Sir Douglas Quintet
|Sir Douglas Quintet|
|Origin||San Antonio, Texas, United States|
|Genres||Rock & Roll, Tex-Mex, R&B, Americana, Roots rock, Texas blues, Soul, Psychedelic rock|
|Years active||1965–1973, later re-unions|
|Labels||Smash Records, Philips Records, Mercury Records|
|Associated acts||Texas Tornados, Texas Mavericks, The Amos Garrett - Doug Sahm - Gene Taylor Band, The Last Real Texas Blues Band, Doug Sahm & Band, The Tex Mex Trip, Sir Douglas Band, The Formerly Brothers, The Cosmic Cowboys, The Cherry Ridge Riders, The West Side Horns, Los Blues, Augie Meyers & The Western Head Band, Lord August & The Visions of Light|
|Past members||See "Members"|
Sir Douglas Quintet was a rock band active in the mid-1960s and 1970s, with reunions amongst various members in the 1980s and 1990s. Despite their British-sounding name, they came out of San Antonio, Texas. With their first hits, they were acclaimed in their home state. However, once their career was established (subsequent to working with Texas record-producer Huey Meaux), the band relocated to the West Coast. Their move coincided with the burgeoning San Francisco psychedelic rock scene of the mid-1960s to early 1970s. Overall, the Quintet were exponents of good-times music with strong roots in blues and Texas-regional traditions.
Group's origins 
Doug Sahm, a veteran of the professional music scene who first sang on the radio at the age of five, formed the Quintet (first called simply 'Sir Douglas') in 1964 with longtime friend Augie Meyers and the other original members Jack Barber, Frank Morin and Johnny Perez. Sahm had started out in the country music scene, and had even played (at age eleven) on-stage with Hank Williams, Sr., during the latter's final performance. Sahm went on to play in blues clubs in his teenage years and he had gained experience as a band leader.
The initial success of the new group, the Quintet, on the airwaves and sales charts was achieved when they made records in conjunction with Houston music producer Huey P. Meaux. Houston's recording industry had become the center of Texas R&B music.
The Quintet was born in a cross-cultural South-Texas musical melting pot, which included the sounds and traditions of Mexico, Bohemia, Poland, Czechoslovakia, Germany, and African-America. But aware of the major trends, producer Huey Meaux advised connecting the new group with the English pop-music trend. As a consequence, the Texas-local R&B, Tex-Mex, and other veins the musicians were familiar with initially went through a period of influence by the British pop bands of the early and mid-1960s. For a short while, the youthful members of the group emulated Beatles-like "mop-top" demeanor and antics on stage. However, they soon outgrew these trappings.
Best known tracks 
The Quintet is perhaps best known for the 1965 hit single "She's About a Mover" written by Doug Sahm. The song has a 12-bar blues structure. "She's About a Mover" is very well known, and was once named the number one 'Texas' song by Texas Monthly. With an infectious Vox Continental organ riff provided by Augie Meyers and soulful vocals from Sahm, the track has a Tex-Mex sound. The regional smash became a breakaway hit, and the recording was used in the soundtracks of the films "Echo Park" (1986), "American Boyfriends" (1989), "The Doors" (1991), "Riding in Cars with Boys" (2001), "Sorority Boys" (2002), and "Beautiful Darling: (2010). The Quintet's recordings were used as well in the soundtracks of other films, such as Cisco Pike and An Officer and a Gentleman.
In addition to "She's About a Mover," the band is known for its songs "Mendocino," (1968) "Can You Dig My Vibrations?" (1968) and "Dynamite Woman" (1969). "Mendocino" was released in December 1968, and reached No. 27 in the U.S. Billboard Hot 100 by early 1969, spending 15 weeks in the chart. It was more successful in Europe selling over three million copies there. The track was featured in the generally highly regarded film High Fidelity, starring John Cusack and Jack Black. Having made considerable musical impact, the Quintet at one point went on to share the same European bill as the Beach Boys and the Rolling Stones.
The Quintet played varied styles with an instrumental line-up that was typical of blues bands: one guitarist, keyboardist, bassist, and drummer, and a member who could play either trumpet or saxophone. Despite the blues-band line-up and a musical influence from the blues, the Quintet's live sets didn't over-emphasize misery or tension in the lyrical content or musical feeling of the songs. They included such blues classics as "I Don't Believe" (originally by Bobby Blue Bland), along with the upbeat "Hey Little Girl" (originally by Texas blues man Frankie Lee Sims) and "T-Bone Shuffle" (originally by blues giant T-Bone Walker) in their sets and on record. But downhearted songs, of the sort that make up much of the blues genre, were represented as a part of the spectrum, only – because they reflected a facet of life. Most of the songs in the Quintet's repertoire were joyful or "liberated" in feeling.
