Snowflakes Are Dancing

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Snowflakes Are Dancing
Studio album by Isao Tomita
Released April 12, 1974
Recorded 1974
Genre Ambient, avant-garde, classical, electronic, proto-synthpop
Length 41:33 (51:51 in the 2000 CD release)
Label RCA Red Seal Records
Producer Plasma Music

Snowflakes Are Dancing is an electronic music album by Isao Tomita, recorded in 1974 and first released as a Quadradisc in April of that year.[1] The album consists entirely of Tomita's arrangements of Claude Debussy's "tone paintings", performed by Tomita on a Moog synthesizer. It entered the top 50 charts in the United States, where it was nominated for four Grammy Awards in 1975, including best classical album of the year, and it was NARM's best-selling classical album of the year.[1][2]


The use of the term tone paintings here describes the nature of a large portion of Debussy's work which was concerned with mood and colour, eschewing traditional tonality in favour of constructions such as the full-tonal scale, parallel chords, bitonality, and to a certain extent atonality, in order to achieve a greater degree of musical expression not allowed by strict adherence to a single key. Thus, the term tone painting is quite appropriate, in that Debussy's compositions often experimented with a much broader palette of tones, allowing each to behave similar to a colour within an illustration. Considered by Space Music fans as the Ultimate Space Music Experience.[citation needed] The track "Arabesque No. 1" was used from 1976 to 2011 as the theme music for the PBS astronomy-based program Jack Horkheimer: Star Hustler; its use as the theme was discontinued when the show was revamped as Star Gazers. In Japan during the late '70s, parts of the track "Reverie" were used for the opening and closing of Fuji TV's transmissions.

The album is considered an early example of proto-synthesizer-pop.[3] It sparked a "revolution in synthesizer programming" which it was responsible for taking to new heights. The album's contributions to electronic music included an ambience resembling a symphony orchestra, the use of reverberation, the use of phasing and flanging to create a spatial audio effect with stereo speakers, electronic surround sound using four speakers, realistic string simulations, portamento whistles, and abstract bell-like sounds created using ring modulation.[4] A particularly significant achievement was its polyphonic sound, which was created without the use of any polyphonic synthesizers (which were not yet commercially released). Tomita created the album's polyphonic sounds by recording selections one part at a time, taking 14 months to produce the album.[5] The modular human whistle sounds used would also be copied in the presets of later electronic instruments.[6]

Track listing[edit]

Side A[edit]

  1. "Snowflakes Are Dancing" – 2:10
  2. "Reverie" – 4:44
  3. "Gardens in the Rain" – 3:41
  4. "Clair de lune" – 5:48
  5. "Arabesque No. 1" – 3:57

Side B[edit]

  1. "The Engulfed Cathedral" – 6:18
  2. "Passepied" – 3:17
  3. "The Girl with the Flaxen Hair" – 3:25
  4. "Golliwog's Cakewalk" – 2:50
  5. "Footprints in the Snow" – 4:30

Bonus track (2000 CD release)[edit]

11. "Prelude to the Afternoon of a Faun" – 10:18 (from the 1975 album Firebird)

At least two of these titles are slightly wrong; the title track appears to be a mistranslation back into English of an other-language (probably Japanese) version of Debussy's original title (The Snow Is Dancing, French: "La Neige Danse"), whereas "Golliwog's Cakewalk" contains the common misspelling of the name Golliwogg. (However, the MP3 download from Amazon has the correct spelling of the latter.)

Recording Information[edit]

The back of the album sleeve displays a complete list of the recording hardware that Tomita used in the creation of this album, including:

  • Moog synthesizer
    • One 914 extended range fixed filter bank
    • Two 904-A voltage-controlled low-pass filters
    • One 904-B voltage-controlled high-pass filter
    • One 904-C filter coupler
    • One 901 Voltage-controlled oscillator
    • Three 901-A oscillator controllers
    • Nine 901-B oscillators
    • Four 911 envelope generators
    • One 911-A dual-trigger delay
    • Five 902 voltage-controlled amplifiers
    • One 912 envelope follower
    • One 984 four-channel mixer
    • One 960 sequential controller
    • Two 961 interfaces
    • One 962 sequential switch
    • Two 950 keyboard controllers
    • One 6401 Bode ring modulator
  • Tape recorders
    • One Ampex MM-1100 16-track
    • One Ampex AG-440 4-track
    • One Sony TC-9040 4-track
    • One Teac A-3340S 4-track
    • One Teac 7030GSL 2-track
  • Mixers
    • Two Sony MX-16 8-channel mixers
    • Two Sony MX-12 6-channel mixers

External links[edit]


  1. ^ a b Billboard magazine, August 16, 1975, p.41.
  2. ^ "Isao Tomita". Billboard. Retrieved 2011-05-28. 
  3. ^ "Snowflakes Are Dancing". Billboard. Retrieved 2011-05-28. 
  4. ^ Mark Jenkins (2007), Analog synthesizers: from the legacy of Moog to software synthesis, Elsevier, pp. 133–4, ISBN 0-240-52072-6, retrieved 2011-05-27 
  5. ^ Musician, player and listener, Issue 8, Amordian Press, 1977, p. 40, retrieved 2011-05-28 
  6. ^ Mark Jenkins (2007), Analog synthesizers: from the legacy of Moog to software synthesis, Elsevier, p. 192, ISBN 0-240-52072-6, retrieved 2011-05-27