Shinji Ikari

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Shinji Ikari
Neon Genesis Evangelion character
Created by	Hideaki Anno (series creator) Yoshiyuki Sadamoto (character designer)
Voiced by	Megumi Ogata (Japanese) Spike Spencer (English)
Profile
Age	14
Gender	Male
Date of birth	June 6, 2001
Known relatives	Father: Gendo Ikari Mother: Yui Ikari Guardian: Misato Katsuragi

Shinji Ikari (碇 シンジ, Ikari Shinji^?) is a fictional character from the Neon Genesis Evangelion franchise created by Hideaki Anno. The main protagonist of the series (and almost all of its spinoff works), he is the Third Child ("Third Children" in the Japanese versions) and pilots the Evangelion Unit 01. He is the son of Gendo and Yui Ikari.

Contents 1 Character history 2 Personality 3 Relationships 3.1 Asuka 3.2 Rei 4 Analysis 5 Alternate continuities 5.1 Manga 5.2 Rebuild of Evangelion 5.3 Shinji Ikari Raising Project 5.4 Neon Genesis Evangelion: Gakuen Datenroku 5.5 Non-franchise video games 6 Character notes 7 Reception 8 Trivia 9 References

[edit] Character history

This section requires expansion.

After Yui's absorption into Unit-01, Gendo leaves the four year old Shinji in the care of a teacher so he can focus on "Project Evangelion." Shinji lives a very reclusive existence until at the age of fourteen, he receives a letter containing a Nerv ID card, a risqué postcard from Captain Misato Katsuragi, and a note from his father simply stating "Come!" After being caught in the middle of the first Angel battle, between UN forces and Sachiel, Shinji is delivered to the Geofront, where he is ordered by his father to pilot Unit-01 in lieu of a badly injured Rei Ayanami. Shortly after, Shinji is taken by Misato as his guardian and manages to build a social life in his new school, making friends with Toji Suzuhara and Kensuke Aida. As the series progresses, Shinji's relationships with his fellow pilots, including Asuka Langley Soryu, also deepen.

The latter episodes focus on Shinji's psychological and emotional problems and his strained relationship with his father, all of which worsen with the increasingly personal attacks of the Angels, culminating in the events of The End of Evangelion.

[edit] Personality

This section requires expansion.

Shinji's loss of his mother and then his father lead to abandonment issues, showing little to no self-esteem, reclusiveness, and an avoidance of any difficult or painful situations (this is often depicted as Shinji listening to his SDAT player with headphones). He is also described as shy, timid, and afraid of physical contact.

While he is acknowledged later in the series to be a skilled Eva pilot, in the early episodes of the series, he is never really shown to have any other notable skills besides his talent for cooking. It is revealed in episode 15 that he is a cellist, something of which he had made no mention previously in the series. When asked when he began playing, he explains that his guardians had insisted on lessons when he turned five. As to why he still plays, he admits it is because he was never told to stop, even though he believed he should have "quit immediately." Thereon, the cello appears as a recurring motif in the series, possibly representing Shinji's "identity" - indeed, his musical talent seems to be the only way in which he feels that he can openly express himself. He claims to be untalented, but is shown both in episode 15 and in Death and Rebirth playing Bach's Cello Suite No. 1.

[edit] Relationships

This section requires expansion.

[edit] Asuka

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Throughout the series, Shinji carries out a deceptively straightforward love-hate relationship with Asuka. They are attracted to each other, but neither is able to properly express their feelings. For the most part, Shinji is friendly but also meek and submissive when around Asuka, especially when she is being abusive toward him. In the episodes just after their first meeting, he occasionally confronts her when her attitude becomes too much to bear, but by the end of the series he is almost completely withdrawn in her presence. Asuka's taunting is a front protecting her real desire for Shinji's affections, but for several reasons, mainly his own inferiority complex, Shinji fails to recognize Asuka's harassment for its true intent, and only thinks worse of himself for her criticisms; this, in turn, upsets Asuka even more, and confuses Shinji.

The fractured state of Asuka and Shinji's relationship becomes a key factor on events in The End of Evangelion. At the start of the movie, Shinji is shown with Asuka in her hospital room, begging her for help and trying to rouse her from unconsciousness. He accidentally pulls loose her vital sign monitors, exposing her breasts; he masturbates to this sight, but is horrified and disgusted with himself for doing so. His guilt and increased self-loathing add to his previous traumas and cause him to become so uncaring of his own existence that he does not resist when the invading JSSDF soldiers try to kill him. This forces Misato to save him and to try to rouse him from this state so that he can escape the GeoFront in Unit 01. The beginning of Instrumentality and the trauma of seeing the mangled remains of Unit 02 in the hands of the MP Evas cause Shinji to enter a schizophrenic fugue state in which he and Asuka are back in Misato's apartment; interestingly, at the exact time where he and Asuka first kissed. Again, he begs Asuka for help, while also revealing his true feelings for Asuka ("I want to help you [in some way]... and to stay with you....You're the only person who can help me.") Asuka denies his pleas, attacking (in her view) the selfish nature of his perceived motives. Overwhelmed with his own hopelessness, Shinji loses control and strangles her. Several indicators suggest that the depiction of Asuka in this scene is Shinji's perception of Asuka rather than Asuka herself.