Also, with most songs there was no "star instrumentalist" aspect, and players just contributed to the larger whole of the song performance.
The Sir Douglas Quintet is considered a pioneering influence in the history of rock and roll for incorporating Tex-Mex and Cajun styles into rock music. However, early influences on the band's emerging Texas style were of course broader than this, and included ethnic and pop music from the 1950s and 1960s, such as doo-wop, electric blues, soul music, and British Invasion. The Quintet brought older styles into a contemporary context, for instance by adapting the doo-wop feel, beat, and chord progressions – without the nonsense syllables of original doo-wop. In one way, this simply meant incorporating slow songs with the 50s progression, characteristic of doo-wop. The Quintet fully assimilated this into a late-1960s rock venue approach. Perhaps even more off-beat for a rock band of that era than inclusion of doo-wop type songs was that the band also brought-in styles like western swing and polka (a country & western form and rhythmic style, from the Texas Hill Country, rather than a straight European style). It was an accomplishment to manage this without a satirical approach, but instead with complete investment in the music.
In the mid-1960s, the band relocated to the San Francisco Bay Area and absorbed features of the nascent San Francisco Sound, including the loud and lush electric bass tone and freer percussion and guitar stylings. Band members also explored musical elements specific to modern jazz at that time. For studio recordings, they sometimes added an extra session musician or two, often to flesh out the brass dimension of a track's sound. Good examples of what they produced by absorbing the new jazz and psychedelic elements into their music can be found on the album Sir Douglas Quintet + 2. The lyrics in a Quintet song like "The Song of Everything" are plainly in the realm of the mystical, whimsical lyrics regarded as one of the characteristics of psychedelic music.
In live performances, blues, often with swing or shuffle beats, was usually a substantial component of the set. Besides doing their own original material, the Quintet revived several classics such as Jimmie Rodgers' "In the Jailhouse Now" and Freddy Fender's "Wasted Days and Wasted Nights" to be found on the albums Son of San Antonio and Texas Fever, respectively.
In addition to Sahm and Meyers, original Sir Douglas Quintet members included Jack Barber on bass, Frank Morin on saxophone, trumpet and keyboards and Johnny Perez, Ernie Durawa or T.J. Ritterbach on drums. In 1969 Harvey Kagan joined the Quintet on bass, forming their most familiar line up - Kagan, Morin, Perez, Sahm and Meyers. Bassist Jim Stallings also contributed to several albums during this period of shifting personnel which included, among others, guitarist Tom Nay of Sarasota, Florida (who played with the group for about a year) and John York, who later replaced Chris Hillman in The Byrds. Sahm and Meyers were later also members of the Texas Tornados (with Freddy Fender and Flaco Jiménez) in the early 1990s.
In 1972, the group split up when Sahm contracted to produce a solo album. Meyers, Perez, Morin, and Stallings briefly regrouped as The Quintet, with Farlow taking Sahm's place. In 1973, several Sir Douglas Quintet outtakes were released in their final album from the group's classic era, Rough Edges.
Sahm and Meyers continued to work together throughout the late 1970s, and rejoined with Perez in 1980 for a reunion tour and album.
Founder Doug Sahm died of a heart attack in his sleep in a motel room in Taos, New Mexico on November 18, 1999, at the age of 58. Augie Meyers continues to tour, and record on his own independent record labels, based out of Bulverde, Texas. Harvey Kagan nowadays performs with a San Antonio area wedding/event band, The Oh So Good! Band, best known for discovering American Idol contestant Haley Scarnato. Frank Morin remains active in music, with teaching, production and film soundtracks work. Johnny Perez owned Topanga Skyline Studios, with "the Vibe and the Magic of the '70's." Skyline's grand woodwork, welcoming business culture and "western fort" dirt courtyard set the stage for drummer Perez to mentor and inspire generations of young artists - until his passing on September 11, 2012 at the age of 69, in a California hospital, from complications of cirrhosis of the liver.
