Sherlock (TV series)

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Sherlock
A view of the London skyline, with the word "Sherlock" in black letters
Genre Crime drama
Created by
Written by
Directed by
Starring
Composer(s)
Country of origin United Kingdom
Language(s) English
No. of series 2
No. of episodes 6 (List of episodes)
Production
Executive producer(s)
Producer(s)
  • Sue Vertue
  • Elaine Cameron 2.3
Editor(s)
  • Mali Evans
  • Tim Porter
  • Charlie Phillips
Cinematography
  • Steve Lawes
  • Fabian Wagner
Camera setup Single camera
Running time 90 mins
Production company(s)
Broadcast
Original channel
Picture format 1080i (HDTV)
576i (SDTV)
Audio format Stereo
Original run 25 July 2010 (2010-07-25) – present

Sherlock is a British television series that presents a contemporary update of Sir Arthur Conan Doyle's Sherlock Holmes detective stories. It was created by Steven Moffat and Mark Gatiss, and stars Benedict Cumberbatch as Sherlock Holmes and Martin Freeman as Doctor John Watson. After an unbroadcast pilot in 2009, the first series of three 90-minute episodes was transmitted on BBC One and BBC HD in July and August 2010, with a second series of three episodes first broadcast in January 2012. A third series has been commissioned and will reportedly air in 2013. The series has been sold to over 180 territories.

Hartswood Films produced the series for the BBC, and co-produced with WGBH Boston for its Masterpiece anthology series. Filming took place at various locations, including London, Merthyr Tydfil, Swansea, Dartmoor and Cardiff. Other cast members include Rupert Graves as DI Greg Lestrade, Andrew Scott as Jim Moriarty, Mark Gatiss as Mycroft Holmes, Una Stubbs as Mrs. Hudson, as well as Vinette Robinson and Louise Brealey playing recurring roles.

Critical reception was overwhelmingly positive and the first series won the 2011 BAFTA Television Award for Best Drama Series.[1] All six episodes have been released on DVD and Blu-ray Disc in the UK, alongside tie-in editions of some of Conan Doyle's original books. Soundtrack albums from each series have also been released.

Contents

[edit] Production

[edit] Development

The series is a collaboration between Steven Moffat and Mark Gatiss, who both had experience adapting or using Victorian literature for television.[2] Moffat had previously adapted the Strange Case of Dr Jekyll and Mr Hyde for the 2007 series Jekyll,[3] while Gatiss had written the Dickensian Doctor Who episode "The Unquiet Dead".[4] Moffat and Gatiss, who are both Doctor Who writers, discussed plans for a Holmes adaptation during their numerous train journeys to Cardiff where Doctor Who production is based.[5] The two writers are both big Sherlock Holmes fans;[6] Gatiss has said of the Holmes stories that "Whenever I meet someone who hasn't read them, I always think they have got so much fun to come."[6] The theme of 'friendship' appealed to both Gatiss and Moffat.[7] The writers realised that someone else would have the same idea to produce a modern-day version.[8] While they were in Monte Carlo for an awards ceremony, Moffat's wife, producer Sue Vertue, got them to start to work out how they might do it themselves.[8]

Gatiss has criticised recent television adaptations of the Conan Doyle stories as "too reverential and too slow", aiming instead to be as irreverent to the canon as the 1930s and 1940s films starring Basil Rathbone.[6] In the DVD audio commentary, Moffat and Gatiss say they decided that everything that had previously been done about Sherlock Holmes was canonical: not just the Conan Doyle stories but the Rathbone and Granada Television versions.[8] Benedict Cumberbatch's Sherlock uses modern technology, such as texting, the internet, and GPS, to solve crimes.[6] Paul McGuigan, who directed two episodes of Sherlock, says that this is in keeping with Conan Doyle's character, pointing out that "In the books he would use any device possible and he was always in the lab doing experiments. It's just a modern-day version of it. He will use the tools that are available to him today in order to find things out."[9]

The update maintains some traditional elements of the stories, such as the Baker Street address and Holmes' archenemy Moriarty.[10] Although the events of the books are transferred to the present day, canonical elements are incorporated into the story. For example, Martin Freeman's Watson has returned from military service in Afghanistan.[11] While discussing the fact that the original Watson was invalided home after serving in the Second Anglo-Afghan War (1878–1880), Gatiss realised that "It is the same war now, I thought. The same unwinnable war."[6]