However, in the aftermath of the film's finale, Shinji appears on a beach with none other than Asuka. He tries to strangle her; she does not physically resist him, but instead lifts her hand to stroke his face - incidentally, as Yui had done just moments before. At this he collapses, weeping, onto her chest, and as the film ends she says, "気持ち悪い。" ("Kimochi warui", translated into English in the subtitles as "I feel sick", and as "How disgusting" in the dub). The exact meaning of the symbolism in this scene, as well as the intended meaning of Asuka's final words, are unclear and heavily debated. As the series ends there, the specifics of her and Shinji's subsequent lives are left up to the audience. One theory is that she and Shinji assume the roles of the new Adam and Eve.

[edit] Rei

Shinji's relationship with Rei began from the first episode of the series; Rei was badly wounded from the accident with Unit 00, and was called in by Gendo in order to pilot Unit 01 when Shinji refused to. Seeing how grievious her wounds were and how much pain she was in, Shinji convinces himself to pilot Unit 01 in her place out of pity and guilt (saying he mustn't run away). Shinji and Rei's relationship appears to be strictly business at first, with her acting cold, but co-operative in terms of only following orders. They don't really communicate until Episode 5, when Shinji enters her home to deliver her new security card on behalf of Dr. Akagi. He entered Rei's home, accidentally falling onto her just after she had come out of the shower, appologising profusely to her, although she doesn't seem to respond to him much still. Shortly after Rei is attacked by Ramiel's energy attack, Shinji desperately opens the hatch to save her.

[edit] Analysis

Shinji's relationship with his Evangelion and status as a pilot is very ambivalent; the entire series can be seen as a bildungsroman centered around Shinji^[1]. On the one hand, as an Eva pilot, Shinji is very reluctant to go to war, to cause deaths, and to enter battle or to actively do things; on the other hand, he is given strength by his mother (whose metaphysical "presence" exists inside Unit 01) and he defines his self by piloting the Eva. Sometimes Unit 01 reaches "berserker" mode - a state in which the Eva is activated without an apparent energy source and the EVA becomes aware and takes over control of itself. During the battle with the Angel Zeruel, his reserve power ran out, and he temporarily meets his mother Yui Ikari. Directly afterwards EVA Unit 01 enters "BERSERKER" mode, and she (Eva Unit 01) eats the Angel, taking the S² into herself.

"Look at Shinji. Why does he continue to fight as an Eva pilot? The story keeps changing. He said it's because everyone tells him to. Because only he can do it. Because it has to be done to save humanity. Selfless and lofty sentiments for sure, and he believed those reasons to be genuine. Wrong; he wanted his father to approve of him. To say he was a good boy. How selfish of him, really, to be a human being." --Megumi Hayashibara^[2]

Shinji's estrangement from his father and his mother literally being inside Unit 01 is believed by some to represent the Freudian Oedipus complex. His apparent attraction to Rei, who is a partial clone of Shinji's mother and Lilith, could also be seen as proof of this psychological aspect of Shinji's character; however, his attempts to gain Gendo's acceptance and love and his attraction to Asuka could be seen by some to counteract this idea. He may also be seen as suffering from the culture-specific psychological disorder taijin kyofusho and, from a Western psychological perspective, generalized social phobia and developing avoidant personality disorder.^{[citation needed]}

Shinji has often been seen as a version or reflection of the creator of Evangelion:

"Shinji does reflect my character, both the conscious and unconscious parts," Anno admits. As a pilot of Earth's most advanced weapon, Shinji is far from the archetypal hero. Abandoned by his father Gendo at a young age, he eschews human contact so that he cannot hurt others, or in turn be hurt by them. The comparison, however, isn't to be taken too literally.
"I wasn't thrown out by my father or anything" he laughs. Nevertheless, Anno has referred to the plot line as a metaphor of his life.^[3]

