Something the Lord Made
|Something the Lord Made|
|Directed by||Joseph Sargent|
|Produced by||Robert W. Cort
|Written by||Peter Silverman
Mary Stuart Masterson
|Release date||May 30, 2004|
Something the Lord Made is a film about the black cardiac pioneer Vivien Thomas and his complex and volatile partnership with white surgeon Alfred Blalock, the world famous "Blue Baby doctor" who pioneered modern heart surgery. Based on the National Magazine Award-winning Washingtonian magazine article "Like Something the Lord Made" by Katie McCabe, the film was directed by Joseph Sargent and written by Peter Silverman and Robert Caswell.
Something the Lord Made tells the story of the 34-year partnership that begins in Depression Era Nashville in 1930 when Blalock (Alan Rickman) hires Thomas (Mos Def) as an assistant in his Vanderbilt University lab, expecting him to perform janitorial work. But Thomas' remarkable manual dexterity and intellectual acumen confound Blalock's expectations, and Thomas rapidly becomes indispensable as a research partner to Blalock in his forays into heart surgery.
The film traces the two men's work when they move in 1941 from Vanderbilt to Johns Hopkins, an institution where the only black employees are janitors and where Thomas must enter by the back door. Together, they attack the heart problem of Tetralogy of Fallot, also known as Blue Baby Syndrome, and in so doing they open the field of heart surgery.
Helen Taussig (Mary Stuart Masterson), the pediatrician/cardiologist at Johns Hopkins, challenges Blalock to come up with a surgical solution for her Blue Babies. She needs a new ductus for them to oxygenate their blood.
The film dramatizes Blalock's and Thomas' fight to save the dying Blue Babies. Blalock praises Thomas' surgical skill as being "like something the Lord made" and insists that Thomas coach him through the first Blue Baby surgery over the protests of Hopkins administrators. Yet outside the lab, they are separated by the prevailing racism of the time. Thomas attends Blalock's parties as a bartender, moonlighting for extra income, and when Blalock is honored for the Blue Baby work at the segregated Belvedere Hotel, Thomas is not among the invited guests. Instead, he watches from behind a potted palm at the rear of the ballroom.
After Blalock's death, Thomas continued his work at Johns Hopkins training surgeons. At the end of the film, in a formal ceremony, Hopkins recognized Thomas' work and awarded him an honorary doctorate. A portrait of Thomas was placed on the walls of Johns Hopkins next to Blalock's portrait, which had been hung there years earlier.
- Alan Rickman as Dr. Alfred Blalock
- Mos Def as Vivien Thomas
- Kyra Sedgwick as Mary Blalock
- Gabrielle Union as Clara Thomas
- Merritt Wever as Mrs. Saxon
- Clayton LeBouef as Harold Thomas
- Charles S. Dutton as William Thomas
- Mary Stuart Masterson as Helen Taussig
A man who in life avoided the limelight, Thomas remained virtually unknown outside the circle of Hopkins surgeons he trained. Thomas' story was first brought to public attention by Washington writer Katie McCabe, who learned of his work with Blalock on the day of his death in a 1985 interview with a prominent Washington, D.C. surgeon who described Thomas as "an absolute legend." McCabe's 1989 Washingtonian magazine article on Thomas, "Like Something the Lord Made", generated widespread interest in the story and inspired the making of a 2003 public television documentary on Thomas and Blalock, "Partners of the Heart." A Washington, D.C. dentist, Dr. Irving Sorkin, discovered McCabe's article and brought it to Hollywood, where it was developed into the film.
The film was nominated for nine Emmy Awards (including acting nominations for both principals) and won three, for Best Made for Television Movie, Best Cinematography (Don Morgan) and Best Picture Editing (Michael Brown). It also received two Golden Globe nominations, Black Reel Awards for Best Film and Best Supporting Actor (Clayton LeBouef, in the role of Thomas' activist brother Harold), an NAACP Image Award, a Directors Guild of America Award for Sargent, and a Writers Guild of America Award for Silverman and Caswell. The American Film Institute, which named Something the Lord Made the Best Television Movie of the Year for 2004, called it "a revelation...a bittersweet story [that] is an important tool for America as it continues to search for a public vocabulary to discuss issues of race."