Sherlock was announced as a single 60-minute drama production at the Edinburgh International Television Festival in August 2008,[2] with broadcast set for mid- to late 2009.[10] The intention was to produce a full series should the pilot prove to be successful.[10] However, the first version of the pilot – reported to have cost £800,000 – led to rumours within the BBC and wider media that Sherlock was a potential disaster.[12][13] The BBC decided not to transmit the pilot, requesting a reshoot and a total of three 90-minute episodes.[12][13] The original pilot was included as part of the series on DVD. During the audio commentary, the creative team say that the BBC were "very happy" with the pilot, but asked them to change the format.[8] The pilot, says journalist Mark Lawson, was "substantially expanded and rewritten, and completely reimagined in look, pace and sound."[13]

[edit] Cast

Benedict Cumberbatch (left) and Martin Freeman (right) during filming of Series 1.

Benedict Cumberbatch plays Sherlock Holmes. Moffat and Vertue became interested in casting Cumberbatch as the title character after watching his performance in the 2007 drama/war film Atonement. The actor was cast after a reading.[14] "Cumberbatch", says The Guardian, "has a reputation for playing odd, brilliant men very well, and his Holmes is cold, techie, slightly Aspergerish."[15] Cumberbatch said, "There's a great charge you get from playing him, because of the volume of words in your head and the speed of thought—you really have to make your connections incredibly fast. He is one step ahead of the audience, and of anyone around him with normal intellect. They can't quite fathom where his leaps are taking him."[15] Piers Wenger, Head of Drama at BBC Wales, described the series' Sherlock as "a dynamic superhero in a modern world, an arrogant, genius sleuth driven by a desire to prove himself cleverer than the perpetrator and the police—everyone in fact."[10] Addressing changing social attitudes and broadcasting regulations, Cumberbatch's Holmes replaced the pipe with multiple nicotine patches.[9] The writers believed that Sherlock should not talk like "a completely modern person", says Moffat, but were initially intent that "he never sounded like he's giving a lecture." However, Moffat turned the character "more Victorian" in the second series, capitalising more on Cumberbatch's "beautiful voice".[16]

Matt Smith (pictured) auditioned for the role of Watson, but was unsuccessful.

In an interview with The Observer, co-creator Mark Gatiss says that they experienced more difficulty finding the right actor to play Dr. John Watson than they had for the title character.[6] Producer Sue Vertue said, "Benedict was the only person we actually saw for [the part of] Sherlock ... Once Benedict was there it was really just making sure we got the chemistry for John [Watson]—and I think you get it as soon as they come into the room, you can see that they work together".[17] Several actors auditioned for the part of Watson,[8] with Martin Freeman eventually taking the role. Steven Moffat said that Matt Smith was the first to audition unsuccessfully. He was rejected for being too "barmy", as the producers required someone "straighter" for Watson.[18] Shortly after, Moffat cast Smith as the Eleventh Doctor in Doctor Who.

The writers said that Freeman's casting developed the way in which Cumberbatch played Holmes.[8] Journalist Victoria Thorpe said, "Freeman's dependable, capable Watson unlocks this modern Holmes, a man who now describes himself as 'a high-functioning sociopath'."[6] Gatiss asserted the importance of achieving the correct tone for the character. "Watson is not an idiot, although it's true that Conan Doyle always took the piss out of him," said Gatiss. "But only an idiot would surround himself with idiots."[6] Moffat said that Freeman is: "the sort of opposite of Benedict in everything except the amount of talent ... Martin finds a sort of poetry in the ordinary man. I love the fastidious realism of everything he does. I believe everything he does. It's brand new on every take."[8]

Rupert Graves was cast as DI Greg Lestrade. The writers referred to the character as "Inspector Lestrade" during development until Gatiss realised that in the modern world the character would have the title "Detective Inspector". Moffat and Gatiss pointed out that Lestrade does not appear often in the stories and is quite inconsistent in them. They decided to go with the version who appeared in "The Six Napoleons": a man who is frustrated by Holmes but admires him, and whom Holmes considers as the best person at Scotland Yard.[8] Several candidates took a comedic tack in their auditions, but the creative team preferred the gravitas that Graves brought to the role.[8] His first name is revealed to be Greg in "The Hounds of Baskerville".