[edit] Alternate continuities

[edit] Manga

The Shinji of Yoshiyuki Sadamoto's manga adaptation is considerably different from his animated counterpart. Although Shinji still has issues with his father and his past, and is plagued by self-doubt and feelings of worthlessness, he is considerably more temperamental, and is more gloomy, pessimistic, and indifferent than nervous and withdrawn. One of the first things he does after being forced to attack Toji (who is severely injured and crippled in the anime, but actually dies of his injuries in the manga) is to try to punch his father. He is also more willing to burst out angrily in protest and voice his opinion - in the manga, Shinji loudly protests when Misato announces her plans to take him home to live with her. Shinji in the manga is also much more smart-mouthed than in the anime. For example, after Toji and Kensuke witness Shinji fighting Shamshel, Toji asks Shinji to hit him as payback for having beat up Shinji earlier. In the anime Shinji obliges, but in the manga Shinji decides not to hit him at the last minute, cheerfully saying, "I'd rather have you owe me one. It's more fun that way." He later embarrasses Toji in front of their female classmates, and calls this Toji's payback. He is also less submissive around Asuka and tends to respond to her insults with sarcastic comments or retorts rather than apologizing. He also openly criticizes Asuka for acting innocent and bubbly around Kaji and Misato, only to revert to her arrogant personality once they leave. Another change is that Gendo left Shinji with one of his uncles instead of a teacher.

In addition to the changes to his personality, the manga places a stronger emphasis on Shinji's relationship with Rei. Their initial interactions and Shinji's first impressions of Rei closely follow events in the anime, but as the story progresses, Shinji's kindness toward Rei and concern for her well-being make an enormous impression on her. Shinji, for his part, is determined to get as close to Rei as he can, but is unsure of where their relationship is going, or even exactly what he feels toward her. After being asked by Asuka in vol. 5 if they are dating, he thinks to himself:

What I feel for Ayanami...it doesn't go with words...like "like" and "want to go out with." It's as if...she's a part of me that was torn away a long time ago...

After Rei sacrifices herself to kill the Angel Armisael, Shinji breaks down and cries in front of Kaworu, saying "Ayanami...I don't want to lose you..."

The manga also makes enormous changes to Shinji's relationship with Kaworu. Kaworu reminds Shinji of how he felt about Rei the first time he met her, and he is disturbed by Kaworu's apparent lack of human feelings and tendency to invade his personal space. In vol. 9, Shinji says that he doesn't think he could ever like Kaworu. In vol. 10, Kaworu uses a kiss to stop Shinji from hyperventilating during a nightmare, and makes advances toward Shinji which he flatly refuses. He later leaves Kaworu's apartment with very little in the way of a good-bye, which upsets Kaworu, although after Kaworu's death, he admits to himself that despite the way he acted, he was attracted to him.

Sadamoto initially follows the plot of The End of Evangelion's version of Episode 25', beginning with the infamous hospital scene between Asuka and Shinji. However, it diverges considerably from the script, ending with Shinji shouting that the Asuka he wants to protect isn't the girl lying before him and Asuka apparently temporarily awakening from her coma to strangle him; Nerv hospital staff separate the two and Shinji is led out while Asuka angrily screams that she hates everyone. Shinji breaks down crying outside soon after seeing his father and Rei (III) pass by him almost unnoticed.

[edit] Rebuild of Evangelion

Based on the first entry Evangelion: 1.0 You Are (Not) Alone Shinji is more outspoken and stand-offish than his TV counterpart, but not to the degree of the version in manga... he is more of an amalgamation of the two. In this continuity, Shinji has dreams/visions of the empty train much earlier than he did in the TV series. In 2.0, it becomes more increasingly apparent that the dramatic focus for Shinji in this version is his relationship towards his father. Aspects like his utter fear of others is lacking with the core focus being on his aggression about his father abandoning him. Shinji develops a friendship with Asuka but as of now there doesn't appear to be any romantic longing. Although, judging by his reaction to her apparent 'death' and his words to Gendo that "he needs to lose someone important to him too! Then he'll understand how I feel!", it would seem Shinji's feelings for Asuka run deeper than has been yet revealed. Though it is possible that his father using him to 'kill' Asuka one of his closest friends simply angered him. Perhaps feeling his mother's presence, Shinji is more drawn to developing a relationship with Rei Ayanami. During the attack of the 10th Angel, he is found by Mari Illustrious Makinami in Unit 02, who tells him to flee, but he decides to fight inside Eva again after he sees Rei and Unit 00 get assimilated by the Angel. When Unit 01 loses power, instead of activating Berserker, Shinji wills the Evangelion to power back up and enter into a state where it gains powers that are more Angel-like in nature, all in the attempt to rescue Rei. At the end of 2.0 Shinji has apparently locked himself inside Unit 01 with Rei.

