still in existence at Misawa as a resource center. The Terayama Shūji Memorial Hall, which has a large collection of his plays, novels, poetry, photography and a great number of his personal effects and relics from his theatre productions, can also be found in Misawa. In 1976, he was a member of the jury at the 26th Berlin International Film Festival.
Terayama published almost 200 literary works, and over 20 short and full-length films.
He was married to Tenjō Sajiki co-founder Kyōko Kujō (九條今日子), but they later divorced, although they continued to work together until Terayama's death on May 4, 1983 from cirrhosis of the liver.
His film oeuvre is well known for its experimentalism and includes:
- Catology (1960) (lost)
- The Cage / Ori (1964)
- Emperor Tomato Ketchup / Tomato Kechappu Kōtei (1971, short version)
- The War of Jan-Ken Pon / Janken Sensō (1971)
- Rolla (1974)
- Chōfuku-ki (1974)
- Cinema Guide for Young People / Seishōnen no Tame no Eiga Nyūmon (1974)
- The Labyrinth Tale / Meikyū-tan (1975)
- Hōsō-tan (1975)
- Der Prozess (1975)
- Les Chants de Maldoror / Marudororu no Uta (1977)
- The Eraser / Keshigomu (1977)
- Shadow Film - A Woman with Two Heads / Nitō-onna - Kage no Eiga (1977)
- The Reading Machine / Shokenki (1977)
- An Attempt to Describe the Measure of A Man / Issunbōshi o Kijutsusuru Kokoromi (1977)
- Emperor Tomato Ketchup / Tomato Kechappu Kōtei (1971, long version)
- Throw Away Your Books, Rally in the Streets / Sho o Suteyo, Machi e Deyō (1971)
- Death in the Country / Den'en ni Shisu (aka: "Pastoral Hide and Seek")(1974)
- Boxer / Bokusā (1977)
- Fruits of Passion 上海異人娼館 / Shanhai Ijin Shōkan (1981)
- Grass Labyrinth / Kusa-meikyū (1983)
- Video Letter (1983, with Shuntarō Tanikawa)
- Farewell to the Ark / Saraba hakobune (1984)
- see Sorgenfrei's book (in particular, the back cover contains a collection of quotes glorifying Terayama).
- "Berlinale 1976: Juries". berlinale.de. Retrieved 2010-07-14.
- Richie, Donald. Through the Terayama looking glass, The Japan Times (Jan. 7, 2007), online version.
- Graeme Harper, Rob Stone (2007). The Unsilvered Screen: Surrealism on Film. Wallflower Press. p. 137. ISBN 190476486X.
- "Sho O Suteyo, Machi E Deyo on AllMovie Sho O Suteyo, Machi E Deyo (1971)". AllMovie. Retrieved 3 January 2014.
- Sorgenfrei, Carol Fisher. Unspeakable Acts: The Avant-garde Theatre of Terayama Shuji And Postwar Japan. University of Hawaii Press (2005)
- Keiko Courdy, "Antonin Artaud's influence on Terayama Shuji" in "Japanese theater and the International Stage", Brill, Leiden, Netherlands,2000.
- Shuji Terayama at the Internet Movie Database
- Experimental Image World 7 vols of films at U B U W E B
- An interview with Terayama's assistant director Henrikku Morisaki.
- Morita, Norimasa. Avant-garde, Pastiche, and Media Crossing: Films of Terayama Shūji (PDF)
- Shūji Terayama's grave
- Terayama-related localities in Tokyo (in Japanese): -1- -2- -3-
- Essay on Emperor Tomato Ketchup
Books On Shuji Terayama
- Sorgenfrei, Carol Fisher. Unspeakable Acts: The Avant-garde Theatre of Terayama Shuji And Postwar Japan, University of Hawaii Press (2005)
- Ridgely, Steven C.. "Japanese Counterculture: The Antiestablishment Art of Terayama Shuji", Univ Of Minnesota Press (2011)
- Gholami, Peyman. "White Screen: A Cinematographic Empiricism", Rouzbehan Press, Tehran, Iran (2012)
- Courdy, Keiko. "Antonin Artaud's influence on Terayama Shuji" in "Japanese theater and the International Stage", Brill, Leiden, Netherlands (2000)