Sinkin' in the Bathtub

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Sinkin' in the Bathtub
Looney Tunes (Bosko) series
Bosko-sinkininthebathtub1930.jpg
Directed by Hugh Harman
Rudolf Ising
Produced by Hugh Harman
Rudolf Ising
Voices by Carman Maxwell
Rochelle Hudson
(both uncredited)
Music by Frank Marsales
Animation by Isadore Freleng
Hugh Harman (unc.)
Rudolf Ising (unc.)
Distributed by Warner Bros.
Release date(s) April 19, 1930 (USA)
Color process Black and White
Running time 7 minutes
Language English
Followed by Congo Jazz

Sinkin' in the Bathtub is the very first Warner Bros. theatrical cartoon short as well as the very first of the Looney Tunes series.

The short was produced and directed by Hugh Harman and Rudolf Ising, with animation by a very young Friz Freleng. Leon Schlesinger was credited as an associate producer, and the title card also gave credit to the Western Electric apparatus used to create the film.

Made in 1930, this short marked the theatrical debut of Bosko the "Talk-Ink Kid" whom Harman and Ising had created to show to Warner Brothers. Bosko became their first star character, surpassed only much later by Porky Pig and Daffy Duck. Notably, this is the only publicly released Bosko short to feature Bosko's original blackface dialect; he would later adopt a more falsetto voice for later films. Also, this is the first publicly released non-Disney cartoon to have a pre-recorded soundtrack (in addition, "Bosko the Talk-Ink Kid" had a pre-synched track.) This cartoon was also first theatrically released with the lost Warner Bros. film The Song of the Flame.

A clip of this cartoon was seen on a 1990 episode of Pee-Wee's Playhouse. It exists in its entirety on the Looney Tunes Golden Collection: Volume 3 box set.

Plot synopsis[edit]

Bosko plays the shower spray as a harp

The film opens with Bosko taking a bath while whistling "Singin' in the Bathtub". A series of gags allows him to play the shower spray like a harp, pull up his pants by tugging his hair, and give the limelight to the bathtub itself which stands on its hind feet to perform a dance. (There is a clear shot of a toilet during this scene, and the bathtub tears off sheets of toilet paper during its dance, permissible only in the pre-Hays Code days.)

Once he finds his car, which had left the garage to use the outhouse, Bosko goes to visit his girlfriend Honey, who is showering in front of an open window. "Tiptoe Through the Tulips" plays in the background. A goat eats the flowers he brought, so he serenades her to get her to come out. A saxophone full of bubbles (caused when she dumps a bathtub full of soapy water into Bosko's saxophone due to his butchering of "Tiptoe Through the Tulips") provide a floating cascade of steps for her as she alights from the balcony. "I'm Forever Blowing Bubbles" accompanies this action.

Their country drive presents grave perils for Bosko, with the first obstacle being a stubborn grazing cow. After the cow is pushed out of the way, the indignant cow walks away to the tune of Elgar's "Pomp and Circumstance Marches". The drive continues as the car is at first resistant to go up a steep hill, then speeds out of control while Bosko collides into various objects that create the sounds of ascending and descending C major scales. (Bosko exclaims "mammy" in the original version during this portion of the film.) The sequence ends with the car plunging over a cliff into a lake. Always able to adapt, Bosko continues their date as a boating trip and plays the last refrain (a reprise of "Singin' in the Bathtub") using lilypads as a marimba.

The cartoon ends with Bosko saying the classic line "That's all Folks!"

Edited versions[edit]

  • When this cartoon aired on Nickelodeon, Bosko's cry of "Mammy!" as he's stuck on the runaway car was muted.
  • On DVD releases, a still shot of the intro (seen on other Bosko cartoons at the time) is plastered over an animated variant. The lack of deterioration in the still shot compared to the rest of the cartoon is extremely noticeable.
  • On Blu-ray release, an animated version of the intro is preserved to ignore scratches from the title.

References[edit]

  • Steve Schneider, That's All Folks!: The Art of Warner Bros. Animation (New York: Henry Holt & Co., 1990)
  • Jerry Beck and Will Friedwald, Looney Tunes and Merrie Melodies: A Complete Illustrated Guide to the Warner Bros. Cartoons (New York: Henry Holt and Co., 1989)

External links[edit]