[edit] Shinji Ikari Raising Project

In this manga version, Shinji is also shown to be more confident than he was in the anime, butting heads with Asuka (a childhood friend as opposed to the anime). Also, he gets into somewhat comical situations with girls, much like the lead male character in harem anime. The story shows him in a probable love triangle with Rei (the newcomer in his life) and Asuka (the childhood friend). Here, Rei is a distant relative, from Yui's side of the family.

To complicate matters, Kaworu (a Seele agent here) was seen to be very friendly towards him, which Asuka finds irritating. Although Asuka sees Rei as a rival, they both decide to work together against Kaworu, for Shinji's sake.

[edit] Neon Genesis Evangelion: Gakuen Datenroku

This version of Shinji, while still shy, has far more resolve than other versions and is not as troubled. He discovers Rei and Kaworu fighting an Angel one night and ends up awakening powers of his own. He is attracted to Rei and appears to have a strong desire to protect her. His power manifests itself as a gun and he has a strong friendship with Kaworu.

[edit] Non-franchise video games

In Super Robot Wars Alpha 3 Shinji is shown to have grown under the influence of his teammates, telling off Kira Yamato of Mobile Suit Gundam SEED.

[edit] Character notes

"Ikari" means "anchor" in Japanese, and can also mean "rage" or "anger." Shinji was named for Gainax co-founder Shinji Higuchi; it can be translated to "child of god."^[4][5] Evangelion character designer Yoshiyuki Sadamoto based his design of Shinji on his design of Nadia[1], the title character of Gainax's popular 1990-1991 TV series, Nadia: The Secret of Blue Water (also directed by Hideaki Anno):

Speaking in concrete terms, his eyes are girl's eyes. I drew them exactly as I drew those of Nadia. He's a male Nadia, just as if I had given Nadia a masculine makeover. Lengthen Shinji's eyelashes and change the hair style, and you have her.^[6]

Anno described the hero, Shinji Ikari, as a boy who "shrinks from human contact", and has "convinced himself that he is a completely unnecessary person, so much so that he cannot even commit suicide." He describes Shinji and Misato Katsuragi as "extremely afraid of being hurt" and "unsuitable — lacking the positive attitude — for what people call heroes of an adventure."^[7] When compared to the stereotypical hero, Shinji is characterized more by lack of energy and emotion than by any sort of heroism or bravery.^[8]

Megumi Ogata, who voiced Shinji, found the last scene of End of Evangelion difficult to perform. She became overwhelmed with emotion and strangled Yuko Miyamura, Asuka's voice actor, during that scene, making it "very hard" for Miyamura to say her lines immediately after that. Ogata regards Shinji Ikari as one of her "most memorable" roles.^[9]

[edit] Reception

Shinji ranked 25th on IGN's top 25 anime characters list. Editor Chris Mackenzie commented that the IGN staff loved him "not for what he is, but for what he could be".^[10]

[edit] Trivia

• The band Fightstar released a track titled "Shinji Ikari" as a B-side on their single "Deathcar". A second B-side that was featured on the single was titled "Nerv/Seele".

[edit] References

v • d • e Neon Genesis Evangelion Franchise Neon Genesis Evangelion (manga) (Chapters) • Neon Genesis Evangelion (TV anime) (Episodes) • Evangelion: Death and Rebirth • The End of Evangelion • Angelic Days • Petit Eva: Evangelion@School • Rebuild of Evangelion (1.0 You Are (Not) Alone · 2.0 You Can (Not) Advance) • Gakuen Datenroku Video games Ayanami Raising Project • Shinji Ikari Raising Project • Iron Maiden (2nd) • Neon Genesis Evangelion • Shinji and Good Friends • Evangelion 2 • Battle Orchestra Music Songs "A Cruel Angel's Thesis" • "Fly Me to the Moon" • "Komm, süsser Tod" • "Beautiful World" Albums Neon Genesis Evangelion • II • III • Addition • The End of Evangelion • Death • ~refrain~ The songs were inspired by Evangelion • Evangelion-VOX • Evangelion Symphony • S² Works • Evangelion: The Birthday of Rei Ayanami • Music from "Evangelion: 1.0 You Are (Not) Alone" • Evangelion: 1.0 You Are (Not) Alone Original Sound Track • Evangelion: 2.0 You Can (Not) Advance Original Sound Track Characters Shinji Ikari • Rei Ayanami • Asuka Langley Soryu • Misato Katsuragi • Ritsuko Akagi • Gendo Ikari • Ryoji Kaji • Kaworu Nagisa • Toji Suzuhara • Yui Ikari Glossary Evangelion • Angel • Human Instrumentality Project • Timeline Neon Genesis Evangelion portal