The Smothers Brothers Comedy Hour

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The Smothers Brothers Comedy Hour
Tom Smothers Dick Smothers Smothers Brothers Comedy Hour 1968.JPG
Tom and Dick as Romans in a 1968 skit.
Genre Variety
Directed by Bill Davis
Stan Harris
Tim Kiley
Marty Pasetta
Starring Dick Smothers
Tom Smothers
Pat Paulsen
Peter Cullen
Narrated by Roger Carroll (announcer)
Theme music composer Mason Williams
Nancy Ames
Opening theme "The Brothers Theme"
Country of origin United States
Original language(s) English
No. of seasons 3
No. of episodes 71
Production
Executive producer(s) Ken Fritz
Producer(s) Allan Blye
Ernest Chambers
Saul Ilson
George Sunga
Camera setup Multi-camera
Running time 45–48 minutes
Production company(s) Comedic Productions, Inc.
Broadcast
Original channel CBS
Picture format Color
Audio format Monaural
Original run February 5, 1967 (1967-02-05) – June 8, 1969 (1969-06-08)
Chronology
Preceded by The Smothers Brothers Show (1965)
Followed by The Smothers Brothers Show (1975)

The Smothers Brothers Comedy Hour[1] is an American comedy and variety show television series hosted by the Smothers Brothers and initially airing on CBS from 1967 to 1969.

The series was a major success, especially considering it was scheduled against the major NBC television series, Bonanza, with content that appealed to contemporary youth viewership with daring political satire humor and major music acts like Buffalo Springfield, Pete Seeger and The Who. Despite this success, continual conflicts with network executives over content led to the show being abruptly pulled from the schedule in violation of the Smothers' contract in 1969.

History[edit]

The show started out as only a slightly "hip" version of the typical comedy-variety show of its era, but rapidly evolved into a show that extended the boundaries of what was considered permissible in television satire.[2][3] While the Smothers themselves were at the forefront of these efforts, credit also goes to the roster of writers and regular performers they brought to the show, including Jim Stafford (who served as their head writer and producer), Steve Martin, Don Novello ("Father Guido Sarducci"), Rob Reiner ("Mike Stivic"), Presidential candidate Pat Paulsen, Bob Einstein ("Super Dave Osborne", "Marty Funkhouser", and "Officer Judy"), Einstein's brother, Albert (who works professionally as Albert Brooks), and resident hippie Leigh French ("Share a Little Tea with Goldie"). The show also introduced audiences to pop singer Jennifer Warnes (originally billed as Jennifer Warren or simply Jennifer), who was a regular on the series. The television premiere of Mason Williams' hit record, Classical Gas, took place on the show, and Williams himself received an Emmy for his work as a staff writer.

Musical guests[edit]

The series showcased new musical artists that other comedy-variety shows rarely gave airtime to, due to the nature of their music or their political affiliations.[citation needed] George Harrison, Joan Baez, Buffalo Springfield, Cass Elliot, Harry Belafonte, Cream, Donovan, The Doors, Janis Ian, Yank Barry, Jefferson Airplane, Peter, Paul and Mary, Spanky and Our Gang, Steppenwolf, The Who, Simon and Garfunkel, Ray Charles, The Hello People and Pete Seeger were showcased during the latter years of the show despite the advertiser-sensitive nature of their music.

Seeger's appearance on the Season 2 premiere which aired on September 10, 1967 was his first on network commercial television in 17 years since being blacklisted in 1950. His performance of "Waist Deep in the Big Muddy" was dropped from the broadcast after his refusal to comply with CBS's request to remove the sixth verse. The song, its story related to the present by the controversial stanza,[4] was a metaphor for President Lyndon B. Johnson and his Vietnam War policy.[5] Seeger was eventually allowed to reappear on the show to perform the song again on Episode 24 later that season.

In 1968, the show broadcast several promotional videos (later known as "music videos") for The Beatles' songs "Hey Jude" and "Revolution". Before a rowdy crowd at the Los Angeles Forum, Jimi Hendrix dedicated "I Don't Live Today" to the Smothers Brothers, as heard on The Jimi Hendrix Box Set.

Controversies and cancellation[edit]

With the focus of the show having evolved towards a more youth-oriented one,[citation needed] the show became both popular and controversial for those same references to youth culture and the issues that both interested and affected this particular target audience. Three specific targets of satire — racism, the President of the United States, and the Vietnam War — would wind up defining the show's content for the remainder of its run, and eventually lead to its demise.[6]

Whereas most older audiences were tuning into shows like the western Bonanza, the younger generation — ages 15–25 — were watching the Smothers' more socially relevant humor.

The Brothers soon found themselves in regular conflicts with CBS' network censors. At the start of the 1968/69 season, the network ordered that the Smothers deliver their shows finished and ready to air ten days before airdate so that the censors could edit the shows as necessary. In the season premiere, CBS deleted the entire segment of Belafonte singing "Lord, Don't Stop the Carnival" against a backdrop of the havoc during the 1968 Democratic National Convention, along with two lines from a satire of their main competitor, Bonanza. As the year progressed, battles over content continued, including a David Steinberg sermon about Moses and the Burning Bush.

With some local stations making their own deletions of controversial skits or comments, the continuing problems over the show reached a boiling point after CBS showed a rerun on March 9, 1969. The network explained the decision by stating that because that week's episode did not arrive in time to be previewed, it would not be shown. In that program, Joan Baez paid tribute to her then-husband–David Harris–who was entering jail after refusing military service, while comedian Jackie Mason made a joke about children "playing doctor." When the show finally did air, two months later, the network allowed Baez to state that her husband was in prison, but edited out the reason.

Despite the conflict, the show was picked up for the 1969-70 season on March 14, seemingly ending the debate over the show's status. However, network CEO and President, William S. Paley, abruptly canceled the show on April 4, 1969. The reason given by CBS was based on the Smothers' refusal to meet the pre-air delivery dates as specified by the network in order to accommodate review by the local affiliates before airing. This cancellation led the Brothers to file a breach of contract suit against the network. On April 6, 1973, the Federal court ruled in favor of the Smothers and ordered CBS to pay them $766,000. The suit, however, failed to see the Brothers or their show returned to the air.[5]

Despite this cancellation, the show won the Emmy Award that year for best writing.

The saga of the cancellation of the show is the subject of a 2002 documentary film, Smothered.[7]

Revival[edit]

The Smothers Brothers Comedy Hour was revived for the 1988–1989 television season, which included the return of cast regular Pat Paulsen as well as new, aspiring performers. The revival lasted one season.[8] The revived Smothers Brothers Comedy Hour began production during a 1988 Writers Guild of America strike, resulting in the brothers being allowed to perform their own material.

In 1993, the series was repackaged for broadcast on the E! Network featuring introductions by the Smothers Brothers and new interview footage by participants in the original series.[9]

References[edit]

Further reading[edit]

External links[edit]