Society of Antiquaries of London
The official logo of the Society of Antiquaries of London (registered charity 207237).
|Formation||1707, Royal Charter 1751|
|Purpose||Historical & Archaeological|
|Location||London, Burlington House|
|Membership||3,000 (approx.) elected fellows|
|Research & publications, lectures & events, grant-giving, heritage conservation, and exhibitions|
|Research library, paintings, artefacts|
|John Lewis, FSA|
|Prof. Maurice Howard, FSA|
|Affiliations||Custodians of Kelmscott Manor|
The Society of Antiquaries of London (SAL) is a learned society "charged by its Royal Charter of 1751 with 'the encouragement, advancement and furtherance of the study and knowledge of the antiquities and history of this and other countries'." It is based at Burlington House, Piccadilly, London (a building owned by the UK government), and is a registered charity.
Members of the Society are known as Fellows and are entitled to use the post-nominal letters FSA after their names. Fellows are elected by existing members of the Society, and to be elected persons shall be 'excelling in the knowledge of the antiquities and history of this and other nations' and be 'desirous to promote the honour, business and emoluments of the Society'.
The Society retains a highly selective election procedure, in comparison with many other learned societies. Nominations for Fellowship can only come from existing Fellows of the Society, and must be signed by at least five and up to twelve existing Fellows, certifying that, from their personal knowledge, the candidate would make a worthy Fellow. Elections then occur by anonymous ballot, and a candidate must achieve a ratio of four ‘yes' votes for every ‘no' vote cast by Fellows participating in the ballot to be elected as a Fellow.
Fellowship is thus regarded as recognition of significant achievement in the fields of archaeology, antiquities, history and heritage.
The Society has grown to more than 2,900 Fellows.
History and antecedents
The first informal meeting of the modern Society of Antiquaries occurred at the Bear Tavern on The Strand on 5 December 1707. This early group, conceived by John Talman, John Bagford and Humfrey Wanley, sought a charter from Queen Anne for the study of British antiquities; its projected ventures included a series of 35 books to be issued. The proposal for the society was to be advanced by Robert Harley, Earl of Oxford, but his dismissal from government caused it to become idle.
The formalisation of proceedings occurred in 1717, the first minutes at the Mitre Tavern, Fleet Street, are dated 1 January 1718. Those attending these meetings examined objects, gave talks and discussed theories of historical sites. Reports on the dilapidation of significant buildings were also produced. The society was also concerned with the topics of heraldry, genealogy and historical documents.
They had begun to gather large collections of manuscripts, paintings and artefacts, housing such gifts and bequests while a proper institution for them did not exist. The acquisition of a large group of important paintings in 1828 preceded the establishment of the National Portrait Gallery, London by some 30 years. A gift of Thomas Kenwich, which included portraits of Edward IV, Mary Tudor and two of Richard III, reveal anti-Tudor bias in their later portrayal.
In 2007, the Society celebrated its Tercentenary with an exhibition at the Royal Academy named Making History: Antiquaries in Britain 1707-2007. The tercentennial year recognises the first, less formal meetings.
The Society's Library is the major archaeological research library in the UK. Having acquired material since the early 18th century, the Library's present holdings number more than 100,000 books and around 800 currently received periodical titles. The catalogue include rare drawings and manuscripts, such as the inventory of all Henry VIII's possessions at the time of his death.
As the oldest archaeological library in the country, the Library holds an outstanding collection of British county histories, a fine collection of 18th- and 19th-century books on the antiquities of Britain and other countries and an exceptionally wide-ranging collection of periodical titles (British and foreign) with runs dating back to the early to mid-19th century.
The Society publishes Archaeologia and Antiquaries Journal "international journals of record". The Antiquaries Journal (1921 to present), is known as Proceedings of the Society of Antiquaries of London. The Society also publishes a fortnightly online newsletter called Salon (Society of Antiquaries Online Newsletter).