Andrew Scott made his first appearance as Jim Moriarty in "The Great Game". Moffat said, "We knew what we wanted to do with Moriarty from the very beginning. Moriarty is usually a rather dull, rather posh villain so we thought someone who was genuinely properly frightening. Someone who's an absolute psycho".[17] Moffat and Gatiss were originally not going to put a confrontation into these three episodes between Moriarty and Sherlock, but realised that they "just had to do a confrontation scene. We had to do a version of the scene in 'The Final Problem' in which the two arch-enemies meet each other."[19]

The remainder of the regular cast includes Una Stubbs as Mrs. Hudson, co-creator Mark Gatiss as Mycroft Holmes, and Lisa McAllister as Mycroft's assistant, Anthea although she only appears in some episodes.[20] Vinette Robinson, Jonathan Aris and Louise Brealey play the recurring roles of Sergeant Sally Donovan, Anderson and Molly Hooper respectively.

Guest appearances included Phil Davis as Jeff,[21] Paul Chequer as DI Dimmock,[22] Zoe Telford as Sarah,[22] Gemma Chan as Soo Lin Yao,[22] John Sessions as Kenny Prince,[23] Haydn Gwynne as Miss Wenceslas,[23] Deborah Moore[19] as one of Moriarty's victims and Peter Davison as the voice-over in the planetarium.[19] Series two's "A Scandal in Belgravia" featured Lara Pulver as Irene Adler, while "The Hounds of Baskerville" featured Russell Tovey as Henry Knight.

[edit] Recording

A street, with crew members looking towards a cafe and a house.
North Gower Street in London was used for exterior shots of the location of Holmes' "Baker Street" residence[24]

The show was produced by Hartswood Films for BBC Wales.[2] BBC Worldwide also provided co-production funding.[25] PBS-funded company Masterpiece co-produced the series.[26][27] Filming on the pilot began in January 2009 on location in London and Cardiff. It was written by Moffat and directed by Coky Giedroyc.[28] A seven-hour night shoot took place on 20/21 January at the No Sign bar in Wind Street, Swansea. The bar had been redesigned as an Italian restaurant for the shoot, where Holmes and Watson dined.[29] Location managers selected the bar as the venue because they needed a building that could double as an Italian restaurant that was close to an alley.[30] On 21 January, scenes were shot in Newport Road, Cardiff. Location shooting concluded on 23 January with scenes filmed on Baker Street, London.[29] During that week, filming was also done on location in Merthyr Tydfil.[31] The location shots for 221B Baker Street were filmed at 185 North Gower Street[24] – Baker Street was impractical because of heavy traffic,[32] and the number of things labeled "Sherlock Holmes", which would need to be disguised.[19]

In July 2009, the BBC drama department announced plans for three 90-minute episodes, to be broadcast in 2010.[33] Moffat had previously announced that if a series of Sherlock was commissioned, Gatiss would take over the duties of executive producer so that he could concentrate on producing Doctor Who.[2] "The Great Game" was partly set in a disused sewage works.[34] Production was based at Hartswood Films' Cardiff production unit, Hartswood Films West, which was opened in late 2009 to take advantage of the BBC's planned Cardiff Bay "drama village". Some filming took place at Upper Boat Studios, where Doctor Who had been filmed.[35] Filming commenced in January 2010. Paul McGuigan directed the first and third episodes and Euros Lyn directed the second one.[36][37] The three episodes were filmed in reverse order of their broadcast.[19]

Costumes for the pilot were designed by BAFTA Cymru-award winning costume designer Ray Holman.[38] Cumberbatch wore a £1,000 Belstaff coat in the series.[39] Sarah Arthur, the series' costume designer, explained how she achieved the detective's look. "Holmes wouldn't have any interest in fashion so I went for classic suits with a modern twist: narrow-leg trousers and a two-button, slim-cut jacket. I also went for slim-cut shirts and a sweeping coat for all the action scenes—it looks great against the London skyline."[39]

The writers say that they did not want to force modernity onto the story.[8] There were some creative challenges, such as the decision to include the sign "221B" on Holmes' front door. Gatiss and Moffat reflect that in the modern world the door would only display the number of the house, and there would be doorbells for each flat. The full house number is so iconic that they felt unable to change it.[8] The writers also decided that the lead characters would address each other by their first names, rather than the traditional Holmes and Watson.[8] This was also reflected in the title of the series. Director Paul McGuigan came up with the idea of putting text messages on the screen instead of having cut-away shots of a hand holding the phone.[8]

