Shoulder Arms

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For the German film, see Shoulder Arms (1939 film).
Shoulder Arms
Shoulder Arms.jpg
Theatrical poster to Shoulder Arms
Directed by Charlie Chaplin
Produced by Charlie Chaplin
Written by Charlie Chaplin
Starring Edna Purviance
Sydney Chaplin
Cinematography Roland Totheroh
Edited by Charles Chaplin
Distributed by First National Pictures
Release dates October 20, 1918
Running time 46 minutes
Country USA
Language Silent film
English intertitles

Shoulder Arms is Charlie Chaplin's second film for First National Pictures. Released in 1918, it is a silent comedy set in France during World War I. The main part of the film actually occurs in a dream. It co-starred Edna Purviance and Sydney Chaplin, Chaplin's brother. It is Chaplin's shortest feature film.

Plot[edit]

Charlie is in boot camp in the "awkward squad." Once in France he gets no letters from home. He finally gets a package containing limburger cheese which requires a gas mask and which he throws over into the German trench. He goes "over the top" and captures thirteen Germans ("I surrounded them"), then volunteers to wander through the German lines disguised as a tree trunk. With the help of a French girl he captures the Kaiser and the Crown Prince and is given a statue and victory parade in New York and then ... fellow soldiers wake him from his dream.

Goofs[edit]

In the scene where Chaplin (in his tree costume) is being pursued through the forest, cars can be seen traveling on a highway in the background. Although highways in the United States existed when this film was made, they did not exist in Germany. Germany's first highway was built in 1921. Of course, the Western Front was in France, not Germany.

Credited cast[edit]

Reception[edit]

Shoulder Arms proved to be Chaplin's most popular film, critically and commercially, up to that point. A review in the October 21, 1918 New York Times was typical:

"'The fool's funny,' was the chuckling observation of one of those who saw Charlie Chaplin's new film. Shoulder Arms, at the Strand yesterday—and, apparently, that's the way everybody felt. There have been learned discussions as to whether Chaplin's comedy is low or high, artistic or crude, but no one can deny that when he impersonates a screen fool he is funny. Most of those who go to find fault with him remain to laugh. They may still find fault, but they will keep on laughing."

See also[edit]

External links[edit]