Early publications included the talks given at the meetings, and engraved views and reproductions; these were issued to members as single issues and were collected for the volumes of series Vetusta Monumenta from 1718. These volumes were published until 1906, giving an encyclopaedic arrangement of exquisitely engraved views and details to accompany the descriptions.
An engraver was employed by the society since its inception—the earliest were George Vertue, James Basire and successors—labouring to produce the copperplate used in the printing of the folio editions. The prints were often large and appealing, and were intended to satisfy popular demand for archæological subject matter; their quasi-scientific illustrations were often inset with multiple viewpoints of architectural details. A fellow of the society, Richard Gough (director 1771 to 1791), sought to expand and improve publication of the society's research, motivated by the steady dilapidation of examples of Gothic architecture.
A later series of oversize issues was used to accommodate the format of some historical works, which the Society had commissioned to be reproduced by Edward Edwards and Samuel Hieronymus Grimm in water-colour in 1771; the first issues of these were mostly done by Basire. The first of these with a reproduction of a 16th-century oil painting of the historic scene at the Field of the Cloth of Gold. The paper for this series required a larger size than was available, the manufacturer James Whatman was instructed to create a sheet 31 in × 53 in (790 mm × 1,350 mm); the name given to this format is 'Antiquarian'. The engraving of the plate, measuring 4 ft 1 in (1.24 m) by 2 ft 3 in (0.69 m), required two years to complete. The standard printing for this series was 400 prints; the plates were carefully stored by the society and used occasionally to fulfil later requests; only three of the seven plates still exist.
The Society of Antiquaries has two societies to which Fellows may belong. The older of these is the Cocked Hat Club (founded 1852), and the younger (founded 1907) the Essay Club. The two clubs are rivals of sorts. Bernard Nurse noted that, "the Essay Club does not go in for the strange rituals that still persist in the Cocked Hats".
The Cocked Hat Club was thus named because a cocked hat is placed before the President during meetings. The Club's first meeting was held on 3 January 1852 at the house of W. R. Drake. The Club then met at the Albion, Drury Lane, until 1885, thereafter at the Holborn Restaurant.
The Essay Club got its name from the initial letters "SA" for "Society of Antiquaries".
List of Presidents
- 1707–1710, 1717–1724: Peter Le Neve, Norroy King of Arms
- 1724–1750: Algernon Seymour, Earl of Hertford, afterwards 7th Duke of Somerset
- 1750: Charles Lennox, 2nd Duke of Richmond
- 1750–1754: Martin Folkes
- 1754–1765: Hugh Willoughby, 15th Baron Willoughby of Parham
- 1765–1768: Charles Lyttelton, Bishop of Carlisle, formerly Dean of Exeter
- 1768–1784: Jeremiah Milles, Dean of Exeter
- 1784-1785: Edward King
- 1785–1811: George Townshend, Earl of Leicester, afterwards 2nd Marquess Townshend
- 1811–1812: Sir Henry Englefield
- 1812–1846: George Hamilton-Gordon, 4th Earl of Aberdeen
- 1846–1875: Philip Stanhope, Viscount Mahon, afterwards 5th Earl Stanhope
- 1876–1878: Frederic Ouvry
- 1878–1885: Henry Herbert, 4th Earl of Carnarvon
- 1885–1892: Sir John Evans
- 1892–1897: Sir Augustus Wollaston Franks
- 1897–1904: Harold Dillon, 17th Viscount Dillon
- 1904–1908: John Lubbock, 1st Baron Avebury
- 1908–1914, 1919–1924: Sir Charles Hercules Read
- 1914–1919: Sir Arthur Evans
- 1924–1929: David Lindsay, 27th Earl of Crawford
- 1929–1934: Sir Charles Reed Peers
- 1934–1939: Sir Frederic Kenyon
- 1939–1944: Sir Alfred Clapham
- 1944–1949: Sir Cyril Fox
- 1949–1954: Sir James Mann
- 1954–1959: Sir Mortimer Wheeler
- 1959–1964: Dame Joan Evans
- 1964–1965: Professor Sir Ian Richmond
- 1965–1970: Francis Wormald
- 1970–1975: J.N.L. Myres
- 1975–1978: Arnold Taylor
- 1978–1981: Richard Dufty
- 1981–1984: Christopher Brooke
- 1984–1987: John Davies Evans
- 1987–1991: Michael Robbins
- 1991–1995: Professor Sir Barry Cunliffe
- 1995–2001: Simon Jervis
- 2001–2004: Professor Rosemary Cramp
- 2004–2007: Eric Fernie
- 2007–2010: Geoffrey Wainwright
- 2010–2014: Professor Maurice Howard
- 2014-present: Gill Andrews
- About the Society of Antiquaries, Society of Antiquaries of London
- Society of Antiquaries of London, Registered Charity no. 207237 at the Charity Commission
- "Society of Antiquaries of London - Fellowship". Retrieved 29 July 2012.
