Shem Drowne

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Faneuil Hall weathervane

Deacon Shem Drowne (December 4, 1683 – January 13, 1774) was a colonial coppersmith and tinplate worker in Boston, Massachusetts and was America's first documented weathervane maker. He is most famous for the grasshopper weathervane atop of Faneuil Hall, well known as a symbol of Boston.

Background[edit]

He was born near Sturgeon Creek in what is now Eliot, York County, Maine. He was the third son of Leonard Drowne, a shipbuilder who came from Penryn, Cornwall to what was then part of Kittery in Massachusetts. Leonard helped organize and build the first Baptist Church in Maine in 1682. During King William's War many Maine towns were raided and English settlements were massacred by the Wabanaki Indians in conjunction with the French. In 1696, 28 members of the Baptist Church moved to Charleston, South Carolina and established the first Baptist church there. The Drownes moved to Boston, Massachusetts in 1699 due to the ongoing war and violence.

Shem married Katherine Clark on September 18, 1712 in Boston. Katherine was the daughter of Capt. Timothy Clark and sister of Boston brazier and pewterer, Jonas Clark.

Shem's older brother Solomon was the grandfather of Revolutionary War Surgeon Solomon Drowne. In 1721, he was made a deacon of the First Baptist Church of Boston.

Simeon Drowne, Shem's younger brother, was the fourth son of Leonard Drowne. Born April 8, 1686 and died in Boston on August 2, 1734. Buried in Copps Hill Cemetery in Boston. He was a shipwright. It is believed that he created the framework for Shem's Grasshopper weathervane.

Life[edit]

Shem[1] was a coppersmith with a shop on Ann Street (now North Street) in the North End. He was baptized in the First Baptist Church of Boston in 1713 along with the future pastor of that church. In May 1721, he was elected a Deacon of the church and served this position until his death in 1774.[2]

Career: pioneering metalworker and America's first weathervane maker[edit]

According to the colonial diarist Thomas Newell, Shem Drowne "was the first tin plate worker that ever came to Boston, New England."[3] He worked as a tin plate worker and a coppersmith. He is on lists of colonial silversmiths as a result of a silver beaker marked "SD," tentatively attributed to him.[4] However, antiquarian Francis Hill Bigelow wrote "the attribution to Shem Drowne of Boston is probably erroneous. There seems to be no evidence that Drowne was a silversmith".[5] This corresponds with Suffolk County deeds which lists Drowne's occupation as tinplate worker.[6] Drowne's nephew, his sister-in-law's child[7] Timothy Parrott, was a Boston silversmith.[8] His grand-nephews, Samuel Drowne and Benjamin Drown, and Samuel's sons, Thomas Pickering Drown and Daniel P. Drown, were all notable practicing silversmiths from Portsmouth, New Hampshire.[9]

In 1716, he created America's first authenticated weathervane, a gilded American Indian archer, for the cupola of Providence House in Boston, which in 1716 became the official residence of the royal governor. In 1721 he created a rooster weathervane (also known as the weathercock) for the New Brick Church on Hanover St, the vane is now on First Church in Cambridge, Massachusetts. In 1740 he made the 6-foot-long (1.8 m) copper swallow-tailed banner weathervane that is now atop Old North Church in Boston.

The Grasshopper Weathervane[edit]

Faneuil Hall in 1740

His most famous work is the weathervane on top of Faneuil Hall. Commissioned by Peter Faneuil in 1742, it was designed to complement the grasshopper weathervane atop the Royal Exchange in the City of London, and help symbolize the new building as the capital of finance in the New World. The grasshopper is copper gilded with gold leafs with glass eyes. The vane fell off the building during the earthquake of 1755 which shook Boston. He and his son Thomas repaired it and remounted it.

In 1768 Thomas placed a note labeled "food for the grasshopper" in the belly of the grasshopper. It read:

The weathervane is the only part of Faneuil Hall which remains totally unmodified from the original 1742 structure. In 1805, Charles Bulfinch expanded the building and moved the cupola from the middle of the building to the front. In 1974 the vane was stolen but recovered in less than a week.

