The Shadow World logo
|Designer(s)||Terry K. Amthor|
|Publisher(s)||Eidolon Studio, Iron Crown Enterprises, Guild Companion Publications|
|Media type||Game accessories, novels, role-playing games,|
Shadow World is a high-fantasy campaign setting situated on the fictional planet of Kulthea. Originally produced for the Rolemaster role-playing game system, the game setting is owned by Iron Crown Enterprises (often referred to as I.C.E.). It is currently maintained by the primary author of the setting, Terry K. Amthor of Eidolon Studio (who also holds the trademark for Shadow World, and copyrights for non-gaming fiction related to the world).
Shadow World deals with a number of topics, including the path of the hero, relatively normal people being caught up in events much larger than themselves, and the interplay of religion, racism, sexism, and homophobia as tools of social control.
The first book to be set in Shadow World was The Iron Wind adventure setting, published in 1980 as a game setting for Iron Crown Enterprises's Rolemaster fantasy game system. Iron Crown also published Vog Mur  and The Cloudlords of Tanara as standalone settings before the 1989 publication of the Shadow World World Atlas First Edition placed those settings in the context of a single overarching campaign. Iron Crown went on to publish several more supplements before the rights to the property reverted to author Terry Amthor .
The focus of the Shadow World setting is the Kulthea's Western Hemisphere. A massive techno-magickal barrier effectively prevents crossing into the Eastern Hemisphere. The lands of Kulthea are ruled variously by different strains of humans, elves, Lugrok, Murlog, and other fantastic creatures and peoples. Kulethean cultures vary in their technological development from the early stone-age to Steampunk fantasy interpretations of the Italian Renaissance or the Edwardian Era. The presence of magic is a boon and a bane, permitting feats not accomplishable by comparable earth-age cultures, but retarding overall technological development that lack the understanding of melding science and technology held in Kulthea's ancient history. Trade is performed by water and air-going ships or on horse-drawn vehicles, all of which must be aided by a guild of Navigators who can show paths that circumvent magical, weather and other hazards left over from ancient wars and malfunctioning technology.
Five moons orbit Kulthea. Orhan is the largest (it can be seen in full daylight) and circles Kulthea in 70 days. This moon is very important to peoples and cultures of Kulthea, and is home to the Lords of Orhan. Many calendrical systems are based on Orhan's movement through the sky. Varin is the second largest moon, and is orange in color. With its polar orbit and red color, Charon, the third moon and home to the Dark Gods, is greatly feared. The waxing of Charon, as well as the time when it reaches its zenith, are considered by many cultures to be a period of ill omen. Also, conjunctions of Charon and Orhan can disturb Essænce Flows on Kulthea (see below), causing havoc to the planet's weather and general climatic stability. Mikori is the final moon that orbits Kulthea while Tlilok, counted among the five Kulthean moons, is technically a satellite of Orhan.
Most of the published material for Kulthea's the planet's western Hemisphere. Dominated by water, the hemisphere consists of several large continents, including Jaiman, Emer, Agyra, Falias, Folenn, Thuul, and others. Two of the most heavily documented continents thus far are Emer and Jaiman. There are also several subterranean locations described. In addition to the continents are many archipelagos, the fractured geology intended to suggest the geologically unstable history of the planet.
Various products detailing specific areas of Kulthea, ranging from high-levels of entire continents (Jaiman: Land of Twilight or Emer: The Great Continent), to collections of specific adventures (Tales of the Loremasters).
(See also List of Shadow World races)
Shadow World broadly categorizes races into the mortal (or "mannish," though this category includes species such as dwarves and centaurs), immortal (or "Elven") species, and "Half-elven" species. The "half-elven" are not necessarily the direct offspring of a human and an elven parent, but rather long-lived the intermixed hybrid population resulting from widespread interbreeding of human and elven populations until speciation occurs, for example the Sulini or Ky'tari Compared to mortals, either sort of half-elf has a long life, though for species it is measured in centuries while for individuals such as Elor Once Dark or T'vaar Dekdarion it is measurable in millennia.
Human subspecies are categorizable as roughly descended from extinct species such as the Jinteni, a few varieties of "High Men" borrowing heavily from Tolkien's Dunadaen (e.g. Zori or Laan) and many categories of "common men" (such as Jameri or Haid). Shadow World's "High Men" differ from the Dunadaen both in higher racial diversity among the former (e.g. the Kinsai are dark-skinned), and there is no suggestion in the source material that High Men or their antecedents owe their longer lives to a very distant elven ancestor.
There are also so-called "evil" or monstrous races such as the Murlogi (goblins) and Lugroki (Orcs), with speculated origins as the results of alien origin or sorcerous manipulation.
Religion & Gods
Religions play an active role in the Shadow World, with various gods taking active roles in the unfolding of the storyline directly and indirectly. The deities of Kulthea are divided into several categories
- The Lords of Orhan, considered unambiguously good by most human and elven societies.
- The Unlife, identified in the authorial voice as unambiguously evil.
- The Dark Gods of Charon, ranging from ethically complex to outright evil in how human and elven cultures view them.
- Local Gods, animistic embodiments of places with immense power over that geographically limited region. (Though the spheres of influence for some local gods, such as Mynistra, can be quite large.)
- Other Entitites, such as demons, spirits, dragons, etc., that can convince a population that they are worthy of worship.
