Sonia Dawn Boyce, MBE (born in London in 1962), is a British Afro-Caribbean artist and Professor of Fine Art, living and working in London at Middlesex University. She studied at Stourbridge College in the West Midlands. She works across a range of media including photography, installation and text. She came to prominence as part of the Black British cultural renaissance of the 1980s. Her work also references feminism. Ron Exley (2001) has written, "The effect of her work has been to re-orientate and re-negotiate the position of Black or Afro-Caribbean art within the cultural mainstream."
An early exhibition was in 1983 at Africa Centre London entitled "Five Black Women". Boyce's early works were large chalk-and-pastel drawings depicting friends, family and childhood experiences. In them she often included depictions of wallpaper patterns and bright colours associated with the Caribbean and experienced through her own particular background. It has been suggested that through this work the artist examined her position as a black woman in Britain and the historical events in which that experience was rooted.
In her later works Boyce used diverse media including digital photography to produce composite images depicting contemporary black life. Although her focus is seen to have shifted away from specific ethnic experiences, her themes continue to be the experiences of a black woman living in a white society, and how religion, politics and sexual politics made up that experience.
She has taught widely and uses workshops as part of her creative process, and her works can be seen in many national collections.
- 1996–2002, as a Post-Doctoral Fellow at the University of East London
- Director of AAVAA (the African and Asian Visual Artists Archive), managing a Research Centre on the work of contemporary artists of African and Asian descent working in the UK.
- 2004–2005 NESTA (National Endowment for Science, Technology and the Arts) Artist Fellow, researching the social dynamics of collaboration in art.
- 2008–2011 AHRC Research Fellowship on the ephemeral nature of collaborative practice in art at the Centre for Drawing, Wimbledon College of Art and Design, University of the Arts London, with a concluding project The Future is Social.
- "Century City: art and culture in the modern metropolis", Tate Modern, London (2001)
- "Recent Sonia Boyce: la, la, la", Reed College, Portland – Oregon (2001)
- "Sharjah International Bienal 7", Sharjah (2005)
- "Devotional", National Portrait Gallery, London (2007)
- "For you, only you" (ed. Paul Bonaventura, Ruskin School of Drawing & Fine Art, Oxford University and tour, 2007/2008)
- "Crop Over", Harewood House, Leeds and Barbados Museum & Historical Society (2007/2008)
- "Like Love – Part One", Spike Island, Bristol and tour (2009–2010)"Part 2 and Part 3" (2009–2010)
- "Praxis: Art in Times of Uncertainty", Thessaloniki Biennal 2, Greece (2009)
- "Afro Modern: Journeys through the Black Atlantic", Tate Liverpool and tour (2010)
- "Black Sound White Cube", Kunstquartier Bethanien, Berlin (2011)
- "8+8 Contemporary International Video Art", 53 Museum, Quangzhou (2011); "The Impossible Community", Moscow Museum of Modern Art (2011);
- "Migrations: Journeys into British Art", Tate Britain (2012)
- "There is no archive in which nothing gets lost", Museum of Fine Art Houston (2012)
- "Keywords", Rivington Place, London (2013).
- Sonia Boyce: Speaking in Tongues (Gilane Tawadros, Kala Press, 1997)
- Annotations 2/Sonia Boyce: Performance (ed. Mark Crinson, Iniva – the Institute of International Visual Arts, 1998)
- In 2007, Boyce, David A. Bailey and Ian Baucom jointly received the History of British Art Book Prize (USA) for the edited volume Shades of Black: Assembling Black Art in 1980s Britain, published by Duke University Press in collaboration with Iniva and AAVAA.
- Like Love (Sonia Boyce, published by The Green Box, 2010)
- InIVA on Sonia Boyce
- National Portrait Gallery
- "Sonia Boyce" by Roy Ixley (artist's stories)
- Sue Hubbard, "Sonia Boyce at The Agency" (review), The Independent, 6 December 2004.
- Gilane Tawadros, Sonia Boyce: Speaking in Tongues. Kala Press, 1997.
- Sonia Boyce "Artist biography", Tate online.
- Sonia Boyce (exhibition catalogue, intro P. Ntuli; London, Air Gallery, 1987) [texts by Boyce]
- The Impossible Self (exhibition catalogue by B. Ferguson, S. Nairne, S. Boyce and others, Winnipeg, A.G., 1988)
- M. Corris: "Sonia Boyce at Vanessa Devereux Gallery", Artforum, xxx (1992), p. 124
- G. Tawadros, Sonia Boyce: Speaking in Tongues (London, 1997)
- Recent Sonia Boyce: La, La, La (exhibition catalogue by S. Fillin-Yeh and M. Verhagen; Portland, OR, Reed Coll, Cooley A.G.; 2001)
- David A. Bailey, Kobena Mercer, Catherine Ugwu (eds), MIRAGE: Enigmas of Race, Difference and Desire, ICA, 1995.
- M. Crinson (ed.): Sonya Boyce: Performance, Institute of International Visual Arts in Collaboration with Cornerhouse (London, 1998)
- Rebecca Fortnum, Contemporary British Women Artists: In Their Own Words, I.B.Tauris, 2007, p113. ISBN 1-84511-224-5
- Kwesi Owusu, Black British Culture and Society: A Text-Reader, Routledge, 1999, p. 4. ISBN 0-415-17846-0
- Peggy Phelan and Helena Reckitt, Art and Feminism. London: Phaidon, 2001.
- Exley, Ron. "Sonia Boyce Artists Talking". a-n The Artists Information Company. Retrieved 25 April 2014.
- Oxford Art Online, www.oxfordartonline.com.
- Sonia Boyce "Artist biography", Tate online.
- Crinson, Mark (1998). Sonia Boyce: Performance. London: Institute of International Visual Arts (INIVA). ISBN 1 899846 15 8.
- BBC News, accessed 6 September 2007.
- Boyce, Sonia. "Art and Design Research Institute". Retrieved 25 April 2014.
- "TransNational Member Page". Retrieved 25 April 2014.
- "For you, only you – Ruskin School of Art (exhibition page)". Retrieved 25 April 2014.
- "Spike Island". Retrieved 25 April 2014.
- Boyce, Sonia (2010). Like Love. The Green Box. ISBN 9783941644168.
- Various (1995). Mirage: Enigmas of Race, Difference & Desire. London: ICA. ISBN 0 905263 84 7.
- Crinson, Mark (1998). Sonia Boyce: Performance. INSTITUTE OF INTERNATIONAL VISUAL ARTS (INIVA). ISBN 1899846158.