Drowne's Wooden Image[edit]

Nathaniel Hawthorne credited Shem Drowne for being the inspiration for his retelling of Pygmalion (mythology), Drowne's Wooden Image, in his collection of shorts in Mosses from an Old Manse. His short story, first published in 1844, recasts "Deacon Drowne" as a woodcarver who made trade signs and wooden figures for various shops and a notable statue of Admiral Edward Vernon in Boston.[10] In the story "Deacon Drowne" is approached by a ship-captain to produce a figurehead for his brig, claiming "nothing like the brig ever swam the ocean, so I am determined she shall have such a figure-head as old Neptune never saw in his life" and giving secret instructions for its completion. During the story, Drowne is visited by contemporary Bostonian artist John Singleton Copley who is impressed by his craftsmanship and inquires about his unfinished work and returns daily to check on the progress of the figurehead.[11] There is no evidence that the real Shem Drowne did any carving, but the story clearly references him as the creator of the American Indian Archer weathervane.

The Drowne claim of the Pemaquid Patent[edit]

In 1631, the Plymouth Council for New England granted two merchants from Bristol, England, Robert Aldsworth and Gyles Elbridge, 12,000 acres (49 km2) near what would become Bristol, Maine in a document known as the Pemaquid Patent. Gyles survived Aldworth and passed it to his son John, who in turn passed it to his brother Thomas. In 1650, Thomas Elbridge mortgaged Monhegan Island and Damariscove Island to Richard Russell, and sold half the Patent's land, half of his furniture, and half of his cattle for £200 to Paul White. In 1653, White and Elbridge conveyed the entire Moiety title to Russell and Nicholas Davidson, who in turn became sole owner of the patents from Russell in 1657.[12] Elbridge continued to live in Pemaquid (Bristol) and called himself the "Merchant of Pemaquid"[13] After the Second Anglo-Dutch War the Duke of York claimed the land as his under a Royal Charter.

Drowne's wife Katherine Clark, was a partial heir to the Davidson claim of the Pemaquid Patents, and Drowne acquired power of attorney from the other heirs. What became to be known as the "Drowne Claim" encompassed Bristol, Bremen, Damariscotta, and parts of Newcastle and Nobleboro.[14] Other claims of the time included the "Brown Right" and the "Tappen Right." Starting in the 1730s, Drowne filed a number of depositions in order to gain control of the Drowne Claim.

On June 12, 1746, he bought Monhegan Island and its surrounding islands for £10, 13 shillings. His son later sold the island for £160. He died in 1774 and his estate bequested £6, 13s, 4d to the First Baptist Church of Boston.[15]

References[edit]

  1. ^ http://freepages.genealogy.rootsweb.com/~silversmiths/makers/silversmiths/48764.htm
  2. ^ Wood, Nathan. "The History of the First Baptist Church of Boston (1665-1899)" American Baptist Publication Society, 1899. p201-206, p368
  3. ^ Proceedings of the Massachusetts Historical Society for October 1877 xv 348
  4. ^ Kane, Patricia. "Colonial Massachusetts Silversmiths and Jewelers." Yale University Art Gallery, 1998. p1039
  5. ^ Bigelow, Francis Hill. "Early New England Silver." Antiques 8 (September 1925), p156
  6. ^ Suffolk County Deed 34:205, 208; 47:311; 48:1; 50:207-08; 99:163-64; 118:215-16
  7. ^ http://freepages.genealogy.rootsweb.ancestry.com/~silversmiths/makers/silversmiths/129830.htm
  8. ^ Kane 1998, 764
  9. ^ http://www.collectorsweekly.com/articles/the-drowne-silversmiths-of-portsmouth/
  10. ^ Gross, Elbridge H. "Shem Drowne and His Handiwork" Bay State Monthly Vol 3 | http://books.google.com/books?id=VrMVAAAAYAAJ&pg=PA33&lpg=PA33&dq=drowne's+wooden+image+%22shem+drowne%22&source=bl&ots=7FFnatgC3-&sig=N-tIQ3T0swFQe0B4UtGxBy2SNy4&hl=en&ei=pfZ1TLGGH4TGlQf7mJHsCw&sa=X&oi=book_result&ct=result&resnum=9&ved=0CDQQ6AEwCA#v=onepage&q=drowne's%20wooden%20image%20%22shem%20drowne%22&f=false
  11. ^ Hawthorne, Nathaniel. "Drowne's Wooden Image" 1844 | http://etext.virginia.edu/etcbin/toccer-new2?id=HawDrow.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=1&division=div1
  12. ^ Otis, James. "The Story of Pemaquid". T.Y. Crowell & Co., 1902. p35-36
  13. ^ Cartland, John Henry. "Ten Years at Pemaquid: Sketches of Its History and Its Ruins". S.N. 1899, p56
  14. ^ Greene, Francis Byron. "History of Boothbay, Southport and Boothbay Harbor, Maine. 1623-1905: With Family Genealogies" Loring, 1906. p165
  15. ^ Wood 1899, 370

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