The producers found it difficult to coordinate the schedules of the principal players and Moffat and Gatiss for a second series. Cumberbatch and Freeman both worked on the 2012 film The Hobbit, and Moffat continued as Doctor Who's head writer. In response to the time pressure, The Guardian asserted, the series "features reworkings of three of Conan Doyle's most recognised tales."[40] Gatiss says that there had been an argument for producing these tales over three years, but Moffat explained that they rejected "deferred pleasure".[40] The relationship between Holmes and Watson developed during the second series, with Watson being less amazed by Sherlock's deductive abilities; Watson acted as the primary detective in the second episode, "The Hounds Of Baskerville".[40]

[edit] Episodes

Two series, each consisting of three episodes, have been produced and broadcast. The first series was first broadcast in July and August 2010, with a second series of three episodes first broadcast in January 2012. A third series has been commissioned and will reportedly air in 2013. The series has been sold to over 180 territories.[41]

[edit] Series one (2010)

Steven Moffat wrote the first episode, "A Study in Pink", loosely based upon A Study in Scarlet. Coky Giedroyc had directed a 60 minute version of the episode, but it had to be reshot when the BBC commissioned episodes of 90 minutes duration. The revised version of "A Study in Pink", directed by Paul McGuigan, was first broadcast simultaneously on BBC One and BBC HD on 25 July 2010.[42][43]

The second episode, "The Blind Banker" in which Holmes is hired by an old friend to investigate a mysterious break-in at a bank in the City, was written by Stephen Thompson and directed by Euros Lyn.[44] The first series concluded with "The Great Game", which was first broadcast on 8 August 2010. The episode introduces the character of Jim Moriarty to the series (Andrew Scott), who sets Holmes deadlines to solve a series of apparently unrelated cases. Written by Mark Gatiss and directed by McGuigan, "The Great Game" ends in a cliffhanger in which Sherlock and Moriarty reach a standoff involving a bomb strapped to Watson.[45]

[edit] Series two (2012)

At the Kapow! 2011 convention, Gatiss confirmed which stories would be adapted, and that the writers of the first series would each write an episode for series two.[46] Acknowledging that "A Scandal in Bohemia", The Hound of the Baskervilles and "The Final Problem" are amongst the most well-known Holmes stories, Gatiss explained, "We knew after having a successful first run that the natural order would be to do three of the most famous [stories]".[46] "There's the question of how to go out on a cliffhanger and then the thematic things of the three stories, where we were trying to get to and what Sherlock and John's relationship is a little further on. You can't just go back to: 'You have no emotions.' 'I don't care.' You've got to move on somewhere and make sure the other characters have something of a journey too."[46] Paul McGuigan directed the first two episodes,[47] and Doctor Who director Toby Haynes handled the last one.[48] Filming ran from 16 May 2011 to 24 August 2011; Sue Vertue produced the first two episodes and Elaine Cameron produced the third, with Vertue credited as executive producer for this episode.[49] The second series of three 90-minute episodes was initially planned to air in late 2011,[50] but was delayed until early January 2012.

"A Scandal in Belgravia", written by Steven Moffat and directed by Paul McGuigan, was first broadcast on 1 January 2012. Loosely based on "A Scandal in Bohemia", the episode depicts Holmes' quest to retrieve compromising photos of a minor royal held on the camera phone of Irene Adler (Lara Pulver), a ruthless and brilliant dominatrix who also trades in classified information extracted from her rich and powerful clients.[51]

Mark Gatiss wrote "The Hounds of Baskerville", which investigates the strange activities at a military base. Aware that The Hound of the Baskervilles, first published in 1902, was one of the most famous of Conan Doyle's original stories, Gatiss felt a greater responsibility to include familiar elements of the story than he does when adapting the lesser-known stories.[52][53] Russell Tovey appeared as Henry Knight, a man whose father was ripped apart by a gigantic hound on Dartmoor twenty years earlier. Directed by McGuigan, the episode was first broadcast on 8 January 2012.[54]

The second series concluded with "The Reichenbach Fall". Inspired by "The Final Problem", the episode follows Moriarty's plot to discredit and kill Sherlock Holmes. The title refers to the Reichenbach Falls, the location where Sherlock and Moriarty supposedly fall to their deaths in the original story. Stephen Thompson wrote the episode, which was directed by Haynes, who had previously directed many of Moffat's Doctor Who episodes. First broadcast on 15 January 2012, the episode concluded with Holmes faking his suicide as Watson looked on. [55]