- Harris, Greg. "Founding the Society of Antiquaries". Making History: Antiquaries in Britain, 1707–2007 (abridged) An Introduction. Royal Academy of Arts. Retrieved 2 December 2010.
- Sweet, Rosemary (2004). Antiquaries: The Discovery of the Past in Eighteenth-Century Britain. London: Cambridge University Press. p. 84. ISBN 1-85285-309-3.
- Nurse, Bernard (Librarian, RSA). "The Embarkation of Henry VIII at Dover 1520". alecto historical editions. United Kingdom. Retrieved 23 November 2010.
- "Ayloffe, Joseph". Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.
- The Tercentenary was also marked by two substantial publications: Pearce 2007, a collection of seventeen scholarly essays on the parallel themes of the history of the Society itself, and changing interpretations of the material relics of the past over the three centuries of its existence; and the illustrated catalogue of the exhibition (which included fifteen shorter thematic essays by various expert contributors), Gaimster, David; McCarthy, Sarah; Nurse, Bernard, eds. (2007). Making History: Antiquaries in Britain, 1707–2007. London: Royal Academy of Arts. ISBN 978-1-905711-03-1..
- Willetts 2000.
- 'The Holbein Gate and the Tiltyard Gallery', Survey of London: volume 14: St Margaret, Westminster, part III: Whitehall II (1931), pp. 10-22. Date accessed: 24 November 2010.
- "Society of Antiquaries of London - Library". Retrieved 29 July 2012.
- SAL staff. "About the Society of Antiquaries". Society of Antiquaries of London. Retrieved September 2011.
- SALON - the Society of Antiquaries of London Online Newsletter
- 'An Aspect of the Early Gothic Revival: The Transformation of Medievalist Research, 1770-1800' John Frew Journal of the Warburg and Courtauld Institutes Vol. 43, (1980), pp. 174-185' (abstract)
- SALON - the Society of Antiquaries of London Online Newsletter, ed. Christopher Catling, issue 212 (4 May 2009).
- E. Cobham Brewer, Dictionary of Phrase and Fable (1898)
- Evans 1956, pp. 265–6.
- The First Fifty Years of the Cocked Hat Club, 1852-1901 (Epsom: Dorling, 1901; reprint edn. 1928).
- Evans 1956, p. 350.
- Kendrick, T.D.; Mann, J.G. (1945). The Presidents of the Society of Antiquaries of London: with biographical notes. Society of Antiquaries Occasional Papers 2. London: Society of Antiquaries.
- Evans 1956, passim.
- Pearce 2007, pp. 384–92.
- Evans, Joan (1956). A History of the Society of Antiquaries. London: Society of Antiquaries.
- Pearce, Susan, ed. (2007). Visions of Antiquity: the Society of Antiquaries of London 1707-2007. London: Society of Antiquaries.
- Thompson, F.H. (1981). "The Society of Antiquaries of London: Its History and Activities". Proceedings of the Massachusetts Historical Society. 3rd 93: 1–16.
- Willetts, Pamela J. (2000). Catalogue of Manuscripts in the Society of Antiquaries of London. Woodbridge: Society of Antiquaries. ISBN 0859915794.