Religious organizations on Kulthea are dedicated to one or more of these gods, as understood through the filter of their priests and lay worshipers, giving rise to the potential for dispute between different groups worshiping the same god. Religious groups dedicated to the Dark Gods of Charon are usually, but not always, forced by social pressure to hide their places of worship.
The history of Kulthea is a convoluted and violent one characterized by the cyclical rising and destruction of countless races, kingdoms, and empires. Local wars are common as competing polities vie with one another for resources, people, tribute, or ideological reasons. Vast global conflicts have been fought between the powers of Light and Darkness, and each one has marked the transition from one Era to the next. These wars have nearly destroyed the planet, laying waste to entire continents and leading to millennia of cultural and political stagnation. Kulthea's history is divided into three eras.
The "current date" of the campaign (i.e., the date to which recently published material refers) is 6054 of the Third Era. It should be noted that this date has changed, as early versions of the Master Atlas and supplementary materials dated to T.E. 6050. The more recent versions of the Atlas add material to the overall chronology up through T.E. 6054.
The First Era concerns the history of the Althan race, ruled by the rise of the K'ta'viiri. (Lords of Essaence <sic>) Details regarding this age have been left deliberately vague, with allusions to a galaxy-spanning empire's rise, corruption, and catastrophic fall. During this time, the ancestors of most of the current inhabitants of Shadow World were brought to there by the Lords of Essaence.
In between the first and Second, there lies a 100,000 year long period of recovery and regrowth, also known as the Long Night. Again, the authors have left details of this time period vague, noting only the rise and fall of several empires such as the "Jinteni" and "Wôrim." in southern Emer and Gaalt, respectively, who war constantly with the elven realms of the distant east. Both succumb to famine, disease, and natural disasters (as well as warfare) and disappear approximately 5,000 years before the beginning of the Second Era.
The Second Age of Ire begins with the founding of the College of Loremasters on the secret isle of Karilôn by Kirin T'thaan, Ilmaris Terisonen, and Andraax, (See Signature Characters). The Loremasters gather knowledge and disseminate it to advance civilization. They create a reliable calendar based on the phases of the moon Orhan. using "Loremaster reckoning," history is more accurately recorded than had been the case in the Long Night.
The Age is characterized by the rise of many polities, attainment of golden ages, and subsequent corruption and destruction by the Unlife, culminating in a "War of Dominion" in which the forces of the Unlife gather all their strength and are defeated by the forces of "civilization," though once again at catastrophic price.
The Third Era of Ire, which includes the game's present time, begins with the recovery of civilizations from the depredations of the Unlife during the War of Dominion; followed by the stealthy workings of evil forces seeking to destroy them again through subtle means.
The setting is the home of several iconic characters:
- Andraax, principal founder of the College of Loremasters
- Randæ Terisonen, a Loremaster with more of a heroic streak than is generally smiled upon by the Loremasters.
- Elor Once Dark, a Loremaster who succumbed to the temptations of Unlife and subsequently redeemed himself.
- Lorgalis the White, Warlord of Ulor bent on conquering the world.
Shadow World novels included:
- The Burning Goddess by "Ian Hammell" (Clayton Emery)
- Clock Strikes Sword by "Ian Hammell" (Stephen Bilias)
- City of Assassins by "Ian Hammell" (Clayton Emery)
- Terry K Amthor & Peter C. Fenlon (1980). The Iron Wind. Iron Crown enterprises. ASIN B000KJEY8K.
- Peter C. Fenlon & John Ruemmler (1984). The World of Vog Mur. Iron Crown Enterprisesisbn=0915795159.
- Amthor, Terry. Iron Crown Enterprises. ISBN 0-915795-17-5. Unknown parameter
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- Amthor, Terry (1989). Shadow World Master Atlas, 1st Edition. Iron Crown Enterprises. p. 128. ISBN 1-55806-025-1.
- Amthor, Terry (2003). Shadow World Master Atlas, 4th Edition. Iron Crown Enterprises. ISBN 1-55806-593-8.
- Amthor, Terry (1997). Emer Atlas I: Hæstra the Northwest. Eidolon Studio.
- Amthor, Terry (1992). Eidolon: City In The Sky. Iron Crown Enterprises. ISBN 1-55806-156-8.
- Amthor, Terry (1999). Emer Book II: The Northeast. Eidolon Studios. p. 132. ISBN 1-883716-14-4.
- Amthor, Terry (1998). Haalkitaine and the Imperial Court of Rhakhaan. Eidolon Studio. p. 132. ISBN 1-883716-13-6.
- Amthor, Terry (1989). Jaiman: Land of Twilight. Iron Crown Enterprises. p. 96. ISBN 1-55806-077-4.
- Hosmer-Casey, Kevin (1990). Norek: Intrigue in a City-State of Jaiman. Iron Crown Enterprises. p. 80. ISBN 1-55806-130-4.
- Amthor, Terry (2003). Powers of Light and Darkness. Iron Crown Enterprises. p. 128. ISBN 1-55806-597-0.
- Shadow World Master Atlas, 2nd Edition
- Amthor, Terry (1998). Shadow World Master Atlas, 3rd Edition. Iron Crown Enterprises & TKA. ISBN 1-883716-21-7.
- Amthor, Terry (2012). The Land of Xa-ar & Northern Saralis. Iron Crown Enterprises & TKA. p. 128.