[edit] Series three (TBC)

The second series' final episode, "The Reichenbach Fall", was based upon "The Final Problem", in which Sherlock plunges to his death (later, "The Adventure of the Empty House" reveals that Holmes faked his death, though Conan Doyle had meant to kill him off), but Steven Moffat felt that he and co-creator Mark Gatiss had outdone Conan Doyle in their version of Holmes' fall and Moffat added that, in that much-discussed sequence, there was still "a clue everybody's missed."[56] After the end of the final episode of the second series, Moffat and Gatiss both announced on Twitter that a third series was commissioned at the same time as series two.[57] Steven Moffat has said that he is hoping the series will be screened "hopefully before the year's out.",[55] though this has been contested by executive producer Sue Vertue.[58]

Moffat aspires to tackle the fact that eventually Watson will be living apart from Holmes, though he's uncertain whether or not he'll have Watson get married in this adaptation.[16] A part of the resolution to "The Reichenbach Fall" has been filmed.[55]

[edit] Reception

The show launched to critical acclaim, with excellent reviews. The first episode rated highly on the Appreciation Index.[59][60] The Observer said the show was "a cross between Withnail and I and The Bourne Ultimatum, there is also a hint of Doctor Who about the drama; hardly surprising, since it has been written and created by Doctor Who writers Mark Gatiss and Steven Moffat".[6] The Guardian's Dan Martin said, "It's early days, but the first of three 90-minute movies, "A Study In Pink", is brilliantly promising. It has the finesse of Spooks but is indisputably Sherlock Holmes. The deduction sequences are ingenious, and the plot is classic Moffat intricacy."[61] Sam Wollaston, also for The Guardian, was concerned that some elements of the story were unexplained.[62] Tom Sutcliffe for The Independent also suggests that Holmes was "a bit slow" to solve the case, but his review was otherwise positive. He wrote, "Sherlock is a triumph, witty and knowing, without ever undercutting the flair and dazzle of the original. It understands that Holmes isn't really about plot but about charisma ... Flagrantly unfaithful to the original in some respects, Sherlock is wonderfully loyal to it in every way that matters".[63] After the high ratings for "A Study in Pink", the BBC were reportedly eager to produce more episodes.[64] On 10 August 2010, it was confirmed that Sherlock had been renewed for a second series.[17]

The series won the BAFTA award for Best Drama Series, while Freeman won the award for Best Supporting Actor for his role as Doctor Watson. The show was nominated for the YouTube Audience Award and Cumberbatch was nominated for Best Actor.[65] The first series also won the Arqiva award for the best terrestrial show at the 2011 Edinburgh International Television Festival.[66] "A Study in Pink" was nominated for an Emmy Award.[67] Conan Doyle fans were generally appreciative. Gwilym Mumford, for The Guardian, suggested "this has to do with the fact that Moffat and Gatiss are enormously knowledgeable about Conan Doyle's work, and their reimagining incorporates big- and small-screen adaptations of Holmes as well as the original stories. As Gatiss puts it: 'Everything is canonical.'"[40] Sarah Crompton, for The Telegraph, identifies some of the jokes and allusions intended for fans.[68]

The show's popularity resulted in enquiries for coats similar to Sherlock's, reported retailer Debenhams. Garment manufacturer Belstaff put the wool trench coat worn by Benedict Cumberbatch back into production before the series had ended.[69] The Independent reported, "designer Paul Costelloe moved to meet the demand, offering tailored coats and scarves based on the series, while Savile Row bespoke tailor John Pearse said many of his clients were inquiring about the actors' clothes".[39] Journalist Alexis Petridis commented, "you can see why men wanted to get the look. Perhaps they noted the effect Cumberbatch, by no means your standard telly hunk, had on lady viewers ... and decided it must have something to do with the clobber. So it is that Britain's latest men's style icon is a fictional asexual sociopath first seen onscreen hitting a corpse with a horse whip. Surely not even the great detective himself could have deduced that was going to happen."[69] Publishers and retailers reported a 180% rise in sales of Sherlock Holmes books during the first series' broadcast.[70] Speedy's, the sandwich shop below the flat filmed as Holmes' residence, reported a sharp rise in new customers who recognised it from the show.[32] BBC Online published several tie-in websites relating to the show's fictional world. These were written by Joseph Lidster, who had also contributed to the Doctor Who tie-in websites. [71] In February 2012, Sherlockology, an unofficial website dedicated to the series, was nominated in the Shorty Awards, which celebrates excellence in social media.[72][73]