Selected discography 
- 1965 - "She's About A Mover" (Tribe)
- 1966 - "The Rains Came" (Tribe)
- 1968 - "Mendocino" (Smash)
- 1969 - "It Didn't Even Bring Me Down" (Smash)
- 1969 - "Dynamite Woman" (Smash)
- 1969 - "At The Crossroads" (Smash)
- 1970 - "Nuevo Laredo" (Smash)
- 1975 - "Roll With The Punches"/"I'm Not That Kat Anymore" (Casablanca, Holland)
- 1981 - "Sheila Tequila" + 3 others (4 track EP, Chrysalis, UK)
- 1966 - The Best of the Sir Douglas Quintet (Tribe) [not a compilation, despite its title]
- 1968 - Sir Douglas Quintet + 2 = Honkey Blues (Smash)
- 1969 - Mendocino (Smash)
- 1970 - 1+1+1=4 (Philips)
- 1970 - Together After Five (Smash)
- 1971 - The Return of Doug Saldaña (Philips)
- 1972 - Future Tense (as simply The Quintet) without Doug Sahm
- 1973 - Rough Edges (Mercury)
- 1975 - Reunion of The Cosmic Brothers (Crazy Cajun) LIVE SDQ with Freddy Fender, Roky Erickson at Armadillo World HQ
- 1977 - Live Love (Texas Re-Cord Co.) recorded at Armadillo World HQ, Austin, Texas in 1977
- 1978 - The Tracker (Crazy Cajun)
- 1978 - Don Goldie & The Sir Douglas Quintet (Crazy Cajun)
- 1979 - Wanted: Very Much Alive (Sonet, UK) same 1977 LIVE material as "Live Love"
- 1980 - Motive (Mercury, W. Germany) "Sir Douglas Quintett" spelled with a double "t" at the end(?) on cover and labels
- 1981 - The Tracker (UDL 2343) white cover unauthorized LP release
- 1981 - Quintessence (Varrick)
- 1982 - Still Growing (Sonet, Sweden) Augie Meyers with Doug Sahm
- 1983 - Border Wave (Chrysalis)
- 1983 - Live Texas Tornado (Takoma)
- 1983 - Midnight Sun (Sonet)
- 1984 - Rio Medina (Sonet)
- 1985 - Luv Ya' Europa (Sonet)
- 1994 - Day Dreaming at Midnight (Elektra / Nonesuch)
- 1998 - S. D. Q. '98 (Watermelon) with The Gourds
- 2006 - Live from Austin, Texas (New West) 1981 LIVE recordings from Austin City Limits TV show
- 2007 - Live from Austin, Texas (New West) 1975 LIVE recordings from Austin City Limits TV show
Compilation albums 
- 1970 - What About Tomorrow? (Mercury, Switzerland)
- 1975 - Pop Gold (Oval, W. Germany)
- 1980 - The Best of the Sir Douglas Quintet (Takoma)
- 1986 - The Collection (Castle Communication, UK) reissue of 2 Takoma LP releases
- 1988 - Sir Doug's Recording Trip: The Mercury Years (Edsel)
- 1988 - Spotlight (Sonet)
- 1990 - The Best of Doug Sahm & the Sir Douglas Quintet 1968-1975 (PolyGram)
- 1994 - Collection (San Juan Music Group) 22 LIVE tracks from all eras of Doug Sahm performances
- 1994 - KGSR Broadcasts Vol. 2 (KGSR) 1 live track by the SDQ + other artists
- 2000 - The Best of the Sir Douglas Quintet (Sundazed / Beat Rocket)
- 2004 - Prime of Sir Douglas Quintet: The Best of the Tribe Recordings (Westside)
- 2005 - The Complete Mercury Masters (Hip-O Select)
- 2008 - Scandinavian Years (Universal Music, Norway)
- 2011 - The Mono Singles '68-'72 (Sundazed)
See also 
- Chronology of San Francisco Rock 1965-1969, access date 2008-11-01 ; published by Virtual Museum of the City of San Francisco
- Levy, Joseph http://www.laventure.net/tourist/sdq_hist.htm
- V. Bogdanov, C. Woodstra, S. T. Erlewine 2003. All Music Guide to the Blues, 3rd edn. Backbeat Books, pp. 694-5.
- Ready, Trace March 2009. Excerpt from "South Texas Soul", Youtube.retrieved from
- vermontreview.tripod.com/CD Reviews/sahm
- Filmography by year for Doug Sahm
- Sir Douglas Quintet IMDB Discography
- Murrels, Joseph 1978 The Book of Golden Discs. London: Barrie and Jenkins Ltd, p. 248. isbn= 0-214-20512-6
- Malanowski, Jamie (April 2, 2000). "Keeping Faith with High Fidelity". The New York Times. Archived from the original on 2012-06-24. Retrieved 2012-06-24.
- "Vermont Review: Doug Sahm and the Sir Douglas Quintet". Vermontreview.tripod.com. 1999-11-20. Retrieved 2012-04-25.
- Flaska, Barbara. "Doug Sahm: Son of San Antonio: The Roots of Sir Douglas < PopMatters". Popmatters.com. Retrieved 2012-04-25.
- V. Bogdanov, C. Woodstra and S. T. Erlewine 2002 All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul,, 3rd edn. Milwaukee, WI: Backbeat Books, ISBN 0-87930-653-X, pp. 1322-3.