Sherry!

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Sherry!
Sherry!CD.jpg
2004 Studio Recording
Music Laurence Rosenthal
Lyrics James Lipton
Book James Lipton
Basis George S. Kaufman-Moss Hart play
The Man Who Came to Dinner
Productions 1967 Broadway

Sherry! is a musical with a book and lyrics by James Lipton and music by Laurence Rosenthal. The musical is based on the George S. Kaufman-Moss Hart play The Man Who Came to Dinner.

In 1967, following a short run on Broadway, and poor reviews, the score of this musical was apparently lost - being rediscovered at the Library of Congress more than thirty years later. A studio recording based on the rediscovered score was released in 2004.

Production[edit]

George Sanders originally was signed to play Whiteside, but when his wife, actress Benita Hume, became terminally ill with cancer, he withdrew from the project. Choreographer Ron Field was replaced by Joe Layton during the Philadelphia try-out. He took over directing as well, according to Lipton, although Morton DaCosta retained credit in the program.[1]

The production opened on Broadway at the Alvin Theatre on March 28, 1967, where it ran for 72 performances and fourteen previews. The cast included Clive Revill as Whiteside, Elizabeth Allen as Maggie, Jon Cypher as Bert, Dolores Gray as Lorraine, Eddie Lawrence as Banjo, Byron Webster as Beverly, and Cliff Hall as Dr. Bradley.

Sherry! took a gambit quite typical for musicals based on straight plays by "opening up" the story: that is, by adding scenes in locations not featured onstage in the original play. In order to "open up" The Man Who Came to Dinner (which takes place entirely in the Stanleys' living room) it was necessary to maintain the premise that Sheridan Whiteside uses a wheelchair. Therefore the second-act climax of Sherry! moved the action to a nearby skating rink, with several characters on roller skates and Whiteside perambulating in his wheelchair.

Studio recording[edit]

Following the show's closing, the orchestrations were packed for transport to the writers' publisher, but could not be found there later. It was believed that they had been inadvertently put on the wrong truck and, together with the sets, hauled to New Jersey and burned. More than three decades later, music producer Robert Sher discovered the trunk containing the complete score housed at the Library of Congress and contacted Lipton, who had achieved fame as the moderator of Bravo's Inside the Actors Studio, to propose an all-star studio recording. The result was a 2003 Angel Records 2-CD set (with cover art by Randy Souders) that was recorded in separate sessions over a period of three years, with the orchestral portions recorded in Bratislava and Prague and the vocals recorded in New York City. The recording cast includes Nathan Lane as Whiteside, Bernadette Peters as Maggie, Carol Burnett as Lorraine, Tom Wopat as Bert, Tommy Tune as Beverly, and Mike Myers as Banjo, with Lillias White, Keith David, James Lipton, Lawrence Pressman, Siobhan Fallon and Phyllis Newman in small supporting roles. The dancers include Noah Racey, who also choreographed "Putty in Your Hands" and Megan Sikora.[2][3]

Synopsis[edit]

Sheridan Whiteside, an egregiously pompous and self-centered radio personality, terrorizes the family of Ernest W. Stanley of Mesalia, Ohio, when a slip on their icy front steps forces him to recuperate in their home at Christmas time. The highly critical and extremely egotistical wheelchair-bound Whiteside commandeers the household and staff and disrupts the lives of everyone who comes within his orbit, including his private secretary Maggie Cutler, journalist-playwright Bert Jefferson, Broadway diva Lorraine Sheldon, antic Harpo Marx-like comedian Banjo, bon vivant Beverly Carlton, and absent-minded physician and aspiring memoirist Dr. Bradley.

Original Broadway song list[edit]

Studio recording song list[edit]

Critical response[edit]

The critics were unanimous in their disapproval, finding the taut Kaufman-Hart humor of the original play was diluted by the inclusion of mediocre musical numbers that were dropped into the action rather than allowed to evolve naturally from the plot.

The Billboard review noted that the musical was "a dated and disjointed affair...Except for the title song, there is nothing in the score with a step-out potential...the music lacks a melodic flow and...lyrics are routine."[4] However, the World Journal Tribune wrote that "On the whole, Kaufman and Hart's comedy holds its own as a play and gains some entertaining embellishments in this prevailing merry musical adaptation."[4]

In reviewing the studio cast album, John Kenrick wrote "Musical theatre buffs will not be able to resist this star-studded recreation...Nathan Lane is delicious...Bernadette Peters is perfect...and Carol Burnett sings the hell out of the show-stopping title tune".[5] The SF Gate review noted that "there's a delightful verve to the whole proceedings."[6]

Notes[edit]

  1. ^ James Lipton. Inside Inside (2007), Dutton, ISBN 0-525-95035-4, p. 155
  2. ^ Miller, Marc."Uncorking Sherry!" theatermania.com, February 9, 2004
  3. ^ Buckley, Michael."James Lipton Chats About Sherry and "Inside the Actor's Studio" playbill.com, February 15, 2004
  4. ^ a b Gross, Mike."'Sherry!' Flavorless With Too Much Aging"Billboard, April 8, 1967
  5. ^ Kenrick, John."CD Reviews 2004" musicals101.com, ca. 2004, accessed June 1, 2010
  6. ^ Hurwitt, Robert."Cd Reviews"'Sherry!'" sfgate.com, February 15, 2004

References[edit]

  • Mandelbaum, Ken. Not Since Carrie: Forty Years of Broadway Musical Flops St. Martin's Press (1991), pages 192-94 (ISBN 0-312-06428-4)

External links[edit]