Something Wild (1961 film)
Original poster art
|Directed by||Jack Garfein|
|Produced by||George Justin|
|Written by||Jack Garfein
Alex Karmel (also novel, "Mary Ann" )
|Music by||Aaron Copland|
|Edited by||Carl Lerner|
|Distributed by||United Artists|
|Release dates||December 23, 1961|
|Running time||112 minutes|
Something Wild is a 1961 independent drama film directed by Jack Garfein and starring Carroll Baker, Ralph Meeker and Mildred Dunnock. The film follows a young New York City college student (Baker) who, after being brutally raped, is taken in and held captive by a mechanic (Meeker) who witnessed her suicide attempt on the Manhattan Bridge.
Adapted from the novel Mary Ann by Alex Karmel, the film violated a number of Hollywood conventions and taboos by showing an on-screen rape and brief nudity. The film featured a musical score by Aaron Copland and was filmed on location in New York City, which was rare at the time. Director Jack Garfein was married to Carroll Baker when the movie was filmed. The director of photography, Eugen Schüfftan, was a noted German cinematographer and inventor of the Schüfftan process, who won the Academy Award for Best Cinematography the following year for The Hustler.
Referred to as "a lost indie classic", the film was screened at the IFC Center in New York in 2007, and was released on DVD by MGM through their limited edition series in December 2011 in celebration of the film's 50th anniversary.
Mary Ann Robinson, a teenage girl attending college in New York City, is brutally raped while walking in a park.
Traumatized by the experience, Mary Ann washes away all the evidence and destroys her clothing. She hides the rape from her mother and stepfather, with whom she has a distant relationship.
Mary Ann tries to continue living her normal life, unsuccessfully. She takes the subway to school and faints during the crush of people. That results in the police taking her home, which upsets her prim and unsympathetic mother, played by Mildred Dunnock.
The rape continues to haunt Mary Ann. She leaves school abruptly and walks downtown, through Harlem and Times Square, down to the Lower East Side. She rents a room from a sinister landlord (Martin Kosleck), who overcharges her.
She takes a job at a five-and-dime store and her coworkers dislike her because she is distant and unfriendly. Her crude, promiscuous neighbor at the rooming house (Jean Stapleton) is rebuffed when she offers to "introduce" Mary to her male friends.
At the end of her tether, Mary Ann walks across the Manhattan Bridge and almost jumps in the East River when she is stopped by a mechanic, Mike (Ralph Meeker). At first he seems to be a knight in shining armor. She decides to stay with him. But that night he comes home drunk, tries to attack her, and Mary Ann kicks him in the eye. The following morning he has no recollection of that, but his eye is badly hurt and has to be removed.
Mike now says that he wants Mary Ann to stay there, saying "I like the way you look here." She wants to leave but he refuses to let her go. He holds her captive in the apartment for months, even though she refuses to have anything to do with him.
One night Mike proposes to Mary Ann and when she rejects him, again tries to approach her. Mary Ann reveals to Mike that it was she who blinded him in one eye. Mike still insists he needs her. Soon Mary Ann finds that Mike has left the door unlocked and leaves, walking through the city and sleeping in Central Park. Her mood greatly improves, and she sees how wonderful life is. She returns to the apartment and decides to stay with Mike. She marries him, becomes pregnant, and convinces her mother that she is not returning home.
- Carroll Baker as Mary Ann Robinson
- Ralph Meeker as Mike
- Mildred Dunnock as Mrs. Gates
- Jean Stapleton as Shirley Johnson
- Doris Roberts as Mary Ann's co-worker
- Clifton James as Detective Bogart
- George L. Smith as Store Manager
The score for the 1961 film was by the distinguished American composer Aaron Copland, who in 1964 re-used some of its themes in his symphonic work "Music For a Great City." The original film score, taken from private session recordings preserved by the director, was released on CD in 2003.
Originally, Morton Feldman was commissioned to compose the score for the film, but when the director heard the music, he promptly withdrew his commission, opting to enlist Aaron Copland instead. The reaction of the baffled director was said to be, "My wife is being raped and you write celesta music?"
The opening title sequence was an early live action title sequence created by Saul Bass.
The movie received an uneven critical response. Jonas Mekas wrote in Film Quarterly that the film was the "most interesting American film of the quarter; it may become the most underestimated film of the year."
However, New York Times critic Bosley Crowther said that it was "quite exhausting to sit through that ordeal in the apartment." and that "it is not too satisfying, because it isn't quite credible and the symbolic meaning (if there is one) is beyond our grasp."
The movie was not a commercial success, and was Jack Garfein's final project as a movie director.
- Wilson, Peter Niklas, Canvasses and time canvasses: Comments on Morton Feldman's film music, retrieved July 17, 2012