A sistrum (plural: sistrums or Latin sistra) is a musical instrument of the percussion family, chiefly associated with ancient Iraq and Egypt. It consists of a handle and a U-shaped metal frame, made of brass or bronze and between 76 and 30 cm in width. When shaken the small rings or loops of thin metal on its movable crossbars produce a sound that can be from a soft clank to a loud jangling. The name derives from the Greek verb σείω, seio, to shake, and σεῖστρον, seistron, "that which is being shaken." Its name in the ancient Egyptian language was sekhem (sḫm) and sesheshet (sššt). Sekhem is the simpler, hoop-like sistrum, while sesheshet (an onomatopoeic word) is the naos-shaped one.
The Egyptian sistrum
The sistrum was a sacred instrument in ancient Egypt. Perhaps originating in the worship of Bastet, it was used in dances and religious ceremonies, particularly in the worship of the goddess Hathor, with the U-shape of the sistrum's handle and frame seen as resembling the face and horns of the cow goddess. It was also shaken to avert the flooding of the Nile and to frighten away Set. Isis in her role as mother and creator was depicted holding a pail symbolizing the flooding of the Nile, in one hand and a sistrum in the other. The goddess Bast too is often depicted holding a sistrum, symbolizing her role as a goddess of dance, joy, and festivity.
Sistra are still used in the rites of the Coptic and Ethiopian churches. Besides the depiction in Egyptian art with dancing and expressions of joy, the sistrum was also mentioned in Egyptian literature. The hieroglyph for the sistrum is shown.
The Minoan Sistrum
The ancient Minoans also used the sistrum, and a number of examples made of local clay have been found on the island of Crete. Five of these are displayed at the Archaeological Museum of Agia Nikolaos. A sistrum is also depicted on the Harvester Vase, an artifact found at the site of Agia Triada.
The sistrum today
The sistrum has remained a liturgical instrument in the Ethiopian Orthodox Church throughout the centuries and is played during the dance performed by the debtera (cantors) on important church festivals.
The sistrum was occasionally revived in 19th century Western orchestral music, appearing most prominently in Act 1 of the opera Les Troyens (1856–1858) by the French composer Hector Berlioz. Nowadays, however, it is replaced by its close modern equivalent, the tambourine. The effect produced by the sistrum in music - when shaken in short, sharp, rhythmic pulses - is to arouse movement and activity. The rhythmical shaking of the sistrum, like the tambourine, is associated with religious or ecstatic events, whether shaken as a sacred rattle in the worship of Hathor of ancient Egypt, or, in the strident jangling of the tambourine in modern-day Evangelism, in Gypsy song and dance, on stage at a rock concert, or to heighten a large-scale orchestral tutti.
Collection of sistrums at the Louvre
Walters Art Museum, ca. 380–250 BCE
Seated woman with sistrum on a coin issued under Hadrian
- George Hart, The Routledge Dictionary Of Egyptian Gods And Goddesses, Routledge 2005
- Carolyn Merchant, Radical Ecology: The Search for a Livable World, Routledge 1992
- Plutarch, Isis and Osiris , Vol. V of the Loeb Classical Library edition, 1936
- Edith Borroff, Music in Europe and the United States: A History, Prentice-Hall 1971
- Miriam Lichtheim, Ancient Egyptian Literature, Vol.2,
- Stein, Jess, ed. (1988). The Random House College Dictionary (Revised ed.). New York: Random House. p. 1230. ISBN 0-394-43500-1
- Hart, op.cit., p.65
- Plutarch, op.cit., cap.63
- Merchant, op.cit., p.115
- Hart, op.cit., p.47
- Borroff, op.cit., p.9
- The Instruction of Amenemope in Lichtheim, op.cit., p.149
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