Sky Masters

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Sky Masters of the Space Force was an American, syndicated newspaper comic strip created by writer Dave Wood and penciler Jack Kirby, featuring the adventures of an American astronaut.

Conception[edit]

Sky Masters of the Space Force began life as a science-fiction strip created by artist Jack Kirby and writer Dave Wood called Space Busters, which was designed to be sold to a newspaper syndicate This strip did not sell, however.[citation needed]

In 1958, Harry Elmlark, "an agent from the George Matthew Adams Service", asked DC Comics editor Jack Schiff for a science-fiction comic to be adapted into strip form, to capitalize on American interest in the Space race in the wake of the previous year's launch of Sputnik. Schiff rejected Space Busters and then either collaborated in the creation of a new strip, or simply encouraged Kirby and Wood to produce "a strip that dealt with rocket launchings, moon shots, and general story lines just a little ahead of current developments in the news."[1]

Creation and conflict[edit]

With art samples and story outline approved by Elmlark, Kirby penciled the strip, which was initially written by brothers Dick & Dave Wood and inked by the unrelated Wally Wood; at that same time, Dave Wood was also working with Kirby on the Showcase Comics issues of Kirby's "Challengers of the Unknown" feature for DC Comics, and Wally Wood would later ink issues #2-8 of Kirby's Challengers of the Unknown comic book series during the last half of 1958 and the first half of 1959. Later "Sky Masters" strips were written by Kirby, and inked by Dick Ayers, with the final month penciled and inked by Kirby alone.

Ayers described in participation in a 1996 interview:

"I also began [work on] Sky Masters, the newspaper strip. There is a lot of confusion on this; people think Wally Wood inked them all, because they're signed Kirby/Wood. But that was Dave Wood, the writer [who was unrelated to artist Wally Wood]. I began Sky Masters with the 36th Sunday page; Jack's pencils, my inks, in September of 1959. I ended the Sundays in January 1960. I also did the dailies for a period of [over] two years, from September of '59 to December of '61. These were complete inks; I was the only one doing it at the time. Of course, Wally Wood also worked on that strip, in the beginning, before me."[2]

Dave Wood promised Schiff "a percentage for arranging the deal," which Kirby allegedly assumed was a one-time payment but that Schiff understood to be on-going.[3] In Spring 1958, pre-publication, Kirby verbally agreed to pay Schiff an ongoing percentage, in large part to safeguard his (Kirby's) lucrative relationship with DC. But confusion over whether the percentage should come from gross or net income (and the apparent expectation that Kirby would personally cover the strip's production costs) strained the relationship between Kirby and Schiff. Kirby also butted heads with writer Dave Wood, requesting a higher percentage of the royalties, ostensibly to cover costs of paying Wally Wood for inking. When Kirby threatened to leave the strip, Schiff implied Kirby should ink himself, and noted that Wood required money to pay his brother, Dick, who was helping with the writing.[3]

On April 15, 1958, Schiff drew up a formal agreement documenting the royalty cuts between Kirby and Wood, and also Schiff himself (4%). By July, Schiff requested a higher percentage before the strip debuted on September 8, 1958 in "over three hundred newspapers."[3] With the arrival of the first royalty checks, the Wood brothers sent money to Schiff, but Kirby refused, leading to tension between himself and DC. In an attempt to defuse the situation, Kirby attempted to buy Schiff out of the contract, reiterating the feeling that Schiff was only due a onetime payment rather than an on-going percentage of the royalties.[3]

Legal challenge[edit]

Schiff refused the offer, and subsequently fired Kirby from Challengers of the Unknown, claiming that ideas from the Challengers story conferences were finding their way into Kirby's Sky Masters work. On December 11, 1958, Kirby discovered that Schiff was suing both he and the Woods for breach of contract, and counter-sued Schiff. Kirby claimed that Schiff was merely an editor who had "assigned him, the Wood brothers, and Eddie Herron freelance work," that Kirby and the Woods had visited Elmlark without Schiff, that Schiff was not involved in the agency agreement, but that he and the Woods had offered Schiff a gift. Kirby further alleged that Schiff had implied that not paying his demands would lead to Kirby losing work at DC.[3]

Sky Masters example, with each panel representing a level of the spaceship. It would have seen print horizontally. Published 01/30/59.

Schiff's lawyer Myron Shapiro questioned Kirby at trial, and confirmed that Schiff had not verbalised such threats. Jack Liebowitz (executive vice president and general manager of National/DC) testified on Schiff's behalf, and the signed agreement promising Schiff an on-going percentage led to Schiff being successful after a "very short trial at the supreme court in White Plains, New York". Kirby left then "market leader" DC, and returned to work for Atlas Comics, but continued to draw Sky Masters until early 1961.[3][4]

Episode guide[edit]

Daily stories

  • "First Man in Space"
  • "Sabotage"
  • "Mayday Shannon"
  • "The Lost Capsule"
  • "Alfie"
  • "Refugee"
  • "Wedding in Space"
  • "Message from Space"
  • "Weather Watchers"
  • "The Young Astronaut"

Sunday stories

  • "The Atom Horse"
  • "Project Darkside"
  • "Mister Lunivac"
  • "Jumbo Jones"
  • "The Yogi Spaceman"

Reprints[edit]

All the Sky Masters strips are reprinted in The Complete Sky Masters of the Space Force, Pure Imagination, 2000, ISBN #1-56685-009-6. Note that one daily does not appear in sequence, but does appear on the back cover of the book. The Sundays are in black and white.

The first eight Sundays were reprinted in color in an earlier Sky Masters book from Pure Imagination. The remaining Sundays were reprinted in color by Comics Revue magazine.

A 1980 collection published by Quality Comic Art Productions of Buffalo New York reprinted the beginning of the strip and, while smaller in format, often featured artwork less-modified by artists involved in the reprint production than the later Pure Imagination publications.

Footnotes[edit]

  1. ^ Schiff, quoted in: Ro, Ronin. Tales to Astonish: Jack Kirby, Stan Lee and the American Comic Book Revolution (Bloomsbury, 2004) page #?
  2. ^ "Dick Ayers Interview", p. 17. Reprinted The Collected Jack Kirby Collector Volume Three, p. 43
  3. ^ a b c d e f Ro, Ronin. Tales to Astonish: Jack Kirby, Stan Lee and the American Comic Book Revolution (Bloomsbury, 2004)
  4. ^ Simon, Joe, with Jim Simon. The Comic Book Makers (Crestwood/II, 1990) ISBN 1-887591-35-4; reissued (Vanguard Productions, 2003) ISBN 1-887591-35-4