Skidoo (film)

From Wikipedia, the free encyclopedia
  (Redirected from Skidoo (1968 film))
Jump to: navigation, search
Skidoo
Skidooposter.jpg
theatrical release poster
Directed by Otto Preminger
Produced by Otto Preminger
Written by Doran William Cannon
Rob Reiner (uncredited)
Starring Jackie Gleason
Carol Channing
Frankie Avalon
Fred Clark
Michael Constantine
Frank Gorshin
John Phillip Law
Peter Lawford
Burgess Meredith
George Raft
Cesar Romero
Mickey Rooney
Groucho Marx
Music by Harry Nilsson
Cinematography Leon Shamroy
Edited by George Rohrs
Distributed by Paramount Pictures
Release dates
  • December 19, 1968 (1968-12-19) (US)
Running time 97 minutes
Country United States
Language English

Skidoo is an American comedy film directed by Otto Preminger, starring Jackie Gleason and Carol Channing, written by Doran William Cannon and released by Paramount Pictures on December 19, 1968. The screenplay satirizes late 1960s counterculture lifestyle and its creature comforts, technology, anti-technology, hippies, free love and then-prevalent use of the mind-altering drug LSD.

Along with top-billed Gleason and Channing, Skidoo also stars Frankie Avalon, Fred Clark (who died on December 5, two weeks before the film's release), Michael Constantine, Frank Gorshin, John Phillip Law, Peter Lawford, Burgess Meredith, George Raft, Cesar Romero, Mickey Rooney and Groucho Marx playing "God" (making, at age 77, his final film appearance). Singer-songwriter Harry Nilsson, who wrote the score and receives credit as a member of the cast, appears in a few brief scenes with Fred Clark, as both portray prison tower guards swaying to Nilsson's music while under the influence of LSD.[1]

Initial five minutes[edit]

As a cartoon character dressed in prison stripes (and holding a peace-logo flower which turns into a tiny parasol and then a helicopter blade) executes a few dance steps to the music of Nilsson's Skidoo theme, the words "Otto Preminger" appear below him. Additional words "presents SKIDOO starring" can also be seen as the camera pulls back to reveal that this image is on a TV screen, while Carol Channing's voice is heard exclaiming, "No, Harry, not that. No, I don't wanna see that", with the channel suddenly switching to show a US Senate hearing conducted by Senator Hummel, portrayed by Peter Lawford, who asks a series of organized crime figures various questions to which they invariably reply, "I refuse to answer on the grounds it may tend to incriminate me." Every few seconds, the channel showing the hearing switches to another channel which is screening Preminger's black-and-white 1965 feature, In Harm's Way, or still other channels which have one spurious commercial after another. The initial ad depicts an attractive blonde declaring, "now you too can be beautiful and sexually desirable like me instead of being that fat, disgusting, foul-breathed, slimy, wallowing sow that you are", the second has another intensely smiling blonde stating that "maybe we blondes do have more fun" and the third ad depicts a drunken slob swilling beer and belching, interspersed with an image of a pig with beer foam around its snout, while an unseen announcer exclaims "feel big, drink pig".

After another switch to In Harm's Way, Channing's voice is again heard, complaining, "no, Harry, I don't like films on TV. They always cut them to pieces." Additional channel changes produce more images of the beer pig, then another scene from In Harm's Way, followed by an ad for "Fat Cola", with three generously proportioned middle-aged women, wearing bathing suits, beach hats and carrying little parasols, gyrating to the jingle, "You'll never lose your man if you drink fat cola, you'll never have to worry about losing him", then an ad showing a boy and a girl, both about six years old, dressed like adults at a picnic setting, next to a dog resembling Our Gang's Pete the Pup (Pete's trademark circular ring around the eye is here drawn at a sharply oblique angle), with all three vigorously emitting smoke from long cigarettes held in their mouths, while happy young voices sing the jingle, "Puff, puff, puff, puff, puff, if you want to have a girly, you must puff, puff, puff." The following ad shows a family, including small children, standing in front of their house, all holding guns, with the father (shown in closeup to be the meek, bespectacled actor Wally Cox) declaring, "...get a gun for everyone in your family, remember, for family fun, get your gun", while the next ad, for "New Daisy Chain Deodorant", has a male voice followed a female voice singing ever more insistently, "I want my deodorant". Then a balding, mustachioed pitchman explains that if you're bothered by "dandruff, athlete's foot and the common cold, cancer, birth defects, mental illness, ringworm, poison ivy, tooth decay, acne, measles, brain tumor, smallpox, syphilis, plague, influenza, hepatitis and St. Vitus Dance, well, you're in luck, friend. Pick a pack of Peter's perfidious pink pacifying placebo pills..." At that point we see Jackie Gleason, Carol Channing and Arnold Stang sitting in front of the TV, with Gleason and Channing grabbing the remote control from each other and switching channels. Gleason and Stang subsequently go to the kitchen and, as they come out, the TV screen shows combative 1960s TV personality Joe Pyne commenting on the hearings: "...and, as one witness follows another, Senator Hummel is getting the same answer Senator Kefauver got in 1950 and 1951..."

