Spires of Naples
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These plague columns were built to celebrate the end of, or deliverance from, the plague. The columns may also be termed votive Marian and Holy Trinity columns, and could also be connected with non-pestilent calamities such as earthquakes or eruptions, or simply manifest faith, atonement, or expiation. The columns are generally named for the religious votive icon at the top. Most remaining columns were built were in 17th and 18th century Catholic Europe, and their heavy ornateness characterizes Baroque architecture. In Naples, by chronological order by date of completion, the spires are:
|Guglie (Spires) in Naples|
|San Domenico by Fanzago
||San Gennaro by Fanzago
||Immacolata by Bottiglieri and Pagano
- Spire of San Gennaro: (begun 1636, completed 1650) in the square of Sisto Riario Sforza. It was the work of Cosimo Fanzago, perhaps the greatest architect of the Neapolitan Baroque. The spire was erected to celebrate the deliverance of the city from the great earthquake of 1631.
- Spire of San Domenico:(begun 1656, completed 1737) located in the square of San Domenico Maggiore. The name refers to St Domenico di Guzman, founder of the Dominican Order. The spire was started after the plague of 1656; the designer also was Fanzago. The work was undertaken by royal architect, Francesco Antonio Picchiati, whose concern for documenting and preserving the ruins of the ancient Roman city of Neapolis beneath the site caused construction to be suspended in 1680. By then, the spire had reached only about half its present height. Only in 1737, was the guglia completed by the architect Domenico Antonio Vaccaro, working for the monarchy of Charles III, first Bourbon monarch of Naples. By definition, this spire is the only true "plague column" of the three.
- Spire of the Immaculate Virgin: (Begun 1747, completed 1750) located in the center of the Piazza of Gesù Nuovo. It was erected under Charles III. He had commented that the people should have means of admiring the statue of the Immaculate Virgin without having to go into the church of Gesù Nuovo, where the statue on stood. The Jesuit Francesco Pepe refused royal patronage and financed the construction of the spire through public donations. The spire was designed by Giuseppe Genoino and the main sculptors were Matteo Bottiglieri and Francesco Pagano. The rich ornamentation of the spire epitomizes Neapolitan Baroque sculpture. Building was facilitated by the existence of a pre-existing monument on the site, an equestrian statue of Philip V of Spain, which was partially destroyed in 1705 after the end of rule by Spanish viceroys.