St. Mary Axe
St Mary Axe was a medieval parish in the City of London whose name survives as that of the street which it formerly occupied. A church of the same name was demolished in 1561 and its parish united with that of St Andrew Undershaft, which is situated on the corner of St Mary Axe and Leadenhall Street. The site of the former church is now occupied by Fitzwilliam House, a fact acknowledged by a blue plaque on the building's façade. The street name may derive from a combination of the church dedicated to the Virgin Mary and a neighbouring tavern which prominently displayed a sign with an image of an axe, or simply from the church name itself, which may have come from the axes used by the Worshipful Company of Skinners, who were patrons.
The street St Mary Axe is perhaps most famous for fronting the Baltic Exchange at No. 38, and for being the location of 30 St Mary Axe, a skyscraper built on the former site of the Baltic Exchange (destroyed by an IRA bomb in 1992) and colloquially known as The Gherkin due to its distinctive shape. The street originates as a turn off Houndsditch at its northern end, with traffic flowing one-way southbound, and it originates at its southern end as a turn off Leadenhall Street, with traffic flowing one-way northbound. Both one-way portions of St Mary Axe converge at Bevis Marks, where traffic is forced westward into Camomile Street.
Number 70 St Mary Axe appears in several novels by the British author Tom Holt as the address of a firm of sorcerers headed by J. W. Wells (The Portable Door (2003), In your dreams (2004), Earth, Air, Fire and Custard (2005), You Don't Have To Be Evil To Work Here, But It Helps (2006)). This is itself a reference to Gilbert and Sullivan's The Sorcerer. In the song My Name Is John Wellington Wells, the lyric renders his address as "Number Seventy Simmery Axe"; this reflects the fact that some Londoners pronounce the street's name as "S'M'ry Axe" rather than enunciating it fully.
- Ann Saunders, The Art and Architecture of London: An Illustrated Guide (Oxford: Phaidon, 1984), 80.
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