Sometimes You Hear the Bullet
|"Sometimes You Hear the Bullet"|
|Episode no.||Season 1
|Directed by||William Wiard|
|Written by||Carl Kleinschmitt|
|Original air date||January 28, 1973|
|List of M*A*S*H episodes|
"Sometimes You Hear the Bullet" is episode #17 of the first season of the TV series M*A*S*H, originally airing on January 28, 1973. This is the first episode in which the medical staff failed to save a wounded soldier, and one of the first episodes of the series showing a member of the hospital staff truly affected by death.
Hawkeye's old friend Tommy appears at the 4077th. He is a soldier working on a book about life on the front lines called "You Never Hear the Bullet." The book is intended to show how death in battle can be sudden and not surrounded by any prior drama, as it often is in the movies. Later in the episode, Tommy himself shows up as a casualty on the operating table, having been shot by the enemy on the front lines. Just before being anesthetized, he weakly tells Hawkeye that he in fact had heard a bullet ricochet just before being hit, just like in the movies. Hawkeye, close to tears, suggests that "Sometimes You Hear the Bullet" is a better title anyway. Tommy dies moments later.
Later we see Hawkeye crying and Lt. Col. Blake trying to console him.
In the same episode, a young soldier (played by Ron Howard) has a dangerous reaction to a blood transfusion because his dog tags show the wrong blood type. It is discovered he is using his brother's ID and is underage. He has come to Korea in order to impress his girlfriend. Hawkeye first gives the young soldier some sage advice about women and then essentially lets him decide for himself whether he wants to go back to the States or stay in Korea. After losing Tommy, however, Hawkeye immediately reports the young soldier to the MPs, sending him back to America and to safety—with the Purple Heart Frank Burns put in for after his back pain.
This episode contains the strongest antiwar message in the first season of M*A*S*H. Although network bosses discouraged the show's writers and producers from creating episodes with controversial content, this episode, combining drama and comedy, was well received. Alan Alda cited "Sometimes You Hear the Bullet" as an example of the sort of television he wanted to do, mixing dark and light, and Larry Linville called it the finest example of what the show could accomplish. The script for this episode was nominated for a Writers Guild Award.
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