Plot[edit]

Tony Banks (Jackie Gleason), a retired mob "torpedo" (hitman), now settled with wife Flo (Carol Channing) and daughter Darlene (Alexandra Hay), worries about his daughter's new hippie boyfriend Stash (John Phillip Law), and his own paternity of Darlene. Cesar Romero and Frankie Avalon appear as a father-and-son pair of mob bosses, Hechy and Angie, who bring Tony the news that top mobster "God" (Groucho Marx) wants him to carry out one last job — liquidating his old pal, "Blue Chips" Packard (Mickey Rooney), before Packard can testify before the US Senate's Crime Commission. Tony refuses, but upon discovering another old friend, Harry (Arnold Stang), shot through the head, goes along with God's wishes and, now wearing a convict's striped outfit, finds himself in the island prison of Alcatraz, a futuristically high-tech institution where Packard is held under top-level protection.

In Tony's absence, Stash and his friends, who have been charged with vagrancy, are invited by Flo to stay at their house. She visits Angie (as does Darlene, looking for her in turn) to persuade him to either cancel the job, or take her to God (who's living without a country, on a yacht in international waters) so she can ask personally. Angie won't take Flo, but he will take Darlene, who nonetheless insists on bringing Stash along. God takes a liking to Darlene, as does God's tall, supermodel-like black mistress (Luna) to Stash, but both are frustrated in their pursuit.

One of Tony's cellmates turns out to be a draft dodger called Fred the Professor (Austin Pendleton), an electronics wizard who has renounced technology, but makes an exception in rigging a television set to allow Banks the opportunity of cell-to-cell communication with Packard. Banks realizes he can't kill his old friend, and, as a result, will probably never leave the prison. He writes his wife with the news, on stationery borrowed from Fred, while ignoring Fred's admonition not to lick the envelope and discovering the hard way that all the stationery is soaked with LSD... enough to send the whole prison on a bad trip. One of the inmates, Leech (Michael Constantine who, a few months after Skidoo's release would be playing a high-school principal on ABC's 1969–74 comedy-drama, Room 222) says, "Hey, maybe if I take some of that stuff, I wouldn't have to rape anybody anymore." Fred guides Tony through the resulting acid experience, helping him come to terms with his worries about Darlene and his past while plotting their escape.

Darlene and Stash spend the night aboard God's yacht, with Stash getting word back to Flo and his friends about their location, and a coded plea for help. As the hippies mount a rescue, Tony and Fred build a makeshift balloon from discarded freezer bags and garbage cans, dump the whole supply of stationery into the prison's lunch, and fly out of the prison as everyone below begins to freak out.

As it happens, both the hippies (led by Flo, who sings the title number as they storm the yacht) and the balloon arrive on God's hideaway at the same time. Feeling trapped, God adopts the stooped Groucho posture, skulks into a clothes closet and closes the door. As the film ends, we last see Flo and Tony as she pulls him towards a bed in one of the yacht's empty side cabins, while in the main cabin, God's Skipper (George Raft), holding open a copy of Gabriel Vahanian's iconic 1961 book, The Death of God, performs a marriage ceremony between Angie and God's Mistress, who then proceeds to become overly affectionate with surprised best-man/father-figure Hechy, as the dismayed Angie tries to separate them. Behind them, another ceremony, performed by a hippie "minister" named Geronimo (Tom Law, brother of John Phillip Law), using the Skipper's Death of God book, joins "this brother and this sister" (Stash and Darlene) "in holy union". The scene cuts to a medium shot, in calm waters, of a small sailboat, with sails decorated in large psychedelic designs of the words "LOVE" and "PEACE", holding two occupants — Fred the Professor and God, both dressed in Hare Krishna/transcendental meditation garb. As Nilsson's voice is heard singing "I Will Take You There", they smile beatifically while sharing a lit joint and, after taking a puff, God/Groucho murmurs, "...mmm, pumpkin".

