William Carlos Williams's Spring and All is a volume published in 1923 by Robert McAlmon's Contact Publishing Co. It is a hybrid work consisting of alternating sections of prose and free verse. It might best be understood as a manifesto of the imagination. The prose passages are a dramatic, energetic and often cryptic series of statements about the ways in which language can be renewed in such a way that it does not describe the world but recreates it. These passages are interspersed with poems that demonstrate this recreation in both their form and content. The two most famous sections of Spring and All are poems I and XXII. The former, which opens "By the road to the contagious hospital," is commonly known by the title "Spring and All," and the latter is generally known as "The Red Wheelbarrow."
Spring and All was printed in an edition of 300 by Maurice Darantière, the Dijon, France printer who had printed the first edition of James Joyce's Ulysses in 1922, and who also printed a range of other significant modernist works. Williams himself said the book drew little attention at the time of publication. Until July 2011, when New Directions Publishing issued a handsome facsimile edition, it was never again published as a free-standing book, though the poems and some of the prose sections were reprinted in various combinations through the years. In 1970, Spring and All appeared in its entirety, along with several other short works, in New Directions volume Imaginations, which is still in print. Spring and All is also included in the first volume of Williams's Collected Poems.
Spring and All was cited as one of the 88 "Books That Shaped America" by the Library of Congress in 2012. In its statement on the impact of the work, The Library of Congress notes: A practicing physician for more than 40 years, William Carlos Williams became an experimenter, innovator and revolutionary figure in American poetry. In reaction against the rigid, rhyming format of 19th-century poets, Williams, his friend Ezra Pound and other early-20th-century poets formed the core of what became known as the “Imagist” movement. Their poetry focused on verbal pictures and moments of revealed truth, rather than a structure of consecutive events or thoughts and was expressed in free verse rather than rhyme.