[edit] Home release and merchandise

The first series was released on disc by 2entertain in the UK on 30 August 2010, in Australia on 4 November,[74] and the United States on 9 November 2010. The release included the three episodes and several special features. "A Study in Pink" featured audio commentaries by Steven Moffat, Mark Gatiss and Sue Vertue, while Benedict Cumberbatch, Martin Freeman and Mark Gatiss comment on "The Great Game". The release included the pilot episode, a 60-minute version of "A Study in Pink" directed by Coky Giedroyc.[75][76] Critic Mark Lawson called the decision to include the pilot "commendable and brave".[13] The British Board of Film Classification rated the pilot and the three episodes as a 12 certificate for video and online exhibition.[77][78][79][80] The release also contained a 32-minute documentary about the production called "Unlocking Sherlock".[81]

The second series UK disc was released on 23 January 2012.[82] The release included an audio commentary for "A Scandal in Belgravia" and "The Hounds of Baskerville" and a documentary called "Sherlock Uncovered".[83] The soundtrack album for the first series was released by Silva Screen on 30 January 2012, and for the second series on 27 February 2012.[84][85]

BBC Books published some of Conan Doyle's original collections and novels as tie-in editions, with cover art featuring Cumberbatch and Freeman. A Study in Scarlet and The Adventures of Sherlock Holmes were released in Autumn 2011, with introductions by Moffat and Gatiss respectively.[86] The Hound of the Baskervilles and The Sign of Four will be released in March 2012, with introductions by Cumberbatch and Freeman respectively.[87][88] According to Radio Times, the popularity of Sherlock has led to a sales resurgence of the original Conan Doyle stories.[89]