At this point, before members of the theatrical audience can rise from their seats, the words "Stop!, we are not through yet, and before you skidoo, we'd like to introduce our cast and crew", spoken in Otto Preminger's familiar German-accented voice, are heard from the soundtrack. The entire credit sequence (all cast, crew, and copyright information) is then sung by Nilsson, with various asides ("and Luna as 'God's' Mistress, well you know-oh what I mean"... "arranged and conducted by George Tipton, a very good friend"... "Visual consultant and titles by Sandy Dvore and, what's more, they were executed by Pacific... ahem, how's your popcorn?, copyright em, see, em, el, ex, vee, eye, eye, eye [MCMLXVIII] by Sigma Productions Incorporated, your seat's on fire").

Cast[edit]

Production[edit]

Writer Paul Krassner published a story in the February 1981 issue of High Times magazine, relating how Groucho Marx "prepared" for his role in the LSD-related movie by taking a dose of the drug in Krassner's company, and had a moving, largely pleasant experience.[2] Most of the rest of the cast and crew, though, apparently had no familiarity with the drug; in a later interview, Nilsson recounted that he simply pretended to be drunk for his role (his own subsequent LSD experience inspired The Point!, a 1970 animated movie Nilsson wrote and scored).[3]

Pop culture buffs have noted that three cast members, Frank Gorshin (The Riddler), Burgess Meredith (The Penguin) and Cesar Romero (The Joker), played recurring villains in the 1966–68 Batman television series, which broadcast its final episode in March, nine months before Skidoo's release. The film's then-futuristic costume designer, Rudi Gernreich, also made an acting appearance on Batman and, in one 1966 two-part episode, Otto Preminger, himself, portrayed another of the show's recurring villains, Mr. Freeze (in the character's first appearance on the show, he was played by George Sanders and, when seen for the third time, by Eli Wallach).

After Preminger saw him perform with The Committee, an uncredited Rob Reiner was brought in to "write scenes for hippies".[4]

Release and reception[edit]

Critical reception[edit]

Skidoo was a notorious bomb, failing both with critics and at the box office.[citation needed] In the years since its release it has seen a rise in appreciation by film critics. In 1973 Jonathan Rosenbaum said he valued the film as an "endlessly fascinating aberration... [it] enlists a legion of Fifties TV corpses into an amalgamation of every conceivable Hollywood genre."[5] In his 2011 review of the DVD in his New York Times column, Dave Kehr framed the film as the product of Preminger being "politically aligned with the kids... but culturally bound to the grownups", which "allows his ambivalence to fester into an across-the-board caricature... The result is a finely controlled mess, one of the most uncomfortably evocative films of its time."[6]

Release[edit]

The movie received some belated attention in the late 1970s when it was screened at San Francisco's Roxie Cinema and in the 1980s when seen on cable TV. New York City's Museum of Modern Art periodically exhibits a 35mm print, and it also screened at the USA Film Festival in Dallas in 1997 and had a Los Angeles showing in 2007 at the American Cinematheque.

On January 4–5 and July 11–12, 2008, paired with another counterculture-themed feature, 1967's The Love-Ins, Skidoo was seen as an installment of Turner Classic Movies' Friday night–Saturday morning TCM Underground series. Each film features a brief appearance by then-famous/notorious chain-smoking, "tough-guy" syndicated TV talk show host Joe Pyne, who died of lung cancer in March 1970 at age 45.

As of 2011, the film is in rotation on Showtime. Olive Films released the film on DVD in its original aspect ratio on July 19, 2011.[7]

Soundtrack[edit]

A soundtrack album by Nilsson was issued, along with a single, "I Will Take You There", but neither became a hit. Although not a hit upon its original release, the soundtrack was lauded when it was reissued on compact disc in 2000 (in the UK) and 2003 (in the US).

See also[edit]

References[edit]

Notes

External links[edit]