[edit] See also

[edit] References

  1. ^ "Television Awards Winners in 2011". BAFTA. http://www.bafta.org/awards/television/television-awards-nominations-in-2011,1095,BA.html. Retrieved 22 May 2011. 
  2. ^ a b c d Parker, Robin (23 August 2008). "Doctor Who's Moffat to pen modern Sherlock Holmes" (subscription access). Broadcast (Emap Media). http://www.broadcastnow.co.uk/news/2008/08/doctor_whos_moffat_to_pen_modern_sherlock_holmes.html. Retrieved 27 December 2008. 
  3. ^ Walton, James (18 June 2007). "The weekend on television". The Telegraph. http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2007/06/18/nosplit/bvtv18last.xml. Retrieved 2007-07-28. 
  4. ^ Gatiss, Mark (2005). Doctor Who: The Shooting Scripts. BBC Books. ISBN 0-563-48641-4. 
  5. ^ Bevan, Nathan (15 January 2009). "Benedict Cumberbatch, Martin Freeman star in new BBC Sherlock Holmes drama filmed in Cardiff". South Wales Echo (Western Mail and Echo). http://www.walesonline.co.uk/news/wales-news/2009/01/15/benedict-cumberbatch-martin-freeman-star-in-new-bbc-sherlock-holmes-drama-filmed-in-cardiff-91466-22695776/. 
  6. ^ a b c d e f g h i Thorpe, Vanessa (18 July 2010). "Sherlock Holmes is back… sending texts and using nicotine patches". The Observer. http://www.guardian.co.uk/tv-and-radio/2010/jul/18/sherlock-holmes-is-back-bbc. Retrieved 2010-07-18. 
  7. ^ Moffat, Steven "Introduction" In: Conan Doyle, Arthur (2011). Sherlock: A Study in Scarlet. Random House. pp. xi-xii. ISBN 1849903662. 
  8. ^ a b c d e f g h i j k l m Sue Vertue, Steven Moffat and Mark Gatiss. DVD audio commentary for "A Study in Pink"
  9. ^ a b Pendreigh, Brian (19 Jul 2010). "Times have changed but crimes are the same for new Sherlock Holmes". The Herald. http://www.heraldscotland.com/news/home-news/times-have-changed-but-crimes-are-the-same-for-new-sherlock-holmes-1.1042129. Retrieved 2010-07-20. 
  10. ^ a b c d "BBC to make a modern-day Sherlock Holmes". The Telegraph. 19 Dec 2008. http://www.telegraph.co.uk/culture/tvandradio/3852882/BBC-to-make-a-modern-day-Sherlock-Holmes.html. Retrieved 2010-07-20. 
  11. ^ AP (16 August 2009). "Life outside The Office for Martin Freeman". Wales on Sunday (Western Mail and Echo). http://www.walesonline.co.uk/showbiz-and-lifestyle/2009/08/16/life-outside-the-office-for-martin-freeman-91466-24449418/. 
  12. ^ a b Heritage, Stuart (24 December 2010). "Replay the best of 2010". The Guardian. http://www.guardian.co.uk/tv-and-radio/2010/dec/26/christmas-tv-replay-2010-downloads. Retrieved 18 January 2011. 
  13. ^ a b c d Lawson, Mark (2 September 2010). "The rebirth of Sherlock". The Guardian. http://www.guardian.co.uk/tv-and-radio/2010/sep/02/sherlock-mark-lawson. Retrieved 2010-09-07. 
  14. ^ "Unlocking Sherlock", documentary included on the Series 1 DVD/Blu-Ray release
  15. ^ a b Mitchison, Amanda (17 July 2010). "Benedict Cumberbatch on playing Sherlock Holmes". The Guardian. http://www.guardian.co.uk/tv-and-radio/2010/jul/17/benedict-cumberbatch-sherlock-holmes. Retrieved 2010-07-18. 
  16. ^ a b Jeffery, Morgan (11 Jan 2012). "'Sherlock' Steven Moffat interview: 'Holmes might not survive'". Digital Spy. http://www.digitalspy.co.uk/tv/s129/sherlock/interviews/a359357/sherlock-steven-moffat-interview-holmes-might-not-survive.html. Retrieved 2012-01-13. 
  17. ^ a b c Frost, Vicky (10 August 2010). "Sherlock to return for second series". The Guardian. http://www.guardian.co.uk/media/2010/aug/10/sherlock-second-series-bbc. Retrieved 10 August 2010. 
  18. ^ French, Dan (4 February 2010). "Matt Smith rejected for BBC's 'Sherlock'". Digital Spy. http://www.digitalspy.co.uk/tv/s7/doctorwho/news/a201372/matt-smith-rejected-for-bbcs-sherlock.html. Retrieved 4 February 2010. 
  19. ^ a b c d e Mark Gatiss, Benedict Cumberbatch and Martin Freeman. DVD audio commentary for "The Great Game"
  20. ^ "Network TV BBC Week 31: Sunday 1 August 2010". BBC. http://www.bbc.co.uk/pressoffice/proginfo/tv/2010/wk31/sun.shtml#sun_sherlock. Retrieved 2010-07-18. 
  21. ^ "A Study in Pink". wr. Steven Moffat, dir. Paul McGuigan. Sherlock. BBC. 2010-07-25. No. 1, series 1.
  22. ^ a b c "The Blind Banker". wr. Stephen Thompson, dir. Euros Lyn. Sherlock. BBC. 2010-08-01. No. 2, series 1.
  23. ^ a b "The Great Game". wr. Mark Gatiss, dir. Paul McGuigan. Sherlock. BBC. 2010-08-08. No. 3, series 1.
  24. ^ a b Nelson, Sadie (26 July 2010). "Holmes sweet Holmes". Nelson's Column (London Town). http://www.londontown.com/LondonBlog/Nelsons/8800/Holmes_sweet_Holmes. Retrieved 2010-08-04 
  25. ^ Clarke, Steve (1 October 2009). "Can Holmes solve co-prod mystery?". Variety (Reed Business Information). http://www.variety.com/article/VR1118009441.html?categoryId=3750&cs=1. Retrieved 2009-10-02. 
  26. ^ Weisman, Jon (22 February 2010). "PBS climbs 'Upstairs' with BBC". Variety (Reed Business Information). http://www.variety.com/article/VR1118015609.html?categoryId=14&cs=1. Retrieved 24 February 2010. 
  27. ^ BBC Press Office (12 July 2010). "Sherlock Press pack". http://www.bbc.co.uk/pressoffice/pressreleases/stories/2010/07_july/12/sherlock.shtml. Retrieved 2